Category Archives: Books

Read, Hot and Digitized: Footprints – The Chronotope of the Jewish Book

Read, hot & digitized: Librarians and the digital scholarship they love — In this series, librarians from UTL’s Arts, Humanities and Global Studies Engagement Team briefly present, explore and critique existing examples of digital scholarship.  

Working as a book conservator back in the days in Tel Aviv, I was always intrigued by the notes and scribbles found on flyleaves, covers, and pages of centuries-old books. It seemed that this text, which supposedly was not related to the actual content of the book in hand, had its own story to tell – about places, people, and events. Now this data is playing the main role in Footprints; these pieces of information could be interlinked, and show us a new spatial landscape of Jewish texts through generations.

The goal of the project, a collaborative initiative by the Jewish Theological Seminary, Columbia University, University of Pittsburgh, and Stony Brook University, is to create a “database to track the circulation of printed ‘Jewish books’ (in Hebrew, other Jewish languages, and books in Latin and non-Jewish vernaculars with Judaica contents).”[1] Those notes, scribbles, and ‘marginal’ pieces of information are scattered in many forms. Footprints lists many types of evidence while documenting the movement of books, and presents visualizations of mobility, including mapping. Some types of evidence include owners’ signatures and bookplates; handwritten notations of sales; estate inventories; references to exchanges of books in correspondence of scholars or merchants; unpublished booklists copied in flyleaves; printers’ colophons; subscription lists, and lists of approbations indicating backers or patrons of the books who presumably received a copy of the product.[2]

Footprints website.

Take for example the literary work titled ʻAḳedat Yitsḥaḳ (“the Binding of Isaac”) – a collection of philosophical homilies and commentaries on the Torah by Isaac ben Moses Arama (1420-1494).

This text is represented by five different imprints. Each imprint is represented by various unique copies, and each copy has between one to nine ‘footprints.’ For example, the imprint published in 1547 in Venice, Italy, has five unique ‘holdings’ in the database. One of these copies is traced through six different ‘time stamps’, owners, and locations, from 1599 (Modena, Italy) through 1986 (New York, NY). Another fascinating example is the journey of a copy of Masekhet Nedarim (a Talmudic tractate) printed in Venice in 1523. In 1663 it was bought (and sold) in Yemen. Between 1842 to 1894 it was owned by Alexander Kohut in New York, and since 1915 this particular copy has been owned by Yale University, New Haven, CT.

Inscription with details of the sale of Masekhet Nedarim in Yemen, 1663. (https://footprints.ccnmtl.columbia.edu/footprint/6085/)
Inscription with details of the sale of Masekhet Nedarim in Yemen, 1663. (https://footprints.ccnmtl.columbia.edu/footprint/6085/)

Librarians and researches from Europe, Israel, and Unites States are constantly adding new information and validating accuracy of current entries. The database currently includes 7638 unique footprints, and is searchable by keywords, footprint year, and publication year. Here in Austin, The Harry Ransom Center is also collaborating with Footprints; data gleaned from the Center’s early Hebrew books holdings, mainly those dated pre-1800, will be uploaded soon to the database.

Footprints is an open-source and open-access tool; it uses a PostgresSQL, an object-relational database system, which is available on Github. As such, it is both a digital humanities project and a global collaborative project. The digital platform makes public the very process of scholarship performed by trusted crowd sourcing. The collaborative platform invites immediate feedback, editing, and revision.[3] The project owners anticipate future uses to include inferential statistical analysis and network visualization. They anticipate that “cultural historians and statisticians would leverage their mutual areas of expertise to offer a statistical analysis that takes into account social, cultural, political, and economic contexts.”[4] In addition, they plan to visualize networks of book movement showing connections between places, and networks connecting individuals to each other or to other places.

Footprints brings to mind Bakhtin’s Chronotope, where time and place are merging into one meaningful experience. A physical printed book travels through times and places; created, owned, and used by various individuals, carrying with it ideas and intellectual meaning. A Chronotope of the Jewish book, Footprints is a multidimensional bibliography, which highlights and makes use of previously unknown resources in a way that re-imagines the practice of Jewish book history.


Further reading (all available at Perry-Castañeda Library)

Pearson, David. 2007. “What Can We Learn by Tracking Multiple Copies of Books?” In Books on the Move : Tracking Copies through Collections and the Book Trade, edited by Robin Myers, Michael Harris and Giles Mandelbrote, 17-37. New Castle: Oak Knoll Press ; London : British Library.

Walsby, Malcolm and Natasha Constantinidu, eds. 2013. Documenting the Early Modern Book World: Inventories and Catalogs in Manuscript and Print. Leiden: Brill.

Dweck, Yaacob. 2010. “What is a Jewish Book?Association for Jewish Studies Review 34: 367-376.

[1] http://footprints.ccnmtl.columbia.edu/about/

[2] http://footprints.ccnmtl.columbia.edu/about/#about02

[3] Michelle Chesner, Marjorie Lehman, Adam Shear, Joshua Teplitsky. “Footprints: Tracking Individual Copies of Printed books Using Digital Methods.” 2018. Medaon, 23. https://www.medaon.de/en/artikel/footprints-tracking-individual-copies-of-printed-books-using-digital-methods/

[4] http://footprints.ccnmtl.columbia.edu/about/#about05

 

 

Area Spelunker Donates Cave Collection

Caves and karst (eroded limestone terrains) are tied to the whole of human history – as shelters, as sources of water, as places of mystery and worship, and as research topics in geology, biology, hydrology and engineering. The Walter Geology Library as a respected research library in earth sciences, has a strong collection in caves and karst research, particularly since Central Texas has many caves and karst features, and the region has long hosted an avid caving community.

Volume from the Bill Mixon cave collection.
Volume from the Bill Mixon cave collection.

One member of that local caving community, Bill Mixon — former book review editor for the National Speleological Society and friend of the Walter Library — recently donated his unique collection of over 1000 books and more than 1000 periodical issues related to cave and karst research, literature, and culture. Remarkably, this entire collection is all material new to the UT Libraries, significantly broadening and enhancing our existing collections.

The collection is largely international in scope, and among the items included, almost 1/3 of the books are not only new to UT, but not held otherwise in any US libraries, or not held anywhere at all. Another 20+% of the materials are held in fewer than 5 North American collections.

The literature of caving is largely produced by specialists for specialists, and much of it is only shared among informal networks, or is only available locally or regionally — not the kind of stuff you can buy on Amazon. For this reason, this gift of personally-curated material from around the world is a tremendous asset, representing years of effort on the part of the donor to amass such a significant cross section of the world’s cave publications.

We are grateful for the gift, as it adds significantly to our existing strengths, and will give future researchers the benefit of having guides, exploration reports, and research on most of the world’s major cave and karst systems all in one place.

Why Caves Matter. 

Caves are:

  • Hidden time machines and an historical record of previous natural and human activity
  • Essential filtration tools and sources for water
  • Home to unique critters and life forms, including bats, spiders, microbes
  • Great sources of fossils of all kinds
  • Key to the study of climate
  • Important areas of earth science research
  • Home to early man, later man, hiding man, man at war
  • Repositories of early human art
  • Important risk factors in construction
  • Irresistible explorers’ temptation

Who cares?

  • biologists
  • geologists
  • hydrologists
  • engineers
  • military
  • historians
  • explorers

Exhibit Highlight: Inside Books Project

“You girls and guys are outstanding, and I pray that you all continue to believe in expanding the minds of us easily forgotten because sometimes it’s books that begin new journeys or just plain, old relief from the journey we chose to walk.” –testimonial from Daniel, an Inside Books Project recipient (via KUT.org)

For those who’ve lost their freedom, the seemingly small act of reading a book can be a lifeline to hope from inside prison.

A new exhibit in the Scholars Commons at the Perry-Castañeda Library examines the work of a local nonprofit and the positive impact that work is having on the lives of incarcerated individuals.

Origami by a death row inmate.
Origami by a death row inmate.

The Inside Books Project (IBP) is books-to-prisons collective founded in Austin in 1998. People incarcerated throughout Texas send requests to IBP for free literature, and volunteers respond with a package of books and personalized letter. In exchange, many recipients have sent art, poetry, prose and other narrative materials testifying to their experiences in the Texas Department of Criminal Justice. This ever-growing archive of materials is held at the Texas After Violence Project (TAVP) and a digital collection is in progress at insidebooksproject.omeka.net

The IBP Archive Project is coordinated by aems emswiler, a student in the dual Information School (MSIS) and Women’s and Gender Studies (MA) programs at UT. aems has worked with IBP since 2012 and as an Archival Fellow at the Texas After Violence Project since 2017.

The exhibit was installed by UT Information School students and Society of American Archivists (UT-SAA) members aems emswiler and Alyssa Anderson, and long-term preservation of the collection is supported by a UT Student Government Excellence Fund Grant. It will be on view in the Perry-Castañeda Library during regular hours through February 22.

Interested in learning more about the archive project or possibly being involved? contact: aems@texasafterviolence.org. There are volunteer and internship opportunities for iSchool studies, in particular SAA-UT members, archives track students, and students who are invested in diversity, inclusion, and social justice in archives.

 

 

 

Taiwan Studies Gets Attention from Conference, Books

The North American Taiwan Studies Association (NATSA) Annual conference was held at UT on May 24-26, 2018, the third time in Austin since its inauguration in 1994 (previously 1998/2009/2018), reflecting the strong interest in Taiwan Studies at the University of Texas in Austin.

This year, the theme of the conference was “Beyond an Island: Taiwan in Comparative Perspective.” Thirty invited scholars, sixty presenters and thirty NATSA staff gathered on campus to discuss their research on Taiwan. Despite the tight schedule, a number of the international participants were able to join Meng-fen Su, East Asian Studies Liaison Librarian, for a library tour of PCL, during which they shared their admiration for the library’s rich collection and innovative use of spaces.

As one of the funding sponsors, many of TECO Houston (Taipei Economic and Cultural Office in Houston which functions like Taiwan’s consulate Office in Houston) officers also attended the conference. Meng-fen Su was contacted early in the planning so that TECO could donate a collection of books to the University of Texas Libraries and so that a book donation ceremony could be held during the NATSA Conference Welcome Ceremony. Five librarians from UT Libraries attended the ceremony and Catherine Hamer, Director of Academic Engagement, received the books on behalf of the library.

 

Catherine Hamer received a representative pack of donated books from Peter Chen, Director General of TECO, Houston.
Catherine Hamer received a representative pack of donated books from Peter Chen, Director General of TECO, Houston.

 

UTL librarians with TECO representatives, including Ms. Sophie Chou, Director of Education Division (right 2nd), Mr. Peter Chen, Director General (right 4) and Mr. Yintso Lin, Deputy Director General (left 2).
UTL librarians with TECO representatives, including Ms. Sophie Chou, Director of Education Division (right 2nd), Mr. Peter Chen, Director General (right 4) and Mr. Yintso Lin, Deputy Director General (left 2).

 

The books donated by TECO are primarily books by or about Su Shi (or Su Shih in Wade-Giles romanization, 蘇軾 / 苏轼 in traditional / simplified Chinese scripts, 1037-1101) who is better known by his literary name: Su Dongpo  (or Su Tung-p’o in Wade-Giles romanization, 蘇東坡/苏东坡), who was “unquestionably one of the most extraordinary men ever to grace the world of Chinese arts and letters.” (from Beata Grant’s Prologue to her Mount Lu Revisited: Buddhism in the life and writings of Su Shih). Su Dongpo was also a major political figure of his time, not to mention a painter, calligrapher, Buddhist, philosopher, classicist and connoisseur of the arts. The TECO donation includes 93 Taiwan publications of contemporary writings about Su Dongpo and 31 facsimiles of rare fine editions of books related to Su Dongpo, produced from the collection of National Central Library (Taiwan).

Link to UTL’s catalog of books by Su Dongpo

Link to UTL’s catalog of books about Su Dongpo

Two of the facsimiles titles UT received from TECO Houston:

 

A translation of one of Su Dongpo’s most famous song lyric (ci) from Word, Image and Deed in the Life of Su Shi 

To the tune “Recalling Her Charms” Cherishing the Past at Red Cliff. 念奴嬌: 赤壁懷古.

The great river flows east,

Its waves scouring away

The dashing heroes of a thousand ages.

West of the abandoned fortifications,

People says, is

Master Zhou’s Red Cliff of the Three Kingdoms,

Crags and boulders poke through the sky,

Frightening waves pound the bank,

Enveloping a thousand piles of snow.

The river and mountains are like a painting,

How many brave warriors were here!

 

Dimly I picture Gongjin then:

He had just married Little Qiao,

Valor shone everywhere in his bearing

His fan of plumes, kerchief of silk—

As he chatted and laughed,

Masts and hulls became flying ashes and smoke.

My soul wanders the ancient realm,

So full of feeling, other will laugh at me,

My hair turns grey prematurely.

Life is like a dream,

Let me pour a libation to the river moon.

The Benson Gets a Book

The University of Texas Press has published the first encyclopedic examination of the renowned Nettie Lee Benson Latin American Collection (Benson), providing a window into the rich Latin American resources for research and study at The University of Texas at Austin.

Showcasing the incredible depth, diversity and history of the Benson Collection, “A Library for the Americas” presents rare books and manuscripts, maps, photographs, music, oral histories, art and objects dating from around 1500 to the present.

Founded in 1921, the Nettie Lee Benson Latin American Collection at The University of Texas at Austin has become one of the world’s great libraries for the study of Latin America, as well as the largest university library collection of Latin American materials in the United States. Encompassing all areas of the Western Hemisphere that were ever part of the Spanish or Portuguese empires, the Benson Collection documents Latin American history and culture from the first European contacts to the current activities of Latina/os in the United States. The Benson is partner in an innovative collaboration with the Lozano Long Institute of Latin American Studies — collectively called LLILAS Benson Latin American Studies and Collections — that attracts top students, scholars and researchers from around the world.

The Benson collections represent one of the most extensive compilations of materials related to Latin American culture and history in the world, housing approximately 1 million volumes, 4,000 linear feet of manuscripts over 400,000 slides and photographs and an additional 50,000 other items of ephemera and media, representing North, Central and South America, as well as the Caribbean.

The 229-page volume features color images and plates of the unique holdings paired with essays and reflections by distinguished scholars of Latin American and Latina/o studies, who describe the role that the Benson Collection has played in the research and intellectual contributions that have defined their careers.

Benson Librarian and Director Melissa Guy is elated by the book’s publication.

“’A Library for the Americas’ is unique in that it is both a beautiful representation of the Benson’s holdings, as well as a selection of thought-provoking essays from researchers who have used the Benson’s vast holdings to do their work,” says Guy. “Both the seasoned Benson user and the casual observer will find it fascinating.”

“A Library for the Americas” was edited by Julianne Gilland and José Montelongo, and includes contributions from faculty, researchers and historians of Latin American from across the hemisphere. The book features analysis of the overall collections with special focus on collections of distinction like the Relaciones Geográficas, the Gloria Anzaldúa papers, the Ricardo and Harriet Romo print collection and the Borderlands archive, with accompanying full-color imagery.

The Libraries will host a preview and benefit dinner on September 6 in preparation for the upcoming centennial (2021) of the acquisition of the Genaro García Collection, which served as the foundation of the Benson Latin American Collection. Attendees to the event will receive a copy of the book with their tax-deductible contribution. For more information on attending the event, contact Natalie Hester at 512-495-4349 or nataliehester@austin.utexas.edu.

“A Library for the Americas” is available for purchase through the University of Texas Press at utpress.utexas.edu.

 

Collections Highlight: Gravitation

"Gravitation" by Charles W. Misner, Kip S. Thorne, and John Archibald Wheeler. San Francisco: W.H. Freeman, 1973.

Gravitation is a seminal work familiar to all advanced physics students, but the Kuehne Physics Mathematics Astronomy Library (PMA) has an uncommon copy of the book.

Co-author John Wheeler presented this copy with his inscription to a former engineering professor at UT, who donated the book to the PMA Library.

A time later, co-author Kip Thorne  gave a lecture at UT and a Physics undergrad asked if he would add his inscription. Finally, co-author Charles Misner visited campus for a lecture and he, too, added his inscription to the volume, completing the trio.

Inscriptions by the authors on the frontispiece of "Gravitation."

The First Book Ever Borrowed

“Art is long, life short, judgment difficult, opportunity transient. To act is easy, to think is hard; to act according to our thought is troublesome. Every beginning is cheerful: the threshold is the place of expectation.”

from Wilhelm Meister’s Apprenticeship by J.W. von Goethe, 1795-96

Goethe’s sentiment borrowed from Hippocrates and distilled in his novel of personal discovery as a charge to the protagonist Wilhelm Meister could equally represent a characterization of the experience of visiting a library — equal parts joy and labor, with the promise of new knowledge as a provocation to learn.

It’s also appropriate, then, that the passage comes from the first ever volume borrowed from a library at The University of Texas at Austin, which occurred just over 134 years ago on March 7, 1884 — a small act of history committed by a person who created a notable history of his own.

District Convention, Juneau, Alaska, Oct. 9, 1899. Delegates to District Convention pose with their hats on. Juneau-People-17 [detail] Alaska State Library Photo Collection. Courtesy of the Alaska State Library.
District Convention, Juneau, Alaska, Oct. 9, 1899. Delegates to District Convention pose with their hats on. Juneau-People-17 [detail] Alaska State Library Photo Collection. Courtesy of the Alaska State Library.
John H. Cobb. Juneau-People-17 [detail] Alaska State Library Photo Collection.
John H. Cobb. Juneau-People-17 [detail] Alaska State Library Photo Collection.

A response from Cobb to an inquiry about his attendance at an upcoming reunion that was published in "The Alcalde," vol. 2, no. 7, May 1914.
A response from Cobb to an inquiry about his attendance at an upcoming reunion that was published in “The Alcalde,” vol. 2, no. 7, May 1914.

John H. Cobb was a member of the inaugural class at this university back in 1883, when the Forty Acres was composed of the original Main Building in its Victorian Gothic splendor and more open land than is imaginable by a modern-day visitor to campus. He studied law, but even beyond the serendipity of being the first library borrower, seems to have had some predisposition toward pioneering. Cobb used his legal training to help draft the constitution for the Ex-Students’ Association, placing him as one of the co-founders to the Texas Exes.

Much like Goethe’s Meister, Cobb wasn’t content, either, to remain comfortably in the confines of his home state of Texas after earning his degree. He traveled to the relative wilds of what was then the District of Alaska in 1897 and by 1899 he had formed a law partnership with John F. Malony in Juneau.

The Cobb House in the Chicken Ridge Historic District, Juneau, Alaska. Built ca. 1912.
The Cobb House in the Chicken Ridge Historic District, Juneau, Alaska. Built ca. 1912.

He was active in the formative political and governmental structures in the fledgling District, and when the region was reorganized and renamed the Territory of Alaska in 1912, Cobb was appointed the first Territorial Counsel by the Governor John Franklin Alexander Strong in 1913. He served in that role until 1915 when the 2nd Alaska Territorial Legislature created the Office of the Attorney General, and a successor was appointed.

Detail of page 753 from "The Federal Reporter," volume 267.
Detail of page 753 from “The Federal Reporter,” volume 267.

Cobb argued and won one of his most high-profile cases, Tuppela v. Chichagoff Mining Co., before the Ninth Circuit Court of Appeals in 1920, reversing a fraudulent land grab by the mining company and returning several valuable gold mines to private citizen and rightful owner John Tuppela.

Shortly after settlement of the suit, Cobb and his family resettled in Santa Barbara, California, where he died on December 23, 1925.

The details of that tome first borrowed by Cobb is in question, though it could be a volume flagged as “missing” in 2013 and now superseded by a digital version in the Libraries’ catalog. The title’s long history on the Forty Acres, however — both in the hands of the first borrower, and with subsequent generations of Longhorns — attests to the idea that the Libraries, too, play an integral part in the belief that “What starts here changes the world.”

 

 

 

Scholar Takes an Intimate Look at Mexican Author María Luisa Puga

On February 15, LLILAS Benson celebrated the opening of the literary archive of Mexican author María Luisa Puga (1944–2004). This unusual archive is replete with the author’s voice and vision, consisting in large part of some 327 diaries that span the years 1972 through 2004. In honor of the occasion, Irma López of Western Michigan University delivered a lecture titled “Escritura y autofiguración el los diarios de María Luisa Puga.”

María Luisa Puga, undated. Benson Latin American Collection.
María Luisa Puga, undated. Benson Latin American Collection.

A novelist and short-story writer, Puga was the winner of numerous prestigious literary awards and highly esteemed by her peers, yet she largely eschewed the limelight. Her complex attitude about her identity as a writer is on display in the diaries, which Mexican Studies Librarian José Montelongo refers to as “a truly remarkable document of struggles both personal and artistic.” Puga’s diaries were donated to the Benson Latin American Collection by her sister, Patricia Puga, who attended the opening lecture and reception along with her husband, son, and other family members.

The author's sister, Patricia Puga, at the Benson Collection. Photo: Travis Willmann.
The author’s sister, Patricia Puga, at the Benson Collection. Photo: Travis Willmann.

Written in a beautiful hand, with occasional doodle-like illustrations, the notebooks contain the entire trajectory of Puga’s celebrated literary works and thus are of enormous research value. The pages also carry within them a poignant emotional charge: the author was someone for whom putting pen to paper was a vital activity in her art and thought, and her diaries are an almost visceral expression of her self.

Visiting scholar Irma López discusses the Puga diaries. Photo: Travis Willmann.
Visiting scholar Irma López discusses the Puga diaries. Photo: Travis Willmann.

If the collection of diaries itself is remarkable, the lecture by literary scholar Irma López was similarly compelling. She spoke with both erudition and affection about Puga, her writing, and the intimate access afforded by the diaries to a writer for whom self-examination was essential. López concluded her talk speaking directly to the members of the author’s family, reading to them from a tender diary passage by the late author. (López, a leading authority on Puga, is author of Historia, escritura e identidad: La novelística de María Luisa Puga.)

From María Luisa Puga Papers. Benson Latin American Collection.
From María Luisa Puga Papers. Benson Latin American Collection.

___________________________________________________________

During their visit, the Puga family was able to see five display cases containing select materials from the archive in the Benson’s main reading room. This exhibition, on display through April 2, 2018, and titled María Luisa Puga: A Life in Diaries, was curated by graduate research assistant Emma Whittington. Read José Montelongo’s Spanish-language article on Puga, “Una vida en 327 cuadernos.”

Discovering the Texas Small Press

Ask A Librarian GRA Mitch Cota curated an exciting exhibit for the PCL Scholars Commons and Poetry Center called “Lone Star ImPRESSions: A History of Small Press in Texas.” This exhibit is the fruit of many months’ labor and the culmination of Mitch’s iSchool Capstone project, and features books published by small presses in Austin, Houston and San Antonio.

When I began my degree in information studies, one of the many reasons that drove my decision was the tension between libraries and the corporate publishing and copyright model. I do not believe that anyone really enjoys having materials chosen for them or having materials withheld from them while pursuing research and education. While literature has its own unique set of complications between authors rights and non-traditional content, it too is affected by this tension. My project to examine small press was an exploration into the individuals who are fighting for the right to publish content they view as valuable and different. Texas small press is born out of a denial by large publishing houses to acknowledge underrepresented voices and content that defies easy categorization.

Lone Star imPRESSions: A History of Small Press in Texas

We are getting ahead of ourselves though. Small press is a term that often inspires a multitude of definitions in everyone’s mind. For the exhibit, small press was defined as a press that is truly home grown. Some of these presses began in Texas, while others started somewhere else and now call Texas home. There are presses in the exhibit with a more historical presence and others that have begun in the last five years. They all share one core goal, to publish content that is different and voices they believe deserve to be heard.

Group discussion at Slough Press.

Historically, presses like Wings, Thorp Springs, and Slough were created in an effort to publish content that each saw as pushing against the large publishing house model. Many of the materials utilized in the research of the exhibit are located right here on campus. The Dolph Briscoe Center for American History has a portion of the archival collection of Joanne Whitebird, the original owner of Wings press. The Harry Ransom Center has the entire archival collection of Thorp Springs press. While Slough and Wings are still currently publishing work, Thorp Springs has now gone defunct with the loss of their original creator and editor John Paul Foreman. Each of these presses were created in order to publish specific work, whether that be female authors, Southwest/Texas authors, or authors of color. The small presses of today have broadened their approach to include voices from queer and trans authors. Without someone focusing on producing this type of content, there would be far less work to represent these different communities.

Wings press books.

The PCL collections serve to preserve these materials for generations to come. One of the largest hurdles small publishing faces are financial constraints. In conducting interviews and combing through archives, I found that many of the papers and materials from different presses were never preserved. Work was lost in time. The University of Texas Poetry Center and the general collection here at the PCL now serve as a medium to protect these small presses from fading into history. Not only do these materials represent unique voices, they also serve our students in critical theory research in literature. Whether they are looking through a historic, feminist, racial, or queer lens, these collections here at the PCL serve to not only preserve the presses, but provide examples for beliefs and ideologies of the times in which they are situated.

The exhibit — Lone Star imPRESSions: A History of Small Press in Texas — also examines different authors situated throughout the history of small press. One of these authors, a poet actually, worked right here at the PCL and has work that speaks to his time while employed here. Some voices like Jim Trainer and Andrew Hilbert represent fresh voices from today who refuse to play by the rules. A few of these authors own their own small presses while publishing their work through other small presses. The content produced by authors and presses alike includes multiple different genres, mediums, and formats. Many of the items are handcrafted with hand sewn bindings. When you purchase an item from a small press, you are getting an item that is one of a kind.

Lone Star imPRESSions: A History of Small Press in Texas

So, come visit! The exhibit has been extended into January, and we have items in both the Scholars Commons and University of Texas Poetry Center.

Besides what is on display, there are items in the PCL collection to read and check out. I have also taken the liberty of producing an exhibit catalog that has a more extensive examination of each press and author. One of the other great services this exhibit provides is a link in the catalog to each small press that is accepting open submissions. Students and faculty looking to publish work can review each press and see which one would best suit the content they have to offer.

Texas small press is home grown from the sweat and tears of the hard-working editors that believed in the content they were producing. Come visit the PCL and see the fruits of their hard work, support small press but furthermore support the idea that large publishing houses do not have the right to choose content for everyone.

 

 

 

Experiencing Artists’ Books

Look closely and you will find the rare and unique collections at the UT Libraries.

One of the special collections at the Fine Arts Library is the FAL Artists’ Publications Collection which includes artists’ books — books created with the intention of being a work of art. Some artists use books to explore narrative or the relationship between images and text, while others challenge our understanding of what books are and how we read them through the manipulation of form.

"Fishbubbles" by Jill Timm.
“Fishbubbles” by Jill Timm.

The Fine Arts Library contains over 200 artists’ books. Serving primarily as a teaching collection, the artists’ books show different binding techniques, materials, sculptural forms and conceptual approaches, with the FAL holding titles by such recognizable artists as Damien Hirst, Richard Prince and Ed Ruscha. Some of the books in the collection push the boundaries of reading by engaging with other senses such as smell, touch and taste.

"Schengen's kit : rules and advices for survival of refugees at sea : content: instructions on a funeral body bag in a plastic envelope" by Christine Kermaire.
“Schengen’s kit : rules and advices for survival of refugees at sea : content: instructions on a funeral body bag in a plastic envelope” by Christine Kermaire.

The opportunity to smell, touch, taste and hear the artists’ books will be available on November 7th from 5:30-7:30 pm as part of the Experiencing Artists’ Books event. This event is associated programming for the new Visual Arts Center (VAC) exhibition Fool’s Romance / Books from Aeromoto curated by Allison Myers, Art History PhD candidate and 2016-2017 VAC Curatorial Fellow. Myers will lead a dialogue between local artists and bookmakers including Jason Urban, Artist and Studio Art Faculty, and Lindsay Starr from Cattywampus Press. After our dialogue, audience members will have the opportunity to engage with the unusual books in our collection.

"Scent" by Stephen Gan.
“Scent” by Stephen Gan.

The Fool’s Romance / Books from Aeromoto exhibition opens on September 22nd from 6-8pm. Come and explore over 300 artists’ books from Aeromoto, a non-profit art library and community space based in Mexico City.

We hope to see you at the exhibition opening and the Experiencing Aritsts’ Books event later this fall.