All posts by tex libris

Expanding Discoverability for Architecture Treasures

Zoe Grout is a Graduate Student at UT Austin working toward an MA in English and an MS in Information Studies, with a focus on library and archival sciences. She currently works as an Archival Processing Graduate Research Assistant in the Alexander Architectural Archives.


This past year as the Alexander Architectural Archive’s GRA, I’ve published finding aids for six separate collections to Texas Archival Resources Online (TARO). Those collections are: the Boone Powell collection, the Ford, Powell & Carson collection, the Mardith Schuetz-Miller collection, the Nancy Kwallek collection, the John Covert Watson collection, and the Richard Cleary collection.

The first two collections’ finding aids are the culmination of several years’ work by myself, my GRA predecessors, and the entire AAA staff. Boone Powell is a noted architect in San Antonio. His collection includes records documenting his personal and professional life, such as his work on community projects such as Design San Antonio. Ford, Powell & Carson is likewise a noted architectural firm in San Antonio, known for the construction of the Tower of the Americas for the 1968 World’s Fair and its development of the San Antonio Riverwalk. Records in this collection consist primarily of files and drawings related to major projects conducted over the last fifty years. Pictured below is one such example, a photo of a sketch for the San Antonio River Grotto from the Ford, Powell & Carson collection.

The remaining four finding aids are provisional. These collections have not been processed, and their finding aids, while shortened, are intended to boost accessibility to our collections in the backlog. Mardith Schuetz-Miller is an anthropologist and historian who earned her PhD in American Civilization at UT, and her collection contains publication drafts and drawings, specifically concerning the architecture of Spanish Colonial sites in the American Southwest and Guam. Professor Emeritus Nancy Kwallek is a former director of the interior design program at UT, and was a major contributor to the program’s move to the School of Architecture. Her collection documents the history of the interior design program, as well as some of the works of interior designer Everett Brown. John Covert Watson is a noted Austin architect, known for his residences in the Austin area, especially around Lake Travis and West Lake Hills. His collection consists of architectural drawings for a selection of his projects. Finally, Richard Cleary is a Professor Emeritus in the School of Architecture here at UT, and his collection includes records from his own research and publication processes, as well as materials from courses he taught at UT.

Open Education Fellows Launch Cost-Free Italian Language Textbook

Exemplifying an embrace of affordable education, 2023 Open Education Fellows Dr. Amanda Bush and Silvia Luongo have successfully completed their fellowship project by creating Giornate Italiane, an Italian language textbook now available on Pressbooks. 

Authored entirely by Dr. Bush and Professor Luongo, this textbook carries a Creative Commons license, providing students with free access and eliminating the need to purchase a paid resource. Consequently, their course is now cost-free in terms of course materials, offering substantial financial relief to students.

The Open Education Fellows program, supported by the University of Texas Libraries, encourages faculty to develop open educational resources (OER) that enhance learning accessibility and affordability. 

The creation of OER textbooks ensures that all students, regardless of their financial situation, have equal access to essential learning materials. This initiative aligns with broader efforts to alleviate the financial burden of higher education and supports a more equitable academic environment.

Alberto Herrera Fernández Photograph Collection Unveiled

An intimate ceremony on April 29 marked the dedication of the Alberto Herrera Fernández Photograph Collection at the Benson Latin American Collection, honoring the life and work of the renowned Mexican photographer. The event, attended by family members, scholars and esteemed guests, served as a recognition of Herrera Fernandez’s impact in capturing the life and culture of Sonora, Mexico through his lens.

The event was largely organized by Blanca Cummins, daughter of Alberto Herrera Fernández and a current Tower Fellow, whose commitment to preserving her father’s legacy was evident throughout the event. Former state historian of Texas – and Cummins’ brother-in-law – Light Cummins described the significance of Herrera Fernández’s photographic legacy and provided historical context for the photographer’s  work.

The Alberto Herrera Fernández Photograph Collection, carefully maintained by Cummins’ sister until its transfer to the university, showcases not only the rugged beauty of the Sonoran Desert but also provides a glimpse into the lives of vaqueros and copper miners in Cananea, Sonora. Herrera Fernández’s lens documented the essence of artistic communities, daily life, religious leaders and governmental figures, painting a vivid portrait of the region.

The bulk of the collection is comprised of 60,000 photographic slides, prints, and negatives (~23 Linear feet). In addition to the photographic materials, the collection boasts a selection of ephemera, including exhibition write-ups, interviews, recognitions, and correspondence, offering invaluable insights into Herrera Fernández’s enduring legacy as a photographer. The breadth and depth of Herrera Fernández’s work provide a unique perspective on Sonora, filling a critical gap in the Benson’s holdings.

The dedication ceremony also recognized Blanca Cummins’s tireless efforts in digitizing selected images from the collection. Working diligently in the rare books reading room for months, Cummins meticulously preserved the original order of her father’s archive, ensuring its integrity and accessibility for future generations.

Megan Frisque, Director of the Tower Fellows program, also spoke to the value of the Fellows program, recognizing Cummins as an example of the sort of impact that the participants can have through its access to a world-class lifelong learning experience.

Little Joe Has a Big Night at the Benson

The 22nd annual ¡A Viva Voz! celebration at the Benson Latin American Collection on April 4 was a compelling homage to Latino arts and culture, spotlighting the legendary José María de León Hernández, affectionately known as Little Joe.

Developed by former Benson Director Ann Hartness, ¡A Viva Voz! has long served as a platform to showcase the rich Mexican American/U.S. Latino heritage, fostering community engagement and celebrating cultural vibrancy.

This year’s event paid tribute to Little Joe, an American music legend who has garnered five Grammy awards and was honored with the prestigious 2023 National Heritage Fellowship from the National Endowment for the Arts. In an interview conducted by US Latina/o Studies Librarian Maribel Falcón, Little Joe discussed his biography, “¡No Llore, Chingón!,” which provides a poignant narrative of his life journey, weaving tales of resilience and triumph amid the struggles faced by Mexican-American communities in Texas.

Born to immigrant parents who fled Mexico during the turmoil of the Mexican Revolution, Hernández and his family initially worked as farm laborers in Texas, confronting hardships and poverty. However, his passion for music ignited at a young age, and he embarked on a musical career that would transcend borders and genres.

Reflecting on his early days performing in meager venues and overcoming challenges, Little Joe addressed the hurdles of limited radio exposure for Spanish-language music, recounting pivotal moments such as the success of his album “Por Un Amor”(1964) and the trials of a grueling tour. His shared experiences of touring internationally, including a memorable trip to Japan, underscored his deep appreciation for cultural exchange and diversity.

Yet, beyond the melodies, Little Joe’s legacy carries a profound message of empowerment and advocacy. Throughout the evening, Little Joe conveyed a powerful message of resilience and solidarity, urging the audience to confront racism and injustice through activism and civic engagement.

As he performed an impromptu song encouraging accountability and participation in the democratic process, he encouraged all to embrace their heritage, amplify their voices, and stand united in the pursuit of a brighter tomorrow.


Watch the event:

Renovations Bring New Life to Perry-Castañeda Library

The Perry-Castañeda Library (PCL) is constantly in transformation, keeping speed with the needs of users by enhancing the library’s facilities, and recent renovations have been breathing new life into aging spaces to better serve students and staff alike.

From modernizing furniture, power, and whiteboards to carpet replacement and staff space rearrangement, renovations aim to create a more conducive environment for learning and collaboration.

Students don’t let a little construction get in the way.

Rehab efforts have seen significant changes to key areas such as the additions of the Scholars Lab and the Center for Teaching and Learning office space, and updates to the PCL lobby, with a focus on improving functionality and aesthetics. Additionally, new carpet will has been installed in the map room, replacing the well-worn flooring that dated the space to the previous century.

The fourth-floor quiet study has undergone significant renovations, with significant enhancements to its study areas aimed at elevating user experience and functionality. The notable update affects 6,800 square feet, which now boasts improved aesthetics and functionality. Featuring new accent colors, enhanced Wi-Fi capacity, and personal task lights, this space offers 138 seats, each equipped with enhanced electrical outlet access. Students can choose from a variety of seating options, including lounges, cubicles, and footrests, ensuring comfort and productivity.

The PCL lobby underwent a facelift in the wake of the Scholars Lab opening, covering 4,200 square feet and accommodating 66 seats with electrical outlet access. An added highlight is the inclusion of a 32-seat PC lab equipped with printers and scanners, catering to diverse academic needs. Moreover, the Scholars Lab renovation, spanning an impressive 16,250 square feet, provides an additional 256 seats with electrical outlet access, along with 10 new project rooms, fostering collaborative research endeavors. These renovations signify the library’s commitment to providing an enriching and conducive environment for academic pursuits.

Beyond physical enhancements, the library is also prioritizing the well-being of its staff with the addition of new massage chairs in the staff lounge, as well as in a dedicated wellness room on the fourth floor. These amenities underscore the university’s commitment to supporting the holistic well-being of its community members.

And additional upgrades and improvements are on the horizon. Shaded outdoor seating on the Plaza will provide students with a comfortable space to study and relax, while updates to collaborative spaces on the upper floors will encourage teamwork and innovation. An upcoming renovation of interior fixtures and finishes in the larger restrooms on the second floor will further enhance the library’s amenities, ensuring that students have access to modern and comfortable facilities.

The renovations to PCL reflect the Libraries’ dedication to providing students and staff with state-of-the-art facilities that foster learning, collaboration, and well-being. With substantial completion expected by January of next year, the university looks forward to unveiling a transformed library that will serve as a hub of academic excellence for years to come.

An Evening with Gioconda Belli

Renowned Nicaraguan writer and political figure, Gioconda Belli, spoke to a captivated crowd of over 120 attendees at a March 20 event hosted by the Benson Latin American Collection. The occasion served not only as a platform for Belli to share her remarkable journey but also to celebrate the acquisition of her archive by the Benson Latin American Collection.

Born in Managua, Belli grew up amidst the political upheaval of the Somoza dictatorship. Educated both in Nicaragua and abroad, she studied in Europe and the United States before initially pursuing a career in advertising, later shifting her focus to revolutionary politics.

In 1970, Belli joined the Sandinista National Liberation Front (FSLN), a leftist guerrilla organization opposing the Somoza regime, where she served as a clandestine courier, transported weapons, and travelled around Europe and Latin America obtaining resources and raising awareness of the Sandinista struggle.

Belli’s literary works artfully merge fiction and autobiography, drawing from her experiences as a revolutionary and a woman. Themes of love, desire, politics, and social change permeate her writing, notably exemplified in her renowned novel “The Inhabited Woman” (La mujer habitada, 1988).

Belli’s talk at the Benson delved into her experiences as a Sandinista and how these pivotal moments, intertwined with her personal life, have shaped her identity as a writer. The event provided Belli an opportunity to reflect on the preservation of her legacy at the Benson, and the importance of maintaining a historical accounting.

Attendees were treated to a recital of her poetry during her talk, and her compelling narrative resonated deeply with the audience, sparking thoughtful questions during the Q&A session that followed with director of the Teresa Lozano Long Institute of Latin American Studies (LLILAS) Adela Pineda.

Despite being exiled by the government of Daniel Ortega in 2022, Belli remains actively engaged in social and political advocacy, championing women’s rights and democratic reforms in Nicaragua and beyond. Continuously writing and participating in public discourse, she uses her platform to amplify marginalized voices and advocate for social justice.

The event not only served as a tribute to Gioconda Belli’s contributions to literature and politics but also highlighted the importance of preserving her legacy through the acquisition of her archive by the Benson Latin American Collection.

Read an interview with Gioconda Belli by Benson Director Melissa Guy, which appeared in a recent edition of Portal.

Women’s History Month, Chicana Feminism

Women’s History Month is an opportune time to reflect on the multifaceted contributions of women, especially those from diverse cultural backgrounds. In recognition, we turn our attention to the Chicana community and the rich resources available at the University of Texas Libraries – and especially the Benson Latin American Collection – that celebrate and document their stories.

At the heart of Chicana history lies a narrative of resilience and resistance. From the Chicano Movement of the 1960s and 70s to contemporary social justice initiatives, Chicana women have been instrumental in advocating for change. The Libraries’ collections include seminal works and primary sources that shed light on Chicana activism, identity formation, and community organizing. Researchers and enthusiasts alike can access documents, oral histories, and archival materials that capture the spirit of Chicana activism across different eras.

The Libraries boast a rich assortment of Chicana literature, from classic works by luminaries such as Gloria Anzaldúa and Sandra Cisneros to contemporary voices pushing boundaries and redefining genres. The Libraries’ catalog offers an extensive selection of Chicana-authored works – including poetry, fiction, or scholarly analysis – that illuminate the complexities of identity, migration, and belonging.

The visual and performing arts are integral to Chicana cultural expression, offering mediums through which artists challenge stereotypes, reclaim narratives, and celebrate heritage. Libraries’ resources include an impressive collection of visual art, photography, and performance documentation that capture the vibrancy and diversity of Chicana artistic production. From iconic murals to groundbreaking performances, these materials provide insight into the evolution of Chicana artistry and its intersections with politics, feminism, and cultural heritage.

In addition to physical holdings, the Libraries offers an array of digital archives and special collections that provide convenient access to rare and unique materials. Through digitization initiatives, scholars and enthusiasts worldwide can explore manuscripts, photographs, and ephemera related to Chicana history and culture. These digital resources not only preserve valuable artifacts but also facilitate research, teaching, and community engagement initiatives that promote awareness and understanding of Chicana experiences.

Here are some examples from the extensive holdings at the Libraries and the Benson Latin American Collection:

Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era by Maylei Blackwell: This groundbreaking book examines the contributions of Chicana activists during the civil rights and feminist movements of the 1960s and 1970s. Drawing from oral histories and archival research, Blackwell sheds light on the often-overlooked role of Chicana women in shaping social and political change.

Chicana/Latina Studies: The Journal of Mujeres Activas en Letras y Cambio Social (MALCS): This peer-reviewed journal focuses on the scholarly study of Chicana and Latina experiences. It publishes research articles, creative writing, book reviews, and more, reflecting the diverse voices and perspectives within the Chicana/o community.

Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa: An iconic work in Chicana feminist literature, Anzaldúa’s Borderlands/La Frontera explores the intersection of gender, race, and culture in the borderlands between the United States and Mexico. Through prose and poetry, Anzaldúa challenges conventional notions of identity and belonging, inspiring generations of activists and scholars. The Benson holds Anzaldúa’s archive, so curious scholars can see the author’s process at work from original manuscripts and source materials.

Chicana Archival Collections: The Benson Latin American Collection stands as a repository of invaluable Chicana primary resources, preserving the rich cultural tapestry and narratives of Chicana individuals. Within its holdings, iconic figures contribute distinct threads to the vibrant mosaic of Chicana heritage. Gloria Anzaldúa’s groundbreaking works challenge societal boundaries and explore the complex intersections of identity. Yolanda Alaniz’s activism and writings on feminism and Chicana identity serve as testament to the resilience and agency of Chicana women. Carmen Tafolla’s poetry and prose capture the spirit and struggles of Chicana life, while Carmen Lomas Garza’s art vividly depicts everyday scenes infused with cultural symbolism and familial warmth. These examples provide a mere cross-section of the rich Chicana holdings available to researchers and the curious alike.

Chicano Database: This comprehensive bibliographic index covers Chicano and Latino topics, including art, education, history, literature, and more. It includes citations to articles, books, book chapters, and conference papers, making it an invaluable resource for conducting research on Chicana studies.

Chicana: This documentary by Sylvia Morales traces the history of Chicana and Mexican women from pre-Columbian times to the present. It covers women’s role in Aztec society, their participation in the 1810 struggle for Mexican independence, their involvement in the US labor strikes in 1872, their contributions to the 1910 Mexican revolution and their leadership in contemporary civil rights causes, and shows how women, despite their poverty, have become an active and vocal part of the political and work life in both Mexico and the United States.

Chicana Feminist Thought: The Basic Historical Writings edited by Alma M. Garcia: This anthology brings together key writings by Chicana feminists, spanning from the early days of the Chicano movement to the present day. Covering topics such as reproductive rights, immigration, and intersectionality, these essays and manifestos offer essential insights into Chicana feminist thought.


Whether you’re a student, scholar, or simply interested in learning more about Chicana history and culture, these materials offer a rich and diverse perspective on the contributions of Chicana women to our society.

As we commemorate Women’s History Month, let us honor the legacy of Chicana women by delving into their stories, amplifying their voices, and recognizing their enduring contributions to society. Through the resources available at the University of Texas Libraries, we have the opportunity to deepen our understanding of Chicana history, culture, and activism, ensuring that their narratives continue to inspire and empower future generations.

Happy Open Education Week!

Today marks the start of Open Education Week! Open Educational Resources are openly licensed materials that can be: 

  • Retained
  • Reused
  • Revised
  • Remixed
  • Redistributed 

OER can make a huge difference to our students. In the 2022-2023 academic year alone, students saved over $1.8 million dollars because OER was prioritized over paid course materials. 

However, as important as these resources might be, they’re often overlooked or misunderstood. Are you curious about OER? Check out this infographic to learn more. 

And if you’d like to learn even more about OER, here are our upcoming OE Week activities: 

Monday March 4th – Friday, March 8th: Come visit our blog for a daily post spotlighting OER work happening here at UT Austin.  

Tuesday, March 5th, 12pm-2pm: Tabling event in PCL Lobby. Come by to chat with a librarian about OER. 

Friday, March 8th, 1pm-2pm: OE Week Virtual Panel. Our joint student/faculty panel will discuss their experiences with adopting, implementing and even creating OER. The event is free, but you do need to register.

Staff Highlighter: Yi Shan

What’s your title, and what do you do for UTL?

Yi Shan: My title is East Asian Studies Librarian. I manage all East Asian language materials at the UTL and support the research and teaching of East Asia-related topics and disciplines on UT campus.

Any library (UT or otherwise) memory worth sharing?

YS: I can never forget my research trip to the Seikado Bunko Library in Tokyo. It’s a relatively small private collection but holds some of the rarest and most valuable premodern Chinese books. The reading room rules are very strict. You have to leave your shoes outside (like many Japanese places), wash your hands, and leave your electronics before entering the reading room. Interestingly, however, you can eat (!) your lunch inside the reading room. There is a designated lunch table at least by the time of my visit in 2019.

I found a lot of valuable primary sources for my dissertation there, and the librarian was so kind, knowledgeable, and helpful. The most exciting story is that I was so lucky to stumble upon a presumably Ming dynasty (1368–1644) manuscript that one 18th-century collector that I studied rescued from a stack of old scrap paper.

You’ve lived in many places. How does Austin compare?

YS: Austin is such a lovely city! Having lived in a few giant cities, I find the size of Austin perfectly manageable. In some way, I surprisingly find that the view of Zilker and Barton Springs area resembles a lot to my hometown, Taiyuan, at least in the way it appears in my memory. I used to say that I was okay with the cold but not the heat. Now I guess I am getting there to make my body think otherwise. Anyway, I spent my college years in one of the most notorious four “oven” cities in China, and having survived last summer in Austin, I guess I can cope. But how the heat has been trending for the future does scare me a lot.


What’s something most people don’t know about you?

YS: I love to cook. This interest in culinary art started during my grad school, and I always went to the occasion cooking lessons at the student union. Another version of myself always dreams to own and operate a restaurant. I’m pretty familiar with cooking in Chinese, French, Italian, and Japanese styles, and now I am foraying into Thai. I like to bake as well, but the oven has not been treating me as kindly as the stove has. Or when I bake a cake, it starts to hate me. 

As a historian, what makes you gravitate to the past, and how does it influence your perspective on the future?

YS: Trained mostly as a premodernist, I think what makes me excited about the past is you really have to use imagination to understand it. There’s the saying that “past is a foreign country,” but I think it is more than that. It’s like a whole different phenomenological and ontological universe. By imagination, I don’t mean that historians are inventing things and events that never existed or happened. It is that we so often need to question the take-for-granted categories and ways we thought what the past was like.

I think the future, like the past, invites bold imaginations. Building a better future, like understanding the past, needs us both to engage and work with the structures we have today but also to break free from their constraints. It’s all about defamiliarizing the familiar and bravely embracing the unfamiliar with an open and empathetic heart.

I understand you may be a train enthusiast. What is it about trains?

YS: I think my enthusiasm for all mass-transportation vehicles, trains, civil aviation, etc, all comes down to my like to travel to faraway places. I spent a big chunk of my childhood in my grandparents’ apartment right next to a train station (the complex and the station share a wall). My grandfather would tell me, “Look, this train is bound for Beijing, that is for Shanghai, that is for Xi’an,” and I always wanted to take the trains to those places.

And most times I just like the feeling of being on the way, and it has to be a long way that you don’t have to constantly worry about missing your stop. The sound of a train ride or the engines of an aircraft kind of calms me down, and I like to read and write on my way. However, I do hate packing for a trip and spending time at a train station or an airport. 

Favorite book, movie or album?

YS: Min Jin Lee’s novel Pachinko is my favorite of all fiction (very few) I’ve read since 2019. Dream of the Red Chamber/Story of the Stone (Honglou meng) is an all-time favorite. Since 2022, I’ve been following the #readingthestone reading-together project (mostly listening to their podcasts) started by Prof. Eileen Chow at Duke University. If you are interested in getting small doses of this greatest piece of Chinese literature (in both original and translation), this is the perfect place to start.

Recently I’ve started Four Treasures of the Sky, a fiction inspired by the Dream of the Red Chamber, and I am loving it.

Favorite food or drink? Make it at home or go out (and where)?

YS: My favorite food recently is Cantonese roasted duck. Ho Ho Chinese Barbecue’s roasted duck is, so far, the best that I’ve found in town. It’s very difficult to make at home, and best to leave for the pros. 

What’s the future hold?

YS: There are so many new developments in Higher Education that make the future both exciting and scary. But knowledge/expertise and a strong collection should always be our best assets to embrace the challenges and grow from them. Right now, I am exploring OCR and automated textual processing of CJK (the library jargon for Chinese, Japanese, and Korean) texts and also identifying strategic growth points for our East Asian collections.

In the long run, together with my UTL colleagues and the learning community on campus, I hope to build such a collection that makes UT a strong and unique resource for East Asian studies in the world. I hope this collection will not only serve the existing and emerging research and pedagogical needs but also foster, nurture, and inspire scholarly and pedagogical innovations.

Back by Popular Demand…New Books!

After a bevy of construction projects in recent years real estate previously inhabited by New Books at the at the Perry-Castañeda Library’s entry, the new titles section is making a return.

Now situated just inside the UFCU Room on the opposite end of the ground level from the front doors, the “Selection of New Books” will feature 70-80 books per month selected by the Libraries’ Content Management staff and drawn from recent arrivals. Books will rotate off and into the general stacks on a monthly cycle as new titles arrive and selections are made.

Whether you want a break from serious scholarship, need to kill some time between stops or just want to see what’s new and available, stop by and peruse the latest offerings hand-selected by our experts.