Tag Archives: history

Read, Hot and Digitized: Fashion History Timeline — Dress Across the Ages

Read, hot & digitized: Librarians and the digital scholarship they love — In this series, librarians from the UT Libraries Arts, Humanities and Global Studies Engagement Team briefly present, explore and critique existing examples of digital scholarship. Our hope is that these monthly reviews will inspire critical reflection of, and future creative contributions to, the growing fields of digital scholarship.

The Fashion History Timeline is an online, open access resource that seamlessly marries dress history with modern technology, offering users an interactive and engaging way to explore the world of art and fashion. Its roots started in art history, when Fashion Institute of Technology (FIT) faculty and students developed a pilot project in 2015, aiming to make fashion history accessible to everyone, regardless of background or prior knowledge. This innovative platform boasts an array of features that redefine how we learn about and appreciate costume throughout the ages.

Screenshot depicting both menswear and womenswear in the early 1900’s.

For example, if I were curious about western garments in the early 1900’s, I would simply click on the appropriate time period, which is available in the main drop down menu. The page features an overview of styles worn and when scrolling further, displays recommendations for primary or secondary sources to further my research. The site also offers articles dedicated to both historical dress in BIPOC and LGBTQ+ cultures. Contributors to Fashion History Timeline range from academic professionals and experts within the fashion and art history fields around the world.

Screenshot showing the visual appearance of Fashion History Timeline’s source database.

One of Fashion History Timeline’s standout features is its reliance on and promotion of published writings.  For example, the source database, a curated annotated bibliography wherein users can dive into citations for a vast bibliographic list of textbooks, catalogs, and monographs that span across time and cultures. I found this to be helpful for digital research, with these particular sources being used as foundational pieces in building the database. The visual approach with information transforms the learning experience, allowing users to gain a deeper understanding of the context and significance attributed to each source. In addition, the website also has a Zotero database, where students and researchers can draw information as well as contribute to the wealth of bibliographic information. The sources are organized in a similar manner as the Fashion History Timeline website, emphasizing cohesion as a goal across the indexing.

As a former apparel design student, I would have loved to explore the Fashion History Timeline in my time as an undergrad. I highly recommend researchers, sewists, and anyone who is interested in costuming to utilize it. Comprehensive images and information for fashion history are not always easy to come by and this database fulfills a longtime need for accessible, reliable information about dress.


Want to learn more about fashion history? Check out these resources from the UT Libraries:

Cumming, V., Cunnington, C. W., & Cunnington, P. E. (2000). The dictionary of fashion history (2nd Ed.). Bloomsbury Academic.

Mahawatte, R., & Willson, J. (Eds.). (2023). Dangerous bodies: New global perspectives on fashion and transgression. Springer International Publishing.

Sposito, S. (2021). Fashion – the ultimate history of costume: From prehistory to the present (2nd Ed.). (K. Krell, Trans.). Promopress.

Want to get started on using Zotero? Check out this LibGuide about citation managers.

Read, Hot and Digitized: Katherine Dunham and the Data of Dance

Read, hot & digitized: Librarians and the digital scholarship they love — In this series, librarians from the UT Libraries Arts, Humanities and Global Studies Engagement Team briefly present, explore and critique existing examples of digital scholarship. Our hope is that these monthly reviews will inspire critical reflection of, and future creative contributions to, the growing fields of digital scholarship.


How does a dance move? Where might a dancer go? Such questions most likely evoke images of choreography, references to physical steps performed or patterns made across the floor. But dance scholars Kate Elswit and Harmony Bench are tracking movement from a different perspective, following the touring and travel routes of groundbreaking choreographer Katherine Dunham and her dance company from 1930-1960. Their project, Dunham’s Data: Katherine Dunham and Digital Methods for Dance Historical Inquiry, funded by the UK Arts and Humanities Research Council, documents not only Dunham’s own itineraries, but also accounts for “the over 300 dancers, drummers, and singers who appeared with her; and the shifting configurations of the nearly 300 repertory entities they performed.”

The Katherine Dunham Dance Company was the first African American modern dance company, touring extensively both internationally and across the United States, often disrupting the imposed structures of racial segregation. Dunham was also an anthropologist, author, and social activist, challenging the limited roles and opportunities available to Black women artists.

Dunham’s Data features three core datasets paired with both interactive and static visualizations and contextualized through accompanying essays and related media. Taken together, the materials “provide new means to understand the relationships between thousands of locations, and hundreds of performers and pieces across decades of Dunham’s performing career, and ultimately elaborate how movement moves across bodies and geographies.”

The Everyday Itinerary Dataset spans the years 1947-1960, logging Dunham’s daily whereabouts during a period of consistent international touring, including accommodations, modes of transport, and venues visited. Users can access and mobilize this dataset through an Interactive Timeline of Travel, tracing the global and durational scope of Dunham’s artistic reach. There is also a Well-being Timeline Collage, which I am particularly drawn to, that sequences clippings from personal correspondence, evidencing the emotional labor that undergirded Dunham’s career.

Interactive Timeline of Katherine Dunham’s Travel 1947-60, from Dunham’s Data
Interactive Timeline of Katherine Dunham’s Travel 1947-60, from Dunham’s Data

The Personnel Check-In Dataset encompasses the “comings and goings” of company members over time. The visualizations derived from this dataset, for example, the Interactive Chord Diagram, illustrate “who shared space and time together,” offering “a sense of the transmission of embodied knowledge across hundreds of performers.”

Interactive Chord Diagram of Katherine Dunham’s Dancers, Drummers, and Singers, 1947-60, from Dunham’s Data
Interactive Chord Diagram of Katherine Dunham’s Dancers, Drummers, and Singers, 1947-60, from Dunham’s Data

I find the visualizations related to the Repertory Dataset to be especially compelling. The Interactive Inspiration Map depicts locations that Dunham identified as sites of inspiration for choreographic works, enlivened by quotations from her program notes; and The Interactive Network of Dunham Company Repertory highlights connections across pieces and performances. These visualizations prompt me to consider the citational and iterative dynamics of choreography and creative process.

Interactive Network of Dunham Company Repertory, from Dunham’s Data
Interactive Network of Dunham Company Repertory, from Dunham’s Data

Elswit and Bench, along with a team of postdoctoral research assistants, manually curated the datasets from previously undigitized primary source materials held in seven different archives. User Guides explain the organization and decision-making processes behind each dataset, making clear that all data is inherently interpretive. Code and tutorials are available in Github repositories for a few of the visualizations, which were largely created by Antonio Jimenez Mavillard using Python and Javascript libraries and a range of other tools. Instructional resources and a preliminary Teaching Toolkit offer helpful ideas for engagement and entry points into what, for some audiences, might feel like dense material to dive into.

Overall, the project gives us a multi-faceted lens to explore how attention to moving bodies can expand and enrich historical inquiry.


Want to know more about Katherine Dunham? Check out these UT Libraries resources:

Dunham, Katherine., Vèvè A. Clark, and Sarah East. Johnson. Kaiso! : Writings by and About Katherine Dunham. Madison: University of Wisconsin Press, 2005. Print.

 Dee Das, Joanna. Katherine Dunham : Dance and the African Diaspora. New York, NY: Oxford University Press, 2017. Print.

Dunham, Katherine, and Paul Bieschke. The HistoryMakers Video Oral History with Katherine Dunham. Chicago, Illinois: The HistoryMakers, 2016. Film.

Middle East Special Collections Beyond a Special Collections Library

Next year, I’ll have been a librarian for 10 years, and there are many things that I’ve come to learn and appreciate in my time in the profession. I’m a subject specialist, the liaison librarian for Middle Eastern Studies at UT Austin. I manage library services for researchers interested in the Middle East as well as collections from or about the Middle East. I also coordinate services and collections for the History department. Both roles have allowed me to consider and question the boundaries that researchers and librarians alike have maintained regarding the types, priority, and value of library collections, particularly our physical collections. While all cultural heritage has value, it is usually what we call special collections or rare books that are the most highly prized. They tend to cost more, there are fewer of them, and they require special handling because of their age and/or material. Special collections are often stored in a separate and distinct space, served by dedicated and highly trained personnel, and permitted for use in controlled circumstances. What happens, however, when a valuable, rare item is kept in the regular stacks of the library’s general collections? How did it get there and why would a librarian keep it there? I want to explore these questions with two examples from the Middle East collections at UT Libraries that have allowed me to design new approaches to teaching and learning with the special collections in our stacks.

Locating Egypt in Türkiye

Dale J. Correa reviews the holdings at Turkish vendor Librakons in Istanbul.

In summer 2022, I had the honor to represent UT Libraries on an acquisitions and networking trip in Istanbul and Ankara, Türkiye. I met with a private collector in Istanbul, to whom I had been introduced by one of our regular Türkiye vendors, and purchased a number of titles in Arabic that had been published in Egypt. (It is perhaps curious that I’d go looking for Arabic in a country where the principal language in Turkish, and I’ve written about how and why I do this here.) One of those titles was al-Fath: Sahifah Islamiyah ‘Ilmiyah Akhlaqiyah, an intellectual journal circulated in the early 20th century. This journal is a crucial, backbone source for the intellectual, political, and legal history of the Middle East. It covers a variety of topics, including modernist Islamic thought, modern Egyptian history, Arabic language, British colonial history, Palestine and Zionism, Ottoman history, ethics, and the moral landscape of early 20th century Egypt. It is often cited by intellectuals of its time period (indicating its contemporary import), but it’s not widely available for research consultation in North America . Although North American scholars—including several at UT Austin in the departments of Middle Eastern Studies and History––have seen this title cited, and desired to consult the periodical themselves, many have been unable to do so. Only three North American institutions, including UT Austin, can claim to have a complete copy, while a handful of others have some volumes but not others. Considering the journal was published from 1926 – 1948, such spotty coverage is often inevitable. Additionally, al-Fath has not been digitized (which runs contrary to the growing researcher expectation for the digital availability of such essential materials).

When I brought al-Fath to the UT Libraries, I knew there would be a significant community of interest around it and that it would be an ideal locus for scholarly exchange. I partnered with Dr. Samy Ayoub (Department of Middle Eastern Studies and the UT School of Law) to prepare and host a reading workshop on al-Fath for faculty and graduate students in January 2023. Over the course of the fall semester, the UT Libraries’ Content Management department was able to complete the description and processing of al-Fath, getting it into the stacks in record time for researchers. This gave Dr. Ayoub and me time to prepare for the workshop with the help of Dr. Ahmad Agbaria (the Schusterman Center for Jewish Studies), who specializes in 20th century Arab intellectualism. While these two faculty members selected passages and legal cases for workshop attendees to read and interpret, I prepared a display of contemporary periodicals from our collections to provide greater context and comparison for al-Fath.

At the one-day workshop, faculty and graduate students with advanced reading knowledge of Arabic came together to unearth the treasures of this periodical for a new audience. Dr. Ayoub introduced the conceptual framework of the workshop and the thinking behind the selection of passages to read. Dr. Agbaria provided an excellent introduction to the scholarship of the period and the biography of al-Fath’s founding editor, Muhibb al-Din Khatib. I took the attendees through the acquisitions process for this title and introduced contemporary works from our collections, demonstrating the great company that al-Fath keeps in the stacks. These titles include Akhir Sa’ah, al-Qiblah (another journal edited by Khatib), Jaridat al-Balagh al-Usbu’i (a selection of which is now part of UT Libraries’ Digital Collections), and al-Muqtataf. We then spent the morning reading passages together, taking turns leading the discussion. For the afternoon session, we divided into small groups to read reports of legal cases and then share out our analysis with the others.

The workshop’s attendees walked away with a greater understanding of 20th-century Arab scholarship and legal thinking, and intimate familiarity with a (new-to-them) text that they can use in their teaching and research. Even faculty who have been with the university for most of their careers learned from the introductions and book display about materials helpful for their research that they hadn’t known were in our collections. The graduate students had the essential experience of close-reading a text in Arabic, which is a skill that they will need for their thesis and dissertation research . In many ways the workshop followed a classic philological approach by focusing on reading a text. However, through collaboration, and by combining the expertise of scholars 1) in a range of fields within the discipline of Middle Eastern Studies and 2) of different experience levels, we were able to read al-Fath in its own context, building the bigger picture against which to lay our understandings of discrete intellectual and political trends.

Banking on Ephemera

Before the pandemic, I began accepting donations of Middle East banking and finance materials: pamphlets, brochures, reports, and guides. These formats are the kind usually produced only once as an annual bank report, or a visitor’s guide to a financial institution that would’ve been updated regularly (and the outdated copies destroyed). For their impermanent nature, they are known as “ephemera” in the library world. They are inherently rare, as they were produced only once and in limited numbers. On top of that, most people would probably dispose of such materials in their personal possession. Think about the last time that you visited a tourist site and received a map or brochure––did you keep it? If you did, had it been folded or creased, beaten up at the corners from use? To find such materials at all, and then to find them in pristine condition, is rare indeed. I am sincerely grateful to the donor, UT Austin Emeritus Professor of Government Clement Henry, for his generous gift, which has made UT Libraries a destination for research on Middle East banking in the 20th century.

In accepting the gift of these materials, I recognized that they would be something to advertise widely to increase their accessibility. The UT Libraries’ Digital Stewardship department created superb images of some of the donated materials, as well as of some of our existing Middle East bank-related holdings, which I was able to turn into a digital exhibit. I also had the opportunity to build a physical exhibit in the Perry-Castañeda Library Scholars Commons, which was on view from November 2022 – March 2023. The physical exhibit featured some materials from the digital exhibit, and a number of other items that are better appreciated in person. One of those items is a map of the Turkish Central Bank branches and country infrastructure in the Central Bank’s 1955 annual report. A bank report is probably not the first place a researcher would think to find a map of Turkish financial and transportation infrastructure, which is why I wanted to highlight these materials for researchers at all levels of experience. My role as librarian is to make critical connections between researchers and the materials that will make a difference for their scholarship, and my day-to-day observations from our collections are essential for that work. The digital and physical Middle East banking exhibits were ways that I could demonstrate the scholarly utility of ephemeral, often neglected materials such as these.

Poster advertising the exhibit launch lecture with Dr. Clement M. Henry.

To honor the launch of the exhibits and the efforts of Dr. Henry to donate his incredible personal research collection to UT Libraries, the UT Libraries hosted a lecture by Dr. Henry titled, “Banks in the Political Economies of the Middle East and North Africa.” I sought to build upon the exhibits and Dr. Henry’s lecture by holding two “study hours” in the days preceding the main lecture event. Partnering with faculty in the Department of Middle Eastern Studies, I brought two advanced undergraduate courses into the Perry-Castañeda Library Learning Labs to physically engage with our Middle East banking collection. I pulled a selection of materials that I hoped would be fascinating and created an exercise for the students to do in small groups. A tangential benefit of the Middle East banking collection is that it is in English, French, Arabic, Persian, and Turkish, and comes in a variety of formats from monographs to pamphlets to serial reports. There’s a little something for everyone, and language does not need to be a barrier to understanding. This was the intention of the original authors of the bank reports and pamphlets, of course, who sought to broaden the investor base of their institutions.

As primary sources, these materials represent a period of rapid change and interaction with the conceptualizations and implementations of the term “modernity.”  Students in two very different courses on the contemporary Middle East were able to handle these rare and special ephemera and consider such issues as: choice of language(s); paper quality; color versus black and white images; length; frequency of publication; and choice of topics covered in the material (some of which were quite political). At a time when many students engage with library collections in a primarily digital form, and often with secondary sources that may only summarize the primary essence of the research, these study hours became precious moments for students to connect with the different, unfamiliar medium of ephemeral print and determine for themselves what it signifies to have access to these materials.

Keeping Special in the Stacks

So what happens when a valuable, rare item is kept in the regular stacks of the library’s general collections? It gets used and appreciated. Researchers access it more readily, students can stumble upon it while working on a term paper, and the item itself remains in a context of similar and complimentary works. It adds value to its shelf and stacks row and makes exploring the floors of the university library that much more interesting. There is almost no barrier to access, particularly in the public university environment of UT Libraries, and so even the most novice of researchers has a chance to benefit from this material. As Middle Eastern Studies Librarian, I intend to keep adding special and rare materials to our collection, not simply or only as a means of distinguishing the UT collection from others, but also because it is possible and currently a beneficial practice to make these materials available to all researchers who walk in our doors. I believe that the value of these items exists in the perceived tension between their rarity and their easy physical access, and I ask readers of this blog post to reconsider the hierarchy of rare and general collections.


Dale J. Correa, PhD, MS/LIS, Middle Eastern Studies Librarian & History Coordinator, University of Texas Libraries

Hidden in Plain Sight: Seeking Out Forgotten Treasures with The Public Domain Review

Read, hot & digitized: Librarians and the digital scholarship they love — In this new series, librarians from UTL’s Arts, Humanities and Global Studies Engagement Team briefly present, explore and critique existing examples of digital scholarship.  Our hope is that these monthly reviews will inspire critical reflection of and future creative contributions to the growing fields of digital scholarship.

As we enter a more digital workspace, the copyright of content we reuse in presentations or projects has become a more pressing question in our public facing work. While there are ways to search for resources by their Creative Commons licenses or by digging through the public domain, the results are not always satisfying. Enter The Public Domain Review, an online journal of scholarly essays and curated collections of material from the public domain.

Front page of The Public Domain Review.

The public domain refers to creative content in the United States that is no longer protected under copyright law. Every January 1st, works published before a certain year are released from copyright protection. 2021 welcomed material published in 1925 into the public domain. The first day of 2021 also saw The Public Domain Review celebrate its 10th anniversary of curating and publicizing interesting and obscured content from the public domain, related to history, art and literature. The digitized items and collections are gathered from 134 cultural heritage institutions and platforms across the internet, including the Smithsonian, Wikimedia and the Library of Congress. What separates The Public Domain Review from just another list of curious findings on the internet is the academic commentary on the relics by scholars, archivists and creatives in its Essays section. The collections on the site are mostly western-centric with a few global works included and are organized by theme, time period and medium. The pieces featured in the Review are not just images but also include film, books and audio. The level of organization and tagging make the unique compilations and essays easy to delve into on the site through its Explore page.

The project was developed ten years ago by history scholars and archives enthusiasts Adam Green and Jonathan Grey. The goal of The Public Domain Review has been to inform and highlight relics often forgotten or buried so deep that it would be difficult to come across serendipitously. The projects’ keen eye for the intriguing, supplemented by its expert commentary are what keeps me coming back to the site, either through the Review’s monthly mailing list or when I need an image for a presentation. The project’s editorial board selects collections and welcomes contributors to submit proposals that feature hidden cultural heritage materials.

The Public Domain Review is teeming with potential for digital scholarship endeavors and while there is no active portion of the project engaging with those scholarly methods, there are traces. The project site itself was built by UT Austin graduate, Brian Jones, a historian and web developer. In the retired series, Curator’s Choice, a guest writer from the GLAM sector (galleries, libraries, archives, museums), would spotlight digital collections or digital scholarship projects from their own institutions. See notable digital humanist, Miriam Posner on anatomical filmmaking here and read how scholars at The British Library are using digital technology to recreate a medieval Italian illuminated manuscript from fragments here.

The site also encourages reuse and remixing through its PD Remix section, holding caption competitions or gif creation challenges using works from their public domain highlights. Although a not-for-profit, they do have a Shop, selling prints, mugs, bound collections of Selected Essays, with the profits used to keep the lights on in this scholastic and engaging corner of the internet.

The public domain itself is a treasure trove of cultural artefacts often hidden by the complexities and rules in copyright law. Luckily, The Public Domain Review exists to spotlight these relics and even shows you how to find your own out-of-copyright gems. Below are some of my favorite exhibits and essays from The Public Domain Review.

Collection: Japanese Depictions of North Americans (1860s).

Collection: W. E. B. Du Bois’ Hand-Drawn Infographics of African-American Life (1900).

Collection: Hopi Drawings of Kachinas (1903).

Essays: Emma Willard’s Maps of Time.

Collections: The Surreal Art of Alchemical Diagrams.

Find out more about the public domain in UT Libraries collections and guides:

-Still not sure what the public domain is or want to know more about copyright and fair use? See the library’s Copyright Crash Course guide.

-Take a look at the list of works that entered the public domain in 2021 on UT Austin’s Open Access blog here.  

-Fire insurance has never been more exciting than when depicted in the colorful, aesthetically pleasing Sanborn Fire Maps from the PCL Map Collection.

Read, Hot, and Digitized: 1947 Partition Archive

Read, hot & digitized: Librarians and the digital scholarship they love — In this series, librarians from UTL’s Arts, Humanities and Global Studies Engagement Team briefly present, explore and critique existing examples of digital scholarship.  Our hope is that these monthly reviews will inspire critical reflection of and future creative contributions to the growing fields of digital scholarship.

Increasingly simple and cost-effective digital technologies have made capturing and distributing oral histories a robust and growing field for archivists and for researchers, and, by extension for students and scholars seeking primary source, personal narratives to augment their understandings of history.  One of the most compelling South Asian oral history projects is the 1947 Partition Archive.  The Archive’s mission is to preserve eyewitness accounts from those who lived through the exceptionally turbulent and violent period when the Indian subcontinent gained independence from Britain, divided into the nation-states of India and Pakistan, and millions of people migrated from India to Pakistan, from Pakistan to India, from India and Pakistan to other parts of the world.  The work of the Archive is especially pressing: it has been 72 years since Partition and those still alive and able to directly recount their stories are increasingly rare.  As such, the core of the Archive’s work is to use its digital platform to encourage and motivate more interviews.

Using the power of “the crowd” to create content as well as to fund itself, the 1947 Partition Archive is demonstrably transparent in its methodologies; of particular use to those new to video oral histories is their “Citizen Historian Training Packet” which walks a novice through best practices for interviewing, strategies for good video capture, recommendations for incorporating still images into videos and even how to employ social media to generate interest (and potentially more interviews!).   The Archive has gathered over 5000 interviews so far and uses a very persuasive interactive map (StoryMap) on its front page to document the scale and scope of migration while simultaneously indexing the interviews; on the map itself, try searching a city either in “migrated to” or “migrated from” to generate a list of interviews, many with detailed text summaries that can be easily shared through social media, email, etc.

A handful of video interviews are available on the front page of the Archive’s website and raw, unedited recordings are available upon request.

Recently the Archive has partnered with Stanford University Library to preserve and archive the recordings.  To date, approximately 50 interviews are available through streaming on the site and (contingent on funding) one can hope for more to be available soon.  On the Stanford site, one can navigate by language, author, place & date of recording, but those just beginning to explore the subject may find the “Today’s Story” a good place to start.

The stories bravely shared through the 1947 Partition Archive are simultaneously compelling and devastating in their intimate descriptions of destruction, of violence, of loss.  And yet, they also provide hope: all interviewees survived the ruin that was Partition and the very act of sharing their stories demonstrates a hope for and generosity towards future generations to learn from the past.

The UT Libraries has an extensive collection related to Partition; those new to the topic might begin with a short story by Saadat Hasan Manto, “Toba Tek Singh,”  a novel by Khushwant Singh, Train to Pakistan, or by Salman Rushdie, Midnight’s Children, or Vishwajyoti Ghosh’s curated graphic novel, This Side, That Side.

Stanford University's 1947 Partition website.

Collections Highlight: The Memoirs of Santa Anna

Antonio López de Santa Anna. “Mis memorias, escritas de mi puño y letra sin ayuda de nadie,en mi último destierro,” 1872. Paper, 12 x 7 in. Genaro Garcìa Collection, Benson Latin American Collection.
Antonio López de Santa Anna. “Mis memorias, escritas de mi puño y letra sin ayuda de nadie,en mi último destierro,” 1872. Paper. 12 x 7 in. Genaro Garcìa Collection,
Benson Latin American Collection.

Mexican politician and general Antonio Lopez de Santa Anna wrote these memoirs during his final exile in Havana in 1872.

Sometimes referred to as “the Napolean of the West,” Santa Anna — who served as president of Mexico in multiple, non-consecutive terms — is infamous for losing control of Texas and the extensive territories of the U.S. Southwest in 1836.

The Trail That Made Texas

When Alonso de Léon took his troops from the Rio Grande to the Guadalupe river – and later to the Neches – in search of French settlements, he probably had no idea that his tracks would pave the way for the creation of the state of Texas.

The Benson Latin American Collection is hosting an exhibition of photographs by Christopher Talbot from the National Historic Trail formed by de Léon’s expedition.

El Camino Real de los Tejas is on display at the Benson through the end of the month, and a reception with Talbot in attendance takes place tomorrow, Wednesday, September 21, from 5-7pm.

You can RSVP to the Benson’s Facebook event page.

“The Past is Never Dead.”

Here’s some great news from our colleagues across campus.

The History Department has just launched an informative, interactive history web site. Not Even Past provides current historical writing for a popular audience. For history buffs who want reading recommendations and short, interesting, digestible stories every day, the website offers text, audio, and video histories on subjects that span the globe. The site is designed for anyone who is interested in history, from an avid reader of history to a history film aficionado.

The content and “picks” are written by the department’s 60-person faculty with additional input from the graduate students. Notevenpast.org is rich with book and film recommendations, video interviews, podcasts, online commentary, and even virtual classes (free) every semester.

The History Department’s new site is one-of-a-kind – no other university or institution offers a similar resource. Not Even Past will be identified with the individuals in the History Department at UT, giving readers a personalized experience of great history writing as well as promoting the strengths of the department and the University of Texas. Not Even Past also differs from other History department sites in its stylish visual design and its cutting-edge user-friendly functionality.

And just in case you want to follow up on the current reading recommendations from Not Even Past, they’re all part of the collections at PCL (and currently available).

American slavery, American freedom : the ordeal of colonial Virginia / Edmund S. Morgan.

Disowning slavery : gradual emancipation and “race” in New England, 1780-1860 / Joanne Pope Melish.

Narrative of the life of Frederick Douglass, an American slave / written by himself with related documents ; edited with an introduction by David W. Blight.

Editors discuss new book on Latino expericence during World War II

texlibris_beyondthelatinoThe Center for Mexican American Studies hosts a discussion of Beyond the Latino World War II Hero: The Social and Political Legacy of a Generation (University of Texas Press, 2009) with editors Maggie Rivas-Rodríguez and Emilio Zamora today at 4 p.m. at El Mercado Uptown,  1702 Lavaca St.

Beyond the Latino World War II Hero extends on the work of the U.S. Latino & Latina World War II Oral History Project which was founded by Rivas-Rodriguez. The project has interviewed more than 650 men and women of the World War II generation and has multiple components, including a photographic exhibit, a play, three books, and a website which was developed with and hosted by the University of Texas Libraries.

Maggie Rivas-Rodríguez is Associate Professor of Journalism at the University of Texas at Austin and in 1999 founded the U.S. Latino & Latina World War II Oral History Project. Emilio Zamora is Associate Professor of History at the University of Texas at Austin and the author of The World of the Mexican Worker in Texas.