Category Archives: Photography

Alberto Herrera Fernández Photograph Collection Unveiled

An intimate ceremony on April 29 marked the dedication of the Alberto Herrera Fernández Photograph Collection at the Benson Latin American Collection, honoring the life and work of the renowned Mexican photographer. The event, attended by family members, scholars and esteemed guests, served as a recognition of Herrera Fernandez’s impact in capturing the life and culture of Sonora, Mexico through his lens.

The event was largely organized by Blanca Cummins, daughter of Alberto Herrera Fernández and a current Tower Fellow, whose commitment to preserving her father’s legacy was evident throughout the event. Former state historian of Texas – and Cummins’ brother-in-law – Light Cummins described the significance of Herrera Fernández’s photographic legacy and provided historical context for the photographer’s  work.

The Alberto Herrera Fernández Photograph Collection, carefully maintained by Cummins’ sister until its transfer to the university, showcases not only the rugged beauty of the Sonoran Desert but also provides a glimpse into the lives of vaqueros and copper miners in Cananea, Sonora. Herrera Fernández’s lens documented the essence of artistic communities, daily life, religious leaders and governmental figures, painting a vivid portrait of the region.

The bulk of the collection is comprised of 60,000 photographic slides, prints, and negatives (~23 Linear feet). In addition to the photographic materials, the collection boasts a selection of ephemera, including exhibition write-ups, interviews, recognitions, and correspondence, offering invaluable insights into Herrera Fernández’s enduring legacy as a photographer. The breadth and depth of Herrera Fernández’s work provide a unique perspective on Sonora, filling a critical gap in the Benson’s holdings.

The dedication ceremony also recognized Blanca Cummins’s tireless efforts in digitizing selected images from the collection. Working diligently in the rare books reading room for months, Cummins meticulously preserved the original order of her father’s archive, ensuring its integrity and accessibility for future generations.

Megan Frisque, Director of the Tower Fellows program, also spoke to the value of the Fellows program, recognizing Cummins as an example of the sort of impact that the participants can have through its access to a world-class lifelong learning experience.

Book Catalogs the Universe of UT Collections

“The Collections” (UT Press, 2016).

While we’re apt to sound out the world-class general and distinctive materials maintained by the Libraries, these resources are just a single galaxy in a greater universe of extraordinary collections across UT campus.

In the first of its kind accounting, the University of Texas Press has just released a massive assemblage of the rare, unique and exceptional collections that reside on the Forty Acres in the form of The Collections, a necessarily significant tome documenting the various holdings — recognizable and not so — from around UT.

Represented in the book are Libraries mainstays such as the Benson Latin American Collection, the Alexander Architectural Archive, the PCL and Walter Geological Map Collections and the Historical Music Recordings Collection, as well as highlights from discrete collections across the branches.

The book features hundreds of items from more than 80 collections campus-wide, covering a range of subject areas: archaeology, ethnography, fine and performing arts, rare books and manuscripts, decorative arts, photography, film, music, popular and material culture, regional and political history, natural history, science and technology.

Edited by Andrée Bober with the support of more than 350 staff from across the university, The Collections features a foreword by UT Austin President Gregory L. Fenves and a historical introduction by Lewis Gould, professor emeritus of American history, whose essay traces the formation of the collections and acknowledges many people whose visions are manifest in these material resources.

The Collections is available now through UT Press, and will be in the stacks at the Fine Arts Library soon.

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Art in Progress

Hipstamatic photography by Stephen Littrell.

Though the Learning Commons is starting to take shape and less imagination is required to envisage the finished space, it is still a construction area, and not the spanking future version of itself quite yet.

Stephen Littrell is Head of Access Services for the Libraries, and an avid fan of the Hipstamatic digital photo app, which allows users to customize mobile-native photography using a variety of lens, film and flash filtering options, creating images with a nostalgic feel. Littrell recently used his digital photography skills to coax some subtle beauty from the otherwise drab, dusty and cluttered space that will soon be the new Learning Commons.

“When the Learning Commons opens in August it will be a lovely and vibrant space,” say Littrell. “But before the space opens to the public, there’s an opportunity to capture some of the construction process in a way that’s less documentarian and more playful…maybe even a little artistic.”

Littrell has posted his work on Instagram, and uploaded selections to Hipstography, a site that features galleries of work by Hipstamatic users.