Category Archives: Archives

HRDI Shares Best Practices

From a HRDI Rwanda trip.

(Cross-posted at the HRDI blog.)

In September, UT Libraries Human Rights Documentation Initiative representatives Christian Kelleher and T-Kay Sangwand traveled to Columbia University to participate in an advisory group meeting for the Center for Research Libraries (CRL) MacArthur Foundation funded project, Human Rights Electronic Evidence Study.  The Human Rights Electronic Evidence Study aims to understand the human rights documentation landscape – technologies, documentation creators and end users – and to identify tools and practices for improving documentation’s uses for advocacy and scholarship.

In addition to Kelleher and Sangwand, the advisory group consisted of librarians and archivists from Columbia University, Duke University and human rights organization, WITNESS, as well as practicing lawyers and professors from the University of Texas School of Law. During this day-long meeting, the group discussed how human rights documentation is used from the point of creation by an organization/activist to how it ends up in an archive for educational purposes and a courtroom for legal purposes. Based on their experience of establishing digital preservation partnerships with organizations that create human right documentation, Kelleher and Sangwand shared some of the challenges that can prevent such documentation from ever arriving to the archive (namely, trust and ownership disputes) as well as the HRDI’s approach to overcoming this challenge – the use of the post custodial archival model that allows organizations to maintain physical and intellectual ownership of their materials while depositing digital copies at UT for long-term preservation. Through presentations by legal experts (including the Rapoport Center for Human Rights and Justice  Co-Director, Dan Brinks) on how human rights documentation may be used in U.S. and international courts, the HRDI was proud to learn that its metadata and preservation standards meet and even surpass the general recommended criteria for documentation authentication in a court of law.

The meeting’s discussion on the creation, preservation, and use of human rights documentation will be synthesized with the study’s findings in CRL’s final report due out in late 2011/early 2012.

T-Kay Sangwand is the Human Rights Archivist for the University of Texas Libraries Human Rights Documentation Initiative.

What Can Brown Do For You?


From "Arte de la lengua mexicana y castellana" by Alonso de Molina,Published: 1576, from the Benson Latin American Collection

In the case of original Latin American research materials, quite a lot, actually.

The John Carter Brown Library at Brown University has signed on to the Primeros Libros project – a consortia-driven effort to capture and preserve as many of the “first books” of the New World, those printed in Mexico before 1601. Brown becomes the project’s biggest contributor bringing an additional 70 volumes to the collection, joining the Benson Latin American Collection, Biblioteca Histórica José María Lafragua at the Benemérita Universidad Autónoma de Puebla and the Cushing Memorial Library and Archives at Texas A&M University, among others.

The digital preservation of these historic cultural documents not only benefits Latin American study abroad, but it means that long-since scattered cultural artifacts of Mexico can return home for use the country’s own scholars and researchers.

Find more information on the project and its players here.

The Trail That Made Texas

When Alonso de Léon took his troops from the Rio Grande to the Guadalupe river – and later to the Neches – in search of French settlements, he probably had no idea that his tracks would pave the way for the creation of the state of Texas.

The Benson Latin American Collection is hosting an exhibition of photographs by Christopher Talbot from the National Historic Trail formed by de Léon’s expedition.

El Camino Real de los Tejas is on display at the Benson through the end of the month, and a reception with Talbot in attendance takes place tomorrow, Wednesday, September 21, from 5-7pm.

You can RSVP to the Benson’s Facebook event page.

Innovating Change at BLAC

Dr. Charles Hale

The University of Texas Libraries and the College of Liberal Arts are today announcing the launch of an innovative joint endeavor to align the physical and intellectual resources of the Benson Latin American Collection (BLAC) and the Lozano Long Institute for Latin American Studies (LLILAS) in a 3-year pilot venture.

Under the program, Dr. Charles Hale will assume sole directorship of both institutions with the objective of integrating staff and programs towards goals common to both.

In taking this approach to administering two of the University’s most notable institutions in the field of Latin American studies, the principals are creating a fiscal efficiency at the executive level, while at the same time discovering a way to streamline programming and collections development through collaboration for the benefit of students, faculty, researchers and the public at large.

At a time when higher education is facing increasing scrutiny, we’re finding new ways to meet the challenges put to us.

You can find complete information on the partnership here.

 

Benson Back To School Giveaway

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To kick off the school year right, the Benson is doing a giveaway to Crisol Danza Teatro, courtesy of Texas Performing Arts.

Simply follow the links above, or go to the Benson Facebook page (and, of course, “Like” them if you haven’t already), and enter the giveaway at the event page.

This giveaway ends at 3pm on September 21, but keep an eye out for more on the Benson’s Facebook page later this semester. 

 

 

This Donation Sounds Great

 

William Vanden Dries of the Audio Preservation Fund and Fine Arts Music Library David Hunter. Photo by Emilia Harris, Daily Texan Staff

An unexpected gift can sometimes be the most invaluable.

Thanks to a generous donation from the Audio Preservation Fund – an Austin-based nonprofit formed by three UT alumni in 2009 – the already extensive Historic Musical Recordings Collection (HMRC) just got a little more so with the addition of 1,000 vinyl albums.

Chairman of the Audio Preservation Fund William Vanden Dries hand-delivered the eclectic mix of recordings to the Collections Deposit Library on Tuesday. After an extensive review of the HMRC’s holdings, the group determined where their reserves might bridge gaps in the collection’s catalog, and the gift was amassed from the cache of an unnamed individual collector.

The Audio Preservation Fund acts as a facilitator for the collection and preservation of sound recordings, and for the distribution of donated items to suitable recipients including public archives, libraries, museums, universities and research centers. The Fund’s goal is to make private collections available to the public in an effort to improve access to rare, unique and historical audio.

We express our gratitude to the Audio Preservation Fund on behalf of the Libraries and the patrons who will benefit from their generous gift.

 

HRDI Project Earns Grant

From the Genocide Archive of Rwanda

The Aegis Trust is one of eight organizations that have been awarded an EMC Heritage Trust Project grant through the company’s Information Heritage Initiative program for its work on the Genocide Archive of Rwanda. Aegis partnered with the Rwandan government and the Libraries’ Human Rights Documentation Initiative (HRDI) to build the framework for the Archive, the digital files of which reside with HRDI.

The grant will provide for ongoing archival activities including the digitization and preservation of audiovisual testimonies, historical photographs, documents, newspapers and genocide victims’ information which is made available through the Archive’s site.

Congratulations to the HRDI team for their continuing excellent work on this important project.

¡A Viva Voz! Goes to the Movies

And…action!

The Benson Latin American Collection presents its ninth annual ¡A Viva Voz! at 7pm this Thursday featuring film producer Elizabeth Avellán, co-owner (with director Robert Rodriguez) and vice president of Troublemaker Studios.

Avellán co-founded Los Hooligan Productions with Rodriguez when the two began work on El Mariachi (1992) in 1991. She co-produced From Dusk Till Dawn (1996), Desperado (1995) and The Faculty (1998). In 2000, Los Hooligan became Troublemaker Studios, which has since generated such notable films as the Spy Kids franchise, Sin City (2005), the Rodriguez/Tarantino double-feature, B-Movie homage Grindhouse (2007), Predators (2010) and Machete (2010).

Avellán will discuss her work and rare position as a Latino woman in the traditionally male-dominated film business.

Charles Ramirez-Berg of the Department of Radio-Television-Film will make an introduction, and food will be provided by El Meson.

An exhibit of cinematic materials from Troublemaker Studios and Cine Las Americas as well as rare materials on the Golden Age of Mexican Cinema from the Benson’s extensive archival holdings will be on view at the Benson, as well.

Check out the trailer for Avellán’s latest production credit, just off its SXSW showing, Blacktino.

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International Human Rights Day, Our Role (Updated)

It’s International Human Rights Day, and in the spirit of it, the Libraries can share news of its part in the opening of a new resource for the study of human rights.

Thanks in large part to the generous philanthropy of the Bridgeway Foundation in Houston, the Libraries established the Human Rights Documentation Initiative (HRDI) in 2008, its initial charge to preserve digitally the records of human rights abuses in the Rwandan Genocide.

Though HRDI’s mission has expanded in scope since that time – it has since established projects with the Free Burma Rangers and the Texas After Violence Project, and is currently negotiating new plans in Latin America – the project to collect, preserve and make accessible the Rwandan records has continued with itinerant staff constantly moving between Austin and Kigali, the site of the Kigali Memorial Centre where the fragile and sometimes anachronistic materials were being held.

Today, the project reaches a milestone with the inauguration of the Genocide Archive of Rwanda, a new and comprehensive repository for information related to the genocide. The physical archive housed on-site at the at the Kigali Genocide Memorial facility in Kigali will contain the original audiovisual, documentary and photographic materials in a secure, controlled environment. The digital archive will eventually contain copies of all audiovisual recordings and scans of all known documents and photographs will be accessible to researchers through a cross-referenced system that allows key word searches, first on-site and ultimately online. The Kigali Genocide Memorial will maintain network infrastructure, servers, and digitization and storage equipment for the digital archive, and a copy will also reside with the University of Texas Libraries.

Find more information about the project and the Libraries’ participation here.

You can see a featured interview video from the Archive here.

HRDI Archivist T-Kay Sangwand sat down for a reporter from National Public Radio’s Weekend Edition to talk about our role in the project. You can hear the interview and view some images from the Archive here.

Win Tickets to Percussionist Cyro Baptista

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The Benson Latin American Collection and Texas Performing Arts along with the UT Libraries are offering up a chance to win tickets to a unique performance by Brazilian Jazz/World musician and percussionist Cyro Baptista.

Baptista is reprising a performance from his debut album Villa-Lobos/Vira-Loucos, an homage to early twentieth-century classical Brazilian composer Heitor Villa-Lobos.

Baptista performs at 8 p.m., next Tuesday, October 26, at Hogg Auditorium.

From the TPA website:

Texas Performing Arts is proud to present Cyro Baptista performing his classical program, Villa-Lobos/Vira-Loucos, an evening focused on Baptista’s 1997 solo debut album of the same name. In this acclaimed collection, Cyro interprets and deconstructs a number of themes by the early twentieth-century classical Brazilian composer Hector Villa-Lobos. The recording is considered a true testament to Baptista’s mastery of music and the live experience beckons to you on a musical journey that is dynamic, virtuosic, grooving, and absolutely unique in sound and vision.

To be entered in the drawing for a pair of tickets, just visit the Cyro Baptista Trivia Question page and answer a Benson trivia question. Contest ends at 3 p.m. on Monday, October 25. Winner will be alerted via email and the Benson’s Facebook page.

Good luck.