The Perry-Castañeda Library is named for two former University professors, Ervin Sewell Perry and Carlos Eduardo Castañeda.
Ervin Sewell Perry 1935-1970
Ervin S. Perry, the first African American to be appointed to the academic rank of professor at the University of Texas at Austin, was an associate professor of civil engineering at the time of his death in 1970. He received the M.S. degree from the University of Texas at Austin in 1961 and the Ph.D. in civil engineering from the university in 1964, working in the areas of materials science and structural mechanics. Before his untimely death, Dr. Perry was a prominent figure in engineering. In 1970, he was named to receive the National Society of Professional Engineers’ first “Young Engineer of the Year Award.” He had been similarly honored at state and county levels by the Texas Society of Professional Engineers.
Ervin Perry was graduated from Prairie View A & M University in May 1956 with a B.S. in civil engineering and was commissioned a second lieutenant in the U.S. Army Corps of Engineers. After two years of military service, he taught at Southern University in Baton Rouge before deciding to pursue graduate work. He first came to the University of Texas at Austin in the summer of 1959 when he entered the graduate school to study civil engineering. He took a brief hiatus from his studies to serve on the engineering faculty at Prairie View A & M University. From the summer of 1960 until December of 1970, Ervin Perry was connected in some way with the university and brought distinction to himself and his institution.
He was awarded the M.S. in civil engineering in June 1961; he chose the title, Bond Stress Distribution in Concrete Beams and Eccentric Pullout Specimens, for his master’s thesis. Three years later in May 1964, Perry was awarded his Ph.D. His dissertation, A Study of Dynamically Loaded Composite Members, described his research in the areas of materials science and structural mechanics.
Ervin Sewell Perry was born on a farm in Coldspring, San Jacinto County, Texas, in 1935, a twin son of Willie and Edna Perry. He grew up with four sisters and a twin brother. The close-knit family was inspired by their father and schoolteacher mother to move toward higher education: all of the Perry children hold degrees from Prairie View A & M University, where their mother attended school.
Headlines over the state carried the news when Ervin S. Perry was named assistant professor of civil engineering in the Fall of 1964, the first African American ever appointed to this level of academic rank at the University of Texas at Austin. Widely sought by other top-ranked colleges, Perry elected to stay in Austin and to make noteworthy contributions to his own university.
Early in 1970 Dr. Perry became ill and went to M.D. Anderson Hospital in Houston for treatment. He resumed his teaching later in the year, but illness recurred that fall in Berlin, Germany, where he was representing the university at an international engineering conference, presenting papers based on his research on the basic properties of concrete. Ervin S. Perry died at the age of 34 in December 1970.
Carlos E. Castañeda played a central role in the early development of the Benson Latin American Collection, which is considered one of the world’s foremost repositories of Latin American materials. He was a Phi Beta Kappa graduate of the University of Texas at Austin where he earned the B.A., M.A., and Ph.D. degrees. Dr. Castañeda was librarian of the Latin American Collection from 1927 until 1946 and is given principal credit for acquiring the incomparable private collection of Garcia Icazbalceta of Mexico. Recognized as an authority on the early history of Mexico and Texas, Dr. Castañeda served as a part-time associate professor of history from 1936 to 1946, when he was named professor of Latin American history, a position he continued until his death in 1958.
Carlos Castañeda was born in Camargo, Mexico, in 1896. He attended schools in Matamoros until the sixth grade when his family moved to Brownsville. He quickly learned English and was graduated with highest honors from Brownsville High School in 1916. Orphaned at the age of fourteen, young Carlos assumed the responsibility for himself and his four unmarried sisters. After graduation he taught in a school at Las Palmas.
Castañeda enrolled in the University in 1917 as a student of engineering and took a part-time job working for Dr. Eugene C. Barker in the History Department. This work with Dr. Barker led Castañeda to discover history and to change his major. He was graduated with an A.B. in history in 1921 and was elected to Phi Beta Kappa. After graduation he taught in the public schools of Beaumont and San Antonio before returning to the University of Texas at Austin to work on his M.A., which he completed in 1923. His master’s thesis was titled A Report on the Spanish Archives in San Antonio, Texas .
Carlos Castañeda was an associate professor of Spanish at the College of William and Mary from 1923 to 1927. He returned to the University of Texas at Austin and was named librarian of the Genaro García Collection, now the Benson Latin American Collection, in 1927. He retained this association while serving as associate professor of history from 1939 until 1946 and developed that collection into one of the most distinguished in the United States.
Castañeda was granted his Ph.D. from the University of Texas at Austin in 1932. His dissertation, Morfi’s History of Texas, is a critical edition from an original manuscript by Fr. Juan Augustin Morfi that Dr. Castañeda discovered within the archives of the convent of San Francisco el Grande in the National Library of Mexico. In 1946 he was named professor of Latin American history, a position he continued until his death in 1958.
We hope you had an exciting and/or restful summer reprieve, with time to reflect on your successes so far, and to look ahead to the coming academic year.
We’re feeling optimistic about the ongoing reset after our experiences with the health crisis, and the work of UT Libraries is returning to a sense of normalcy and stability that begins to recall its former state.
We have learned much in the past few years, and now that we are feeling more confident in the outlook, we’ve begun to apply that knowledge to our planning for the future. Much of this work revolves around the different ways in which people learned to use libraries during the pandemic when operations moved to remote then hybrid environments, and the residual practices that users developed out of that experience. But a key area to which we have committed our efforts is one that found currency during the crisis and was motivated by social upheavals and the subsequent reflective period that occurred as a result.
The concept of Inclusion/Diversity/Equity/Accessibility – IDEA in our work, but recognizable elsewhere as components of DEI – has become a priority for the Libraries. Our staff committed extraordinary effort and time to reviewing our systems and developing an IDEA implementation plan for beginning the ongoing work of integrating IDEA concepts into the normal operations and systems of this institution. We felt this work was such an imperative that we began work before we could feel the ground settle beneath our feet, and we know that moving forward, our recovered stability will help to advance at a greater pace to address inequities that have gone too long overlooked.
This work cannot be ours alone, though. As always, we can only succeed in partnership with our users, advocates and friends. We need praise and recognition when we are making progress, but also criticism and accountability when we fall short. This long journey has begun, and we ask that you accompany us and help navigate these Libraries towards its best future.
We wish you the best for the coming year, and brighter days ahead.
UT Libraries is excited to announce that Texas ScholarWorks (TSW) has crossed the 100,000 item threshold!
The 100,000th item to be added was the minutes from a meeting of Student Government on May 3rd, 1988. This item is part of a larger collection of over 3,000 documents related to UT Student Government. Gilbert Borrego, Digital Repository Specialist, has been managing this long-term project in cooperation with Student Government.
Texas ScholarWorks (formerly the University of Texas Digital Repository) was created to provide open, online access to the products of the University’s research and scholarship, preserve these works for future generations, promote new models of scholarly communication and deepen community understanding of the value of higher education. TSW went into production in September 2008, and the process of making content available online has been a team project from the start. The launch of TSW was the work of Project Institutional Repository Implementation (IRI) which started in early 2008. Over the course of approximately one year, the Project IRI team contributed 4,505 hours of work towards the launch and promotion of TSW. At the conclusion of the project in January 2009 there were 5,961 items in TSW.
The current TSW team includes our Digital Repository Specialist, Head of Scholarly Communications, a student worker, several catalogers, staff in digitization, librarians who refer faculty and students to us, and staff at Texas Digital Library who host TSW.
It’s really exciting to see the usage of resources shared in TSW. As of earlier this month, there have been over 39,000,000 total downloads of TSW materials. Top countries using TSW materials include:
We know how much amazing research and scholarship is happening at UT Austin, and being able to offer remote access to that content is really important. We’ve gotten so many comments from researchers around the world who have found relevant materials in TSW and are thankful for online access. We’ve also gotten rave reviews from faculty and staff on campus who have shared their research in TSW and seen immediate results.
Thank you so very much. I have already downloaded the dissertation and love being able to read it here at home!
You ROCK! Dr. [redacted] was thrilled to get access to [redacted] thesis. Many thanks to you and your team for keeping us in the hopper while traversing all things COVID. It was greatly appreciated.
Thanks for your help in finding this paper. In these Covid times, lots of groups, including my local library, have discontinued research services.
Thanks a lot. It really means a great deal to me.
I am extremely grateful! Thank you for acting so quickly. You have brightened my day.
We are so excited—I uploaded the report to TSW yesterday and it already has 25K views!
We are so thankful to everyone who has contributed to the success of TSW: the Project IRI team, current UT Libraries staff working on TSW, staff, faculty, and students at UT who upload their research, and our partners at Texas Digital Library for helping us reach this impressive milestone! Here’s to the next 100,000!
With the arrival of Vice Provost and Director Lorraine Haricombe, the Libraries leaned into Open Access as a strategy for equitable access to resources and as a budgetary countermeasure in a the face of skyrocketing publishing costs. A facet of the work that has gotten extra attention is Open Educational Resources – OERs – defined by the Scholarly Publishing and Academic Resources Coalition as “teaching, learning and research resources released under an open license that permits their free use and repurposing by others. OERs can be textbooks, full courses, lesson plans, videos, tests, software, or any other tool, material, or technique that supports access to knowledge.”
In the fall of 2019, the Tocker Foundationprovided $355,000 for a collaborative project between the UT Libraries, the Austin Public Library (APL) and Austin Community College (ACC) to promote the adoption, development and distribution of OERs. Funding from the gift subsidized the hiring of a dedicated librarian to develop and execute a plan for broad adoption of OERs at UT, as well as for the award of open education grants, education and training on OERs and joint promotion of open education with partner institutions APL and ACC.
In fall 2020, the Libraries hired Ashley Morrison – a former UT iSchool alum and GRA who had landed a permanent position at the North Carolina State University Library, but whose interest in open education called her back to Austin – to become the first Tocker Open Education Librarian at the university.
A little over a year after pioneering the position at UT, Ashley talks with us about her love of open access and OERs, the foundation she’s building and perceptions of the enterprise so far.
Tex Libris: How did you become interested in Open Access and OERs?
Ashley Morrison: I first learned about open access and open education as movements in graduate school, but conceptually, democratized access to and production of knowledge is something that always spoke to me (and was a big part of why I wanted to become a librarian!). As a first-generation college student who was responsible for most of the cost of my education, it’s easy to understand the power and potential of OER to transform course material access and have a positive impact on the financial well-being of students. While textbooks and course materials are just one factor contributing to the rising expense of higher education, it is a tangible and addressable obstacle through the availability and adoption of OER and other OA materials.
TL: What is your assessment of the OER landscape at UT? In what ways can OERs benefit students/faculty/researchers at the university?
AM: There is a small but growing community of UT instructors, staff, and students who already use and advocate for the adoption of OER, and they are my partners in driving awareness of OER on campus. Through my personal interactions and through more scaled survey-based outreach, we know that faculty at UT are largely receptive and willing to consider OER as required course materials. We also know that they often need more support to make such a big change to their curriculum, and I love being able to offer some of that support as they search for, evaluate, and adapt OER for use in their classrooms.
The most obvious benefit of OER for students, and what gets most people interested in OER, is the eliminated or significantly reduced financial barrier to access course materials. Most OER is available at no cost, and printed materials are generally available at the cost to produce them. But what I’ve heard others say and I definitely observe to be true is that with OER, you come for the free access, but you stay for the pedagogy. The open licenses conferred to OER by their creators allow anyone who uses them to make copies and customize the resources freely. That means they can be translated into new languages, modified to better reflect the student body of a particular institution or classroom, updated with new research or case studies, and more. It also enables faculty to engage students as editors and creators in the production of OER. Students can contribute to open textbooks, create open websites, and more. Students are not just knowledge consumers but knowledge creators, and that’s a really transformative concept for many of them.
TL: What projects have you undertaken since you took on the job?
AM: This year has been a busy one! There are a few projects that have been especially fulfilling, including a partnership between UT Libraries and students in Natural Sciences Council and the Senate of College Councils that produced our first faculty recognition program, the Affordable Education Champions. Through this campaign, we invite the student body to nominate faculty whose choices to assign free or low-cost materials have had a real impact on them.
I also really enjoyed working with colleagues from the OER Working Group to launch our first OER-focused instructor learning community, with grant funding from the Faculty Innovation Center providing small stipends to our participants. We spent six weeks with the ten selected instructors discussing OER and other affordable course materials as tools to foster inclusion in their classrooms, and we hope to offer more communities like this in the future.
Finally, one I’m very excited about this year is the Open Education Fellows pilot program. This program is designed to offer our small cohort of faculty fellows financial and programmatic support in their effort to adopt or adapt existing OER or develop new resources to fill gaps in the OER landscape.
TL: What sort of reception have you received from potential stakeholders on campus?
AM: It’s been a very encouraging reception! From students to staff to faculty to administration, open education is generally received with curiosity and interest. This isn’t to say that there aren’t some concerns expressed, but most stakeholders I’ve spoken with are open to learning more about the financial and pedagogical benefits of using OER in the classroom.
TL: Do you coordinate with institutions outside of UT? If so, how does that influence your local strategy?
AM: Yes! I’m very lucky that the open education community actively seeks collaboration, which makes a lot of sense given that connection is a principle of open education. I am regularly in touch with a small group of librarians called the OER Ambassadors, which is a program facilitated by Texas Digital Library. More recently, I’ve also helped convened an informal group of practitioners across the UT System, which aligns strategically with the Momentum on OER (MOER) effort sponsored by the System. Each of these groups is really valuable because they give me a chance to connect with colleagues doing similar work, though each of our OER programs may be in different stages of maturity. I learn a lot from hearing what’s worked well for others, what’s been challenging, and how they’re implementing best practices and in some cases mandates from legislation related to OER. These colleagues are incredibly generous, and their insights have directly informed the development of many of our OER programs at UT.
TL: How did the health crisis impact your work? You came on in the middle of the pandemic, at a time when OERs would’ve been really beneficial, but I imagine that you were also limited in opportunities to hit the ground and start building networks.
AM: While the pandemic did inhibit my ability to knock on doors and host physical programming that was central to UT’s OER advocacy efforts in previous years, my experience was that it engendered a great sense of empathy between faculty and students that opened them up to conversations about OER in a way that they may not have been before the pandemic. There is a heightened sense of awareness of the struggles we’re each facing right now, and for many members of our UT community and their families, financial vulnerability has been a really evident challenge. I have seen faculty go to great lengths to mitigate any of the struggles that they can for their students – from being more flexible about assignment deadlines to revising testing procedures to reevaluating course materials that cause financial burdens for some students. While faculty continue to have so many of their own challenges to address during this health crisis, I have seen them prioritize the well-being of their students repeatedly. OER has been one tool for doing this.
TL: What’s the biggest challenge you’ve recognized since you arrived? What’s the biggest opportunity?
AM: One of the biggest challenges I’ve observed is that while so many faculty are interested in using OER, the right OER isn’t there for every class just yet. This especially comes up in my conversations and searches with faculty teaching upper-division courses. It’s not surprising since most of the large-scale, funded OER projects are aimed at introductory level courses, but it’s still disappointing when someone is really excited about adopting OER and just can’t find what they need. In those cases, we explore other free and affordable options, like searching UT Libraries’ vast collections to identify licensed materials that would be free for students to access. These faculty are also often interested in developing their own OER to address these gaps in content, which I see as one of UT’s greatest opportunities to impact not only our students but anyone, anywhere who wants to learn. However, developing OER takes a lot of time that our faculty often don’t have, and the work is not always recognized through the existing reward structures of the university (such as promotion or tenure). The Open Education Fellows pilot program is our first step to seeing what it would take to support faculty authors and OER publishing projects, and I’m very excited to learn and identify opportunities to scale that program in the future. With funding, I’m optimistic that we can enable UT community members to create more open, public knowledge.
TL: What do you hope to achieve in the short-term – next couple of years – and what about the long-term?
AM: I mentioned already my hopes for scaling OER adoption and development through the Open Education Fellows program, but beyond that, another short-term goal I have is to support faculty who are interested in assessing the impact of adopting OER and other free resources in their classrooms. Studies outside of our institution overwhelmingly show that students enrolled in courses using OER perform as well or better than students enrolled in courses using commercial textbooks. Some studies are even able to demonstrate that the impact to outcomes like final grades are outsized for historically underserved groups like first-generation students, students with financial need, and BIPOC students. I’m eager to partner with faculty interested in replicating or expanding on these studies and contributing to the scholarship of teaching.
A longer-term goal is really more about a cultural shift, and I believe we’re at the start of it now. I want OER (and affordability, more generally), to be a key part of the University’s strategic priorities. It makes sense to have the UT Libraries guide our campus OER efforts as a thought leader and programmatic coordinator, but open education won’t be a formidable movement on campus without administrative support outside the Libraries. It is critical, for example, that faculty contributions related to OER – adopting, adapting, developing, and co-creating with students – are formally recognized and valued in promotion and tenure guidelines. I am optimistic that the work of the Sustainable Open Scholarship Working Group will advance this conversation and lead to more institutional support for OER, but the shift we need will take time at a university of our size.
TL: Given user familiarity with traditional publishing, how do you change minds about the fairly novel concept of OERs?
AM: It’s definitely easy to think of OER as the wild west of publishing – no peer review, no quality control, no graphic design value. But that’s not the case! So far, the most effective way to ease minds has been to actually show people high-quality examples of OER in the wild. I often point to examples from OpenStax, though they aren’t the only publisher of beautifully-produced, peer-reviewed OER with the ancillary materials that instructors often value. (And to be clear, not all OER is like this, just as not every commercial textbook is.) The point is that OER can look a lot like the proprietary textbooks they may already be using, and doing hands-on exploration is the only way to determine if any kind of course material is right for you, whether it’s published openly or commercially.
The Benson Latin American Collection dressed up and campus lit up for the opening of the newly-named Ann Hartness Reading Room.
On Thursday, March 24, the Benson hosted a dedication ceremony for the renovated space in recognition of former head librarian Ann Hartness, who is renowned for her 38-year career at the Benson and her contributions to Brazilian studies. The space naming is the result of a generous gift by Hartness’s son Jonathan Graham and daughter-in-law and Elizabeth Ulmer, who are both graduates of UT’s School of Law,
The couple is directing a portion of their gift to establish the Jonathan Graham and Elizabeth Ulmer Fund for Library Materials on Brazil, an endowment to enhance the Benson’s Brazilian studies collection. The remainder of their gift will match other donors’ gifts to new or established endowments in any area at the Benson.
“My mother raised three boys in two different countries, moving back and forth while balancing her family, her education and her work,” says, Graham. “I’m just so proud of her, because when I think of the arc of her life, at a time when women from her background essentially followed their husbands, she made her own very distinctive career.”
The reopening of the Hartness Reading Room extends the Centennial Celebration of the Benson, which began last year. In honor of the Benson centenary and the occasion of the reopening, the UT Tower was lighted orange.
Hartness joined the Benson in 1970, working as a cataloger of Latin American periodicals. She helped with the transition as libraries moved towards digital services and resources, and eventually worked her way up to director. Throughout her tenure, she increased the depth and breadth of the library’s holdings in Brazilian materials. She retired in 2008 at age 73.
“Ann Hartness is synonymous with Brazilian collections at the Benson,” says Benson Director Melissa Guy. “It was through her tenacity, in-depth knowledge, and personal relationships that the library built a strong foundation for the study of Brazil at The University of Texas at Austin.”
The Benson’s main reading room is frequented by students, faculty and scholars from around the world, and it is the very room where Jon Graham spent countless hours studying as a teen and later as a Texas Law student.
“It was a refuge to study in one of the graduate student carrels in the Benson Collection. It was a quiet place to read, wander and collect my thoughts. This is a perfect way to honor my mother,” he says.
To learn more about the Jonathan Graham and Elizabeth Ulmer Fund for Library Materials on Brazil and other giving opportunities at the Benson Latin American Collection, contact Hannah Roberts at email@example.com.
When walking through the doors of the colloquially-referred-to PCL, there’s a tendency to overlook the actual name of the building. It’s official designation – the Perry-Castañeda Library – is named for two former University professors and prominent historical figures, Ervin S. Perry and Carlos E. Castañeda.
Ervin Sewell Perry is the first African American to be appointed to the academic rank of professor at the University of Texas at Austin. He was an associate professor of civil engineering at the time of his death in 1970.
Perry was born on a farm in Coldspring, San Jacinto County, Texas, in 1935, a twin son of Willie and Edna Perry. He grew up with four sisters and a twin brother. The close-knit family was inspired by their father and schoolteacher mother to move toward higher education: all of the Perry children hold degrees from Prairie View A & M University, where their mother attended school.
Perry graduated from Prairie View A & M University in May 1956 with a B.S. in civil engineering and was commissioned a second lieutenant in the U.S. Army Corps of Engineers. After two years of military service, he taught at Southern University in Baton Rouge before deciding to pursue graduate work. He first came to the University of Texas at Austin in the summer of 1959 when he entered the graduate school to study civil engineering. He took a brief hiatus from his studies to serve on the engineering faculty at Prairie View A & M University.
He was awarded the M.S. in civil engineering in June 1961; he chose the title, Bond Stress Distribution in Concrete Beams and Eccentric Pullout Specimens, for his master’s thesis. Three years later in May 1964, Perry was awarded his Ph.D. His dissertation, A Study of Dynamically Loaded Composite Members, described his research in the areas of materials science and structural mechanics. From the summer of 1960 until December of 1970, Ervin Perry was connected in some way with the university and brought distinction to himself and his institution.
Early in 1970 Dr. Perry became ill and went to M.D. Anderson Hospital in Houston for treatment. He resumed his teaching later in the year, but illness recurred that fall in Berlin, Germany, where he was representing the university at an international engineering conference, presenting papers based on his research on the basic properties of concrete. In 1970, he was named to receive the National Society of Professional Engineers’ first “Young Engineer of the Year Award.” He had been similarly honored at state and county levels by the Texas Society of Professional Engineers.
Ervin S. Perry died at the age of 34 in December 1970.
Get a personal perspective on Dr. Perry presented by his nephew, Gene Locke, to the University of Texas Black Alumni Network at their Legacy Dinner on September 8, 2017, in recognition of the 40th anniversary of the Perry-Castañeda Library.“On Ervin Perry’s Legacy.”
Read, hot & digitized: Librarians and the digital scholarship they love — In this new series, librarians from UTL’s Arts, Humanities and Global Studies Engagement Team briefly present, explore and critique existing examples of digital scholarship. Our hope is that these monthly reviews will inspire critical reflection of and future creative contributions to the growing fields of digital scholarship.
The project “The Death of Ivan Ilich”: An Electronic Study Edition of the Russian Text, based at the University of Minnesota Libraries, is an openly published resource highlighting how digital media can supplement and enhance the close reading of literature. The project contains the text of Lev Tolstoy’s novella The Death of Ivan Ilich in multiple formats, including the original Russian with an English translation side-by-side, versions with hyperlinked explanatory and interpretive annotations, contextual introductory remarks by the project’s author, and an extensive bibliography. This is an important resource for any serious study of Tolstoy’s work, and it being made available in an open and remixable format is a boon for students and instructors alike.
Tolstoy’s novella is a seminal work of world literature, and is studied broadly both in translation and the original Russian. Useful as a tool for students both of the Russian language and of Russian literature, this bilingual edition bridges the gap between language pedagogy and general literary study. The original Russian text–published in 1886–is in the public domain, as is the English translation by Louise and Aylmer Maude. The introduction, annotations and selected bibliography by Gary R. Jahn, Professor of Russian Language and Literature at the University of Minnesota, are licensed under a Creative Commons Attribution-NonCommercial license. This license allows users to share and adapt the text–that is, “copy and redistribute the material in any medium or format” and “remix, transform, and build upon the material” as long as the license terms are followed.
The main interface for the project was built in Pressbooks, a platform that allows users to create and share openly published digital editions of books that can also be downloaded as PDFs. The edition includes its own identifying ISBN, allowing for easy citation, and is highly interactive. For example, the glossed version of the text, includes linked annotations that can be clicked on to read as you go through the text. Some of these annotations also include images illustrating elements of the text that may be opaque to contemporary readers; one, for example, includes an image of a funeral announcement from 19th-century Russia. These very helpful annotations can be viewed in both the English and the Russian versions of the text.
This edition is an important contribution both to open scholarship and the study of Russian literature. Allowing students and researchers to easily compare and contrast the original Russian with the translation in an accessible digital format is very helpful, as are the many explanatory notes and annotations included in the project. Furthermore, the bibliographies of both primary and secondary sources in multiple categories allows both the casual reader and the more dedicated student or scholar to explore further. In short, this online edition is a valuable example of the extensive and interoperatible possibilities of digital scholarship and open publishing.
For more information, please consult the UTL resources below:
We recently talked in specific about a project to work on a proactive strategy to diversify our collections. That piece focused on the expansion of Black Lives Matter materials in our holdings, and was a great practical introduction the sort of work being done by professional staff to account for past inequities in how we acquire materials. The umbrella effort for that project was spearheaded by Carolyn Cunningham, the Libraries’ Head of Collection Development, who shares her perspectives on the comprehensive work to diversify the Libraries’ collection here.
The liaison librarian team in SRD recently had the opportunity to talk with library colleagues about how IDEA informs our collection development work, and how we support others in their collection development work. Our team members are Carolyn Cunningham, David Flaxbart, Corinne Forstot-Burke, Bill Kopplin, Susan Macicak, Katy Parker, and Shiela Winchester. The team is committed to using an IDEA lens in all of our work, beyond special projects or short-term initiatives. This means that we approach every request for a book, every new product offer, and every decision about how to use collection funds with the frame of mind that we will strive to include diverse voices in our collection and orient ourselves toward finding and making available resources that include the many experiences and perspectives of our campus community and beyond. The team describes this work as a group effort, and we continuously learn from each other.
This embedded IDEA orientation is important because the academic publishing landscape does not necessarily represent all the voices that we want to include. The team recently looked at the results of the 2019 Diversity Baseline Survey together. This survey looked at diversity in the publishing industry, which included academic publishing participants. The respondents to this survey were 76% white, 97% cisgender, 81% heterosexual, and 89% non-disabled. For a quick point of comparison, 38.9% of UT students and 75.7% of UT professors are white. As the creators of the survey point out, “If the people who work in publishing are not a diverse group, how can diverse voices truly be represented in its books?”
Publishers are not the only influencers of what we add to our collections. User requests and emerging research areas are an important source of data for us. One exciting area of focus this past year has been strengthening our holdings related to the Black Lives Matter movement, civil rights, and anti-racism topics. Bill Kopplin, social sciences librarian and coordinator, has compared our collections against peer libraries, kept an eye on campus reading clubs and resource lists, and worked directly with vendors to do a wide-ranging scan of publications in these areas to consider adding to our collection. I can also point to the strong interdepartmental work of facilitating selection and discovery of important resources via catalog notes and subject headings. Folks from across UT Libraries work together to select and make available the U.S. Latinx LGBTQ Collection and Black Queer Studies Collection with local notes in our library catalog. This kind of focused attention is found throughout the work of our subject librarians, and our team is here to help get new efforts off the ground.
One programmatic aspect of collection building that our team works on closely is the major approval plans. These plans are arrangements with large vendors to automatically send us certain types of books published by essential publishers. We keep an eye on those plans to make sure they are bringing in the right material. By describing this process with words like “arrangements,” “large,” and “automatically,” I want to illustrate that it is easy for up-and-coming authors and small publishers to get left out. This is where the expertise of our knowledgeable subject librarians, as well as input from our users, comes in. While we aim to collect books that our researchers expect us to have from major publishers, we pay close attention to the requests we get from users through interlibrary loan, through our Suggest a Purchase form, and via our library colleagues. Those data tell us which things are missing from the collection. We also use these requests to update ourselves on new terminology, new classes being offered, and new and enduring research topics that are finding an audience on campus.
This work takes a village, and we will continue to learn from each other and respond to new opportunities to make our collections meet the needs of our current and future users.
Discover more of the diverse collections at the Libraries through our Instagram series, Highlighting Diverse Collections.
In Nuestra América (1891), Cuban poet and philosopher José Martí calls for a pan–Latin American identity that grounds itself in the need to value autochthonous knowledge: “Knowing is what counts. To know one’s country and govern it with that knowledge is the only way to free it from tyranny. The European university must bow to the American university. The history of America, from the Incas to the present, must be taught in clear detail and to the letter, even if the archons of Greece are overlooked. Our Greece must take priority over the Greece which is not ours. We need it more.”
A new online exhibition, A Hemisphere of Knowledge: A Benson Centennial Exhibit, accessible in English, Spanish, and Portuguese, explores the implications of Martí’s words across time and cultures, using a wealth of resources available at the Benson Latin American Collection.
“This exhibit, divided into six sub-themes, seeks to present different types of knowledge production from the Americas while recognizing that our universality comes from relations based upon diversity, and that these relations, like cultures themselves, are constantly changing,” said Daniel Arbino, head of collection development at the library and curator of the exhibit. In conceiving the exhibit, Arbino sought to examine “the diverse production of knowledge from the many cultures that make up what we now call the Americas.” He adds that “the exhibition considers this knowledge against the backdrop and legacies of hegemony, thereby situating it within the power dynamics of colonialism, imperialism, and neoliberalism. A Hemisphere of Knowledge is intentionally political because it values cultural beliefs that have been dismissed due to legacies of power.”
Being that he has a refined sense of both words and music, Whit seems like a good candidate for exploring and discovering some overlooked gems in the trove, and so in this occasional series, he’ll be presenting some of his noteworthy finds.
Gorgeous-sounding blues-rock soul from Mobile, Alabama’s Lisa Mills. With her force-of-nature vocals, warm analog tape capture, and a rootsy UK backing band (featuring guitarist Andy Fairweather Low), Mills simply stupefies on these Memphis and Muscle Shoals-inspired tracks. Standouts include a touching take on Otis Redding’s These Arms of Mine, as well as the Stax stomp of Why Do I Still Love You?
Post-punk Swedish indie rock never sounded so sweet. Stockholm’s The Bell certainly enjoys twiddling around with synthesizers and drum loops, but it’s that retro guitar jangle up loud in the mix that really rings out to prove their true intent. While Make Some Quiet nods to the synthpop of New Order and Echo & the Bunnymen, there’s something else entirely unique going on here. Call it Nordic new-wave for now people.
This posthumous collection cements James “J Dilla” Yancey’s place as a giant in the hip-hop world. Producer, rapper, and instrumentalist, he pioneered playing his Akai drum machine live (as opposed to programming it), giving his beats a human feel. Guest MC’s include Common, Black Thought, and Pharoahe Monch, but it’s Dilla’s deep vibing backing tracks that showcase what a colossal influence he was.
UT Austin Butler School professor John Fremgen may spend his days teaching music theory and improvisation, but this monster bassist truly educates with his master class for the jazz trio, Pieces of String. Pianist Shelly Berg and drummer Peter Erskine hold their own on this sublime set of standards (Monk, Waldren, Thad Jones), and compliment with a delicate charm on the elegant Fremgen original For A Better Day.
The Chilean musical response to Britpop’s Oasis, Casino lays down top-notch heavy-handed stadium rock and roll with just the right amount of a Euro shoegaze sheen. From the album’s opening guitar feedback wash, and on through fist-pumping tracks like Velvet, Vicio, and Para Estallar, the stacked amplifiers cranked-up-to-eleven outdoor festival vibe does not disappoint. Party like it’s 1999, indeed.