Category Archives: Benson Latin American Collection

The Libraries Afield: Launching the Guatemalan National Police Archives Website

Documents at the Guatemalan National Police Archive (AHPN). Photo courtesy Archivo Histórico de la Policía Nacional, Guatemala.

University of Texas Libraries Director Fred Heath traveled to Guatemala in December 2011 to participate in the launch of a joint project between the Guatemalan National Police Archive (AHPN) and The University of Texas at Austin. Together, AHPN and the Libraries would provide public access via the web to records of human rights violations by government agents that were discovered in a military munitions dump in 2004.

This is Dr. Heath’s travelogue of his trip.

Our flight to Guatemala City, 5,000 feet up in the Central American highlands took two and a half hours.  Our destination was the National Police Archives, where on Friday we would celebrate with our colleagues, the recent opening of the AHPN website.  I had yet to write my brief remarks.

In the cramped rear coach seat of the Boeing 737, I held my laptop in my lap, with the screen tilted slightly forward to accommodate the encroaching seatback of the traveler in front of me, and edited my three-minute talk.  I was working from the draft I delivered the week before, when we first opened the web site of the Guatemalan National Police Archive.

Our next day — Friday, December 9 — would be International Human Rights Day, and AHPN director Gustavo Meoño had shrewdly decided to reciprocate the previous week’s events with a ceremony in Guatemala City celebrating the partnership between AHPN, administratively housed within the Ministry of Culture, and the University of Texas.

At 35,000 feet, I was not sure what to expect.  I did know that Christian Kelleher (program coordinator for the Human Rights Documentation Initiative), Karen Engle (director of the Rapaport Center for Human Rights and Justice) and Daniel Brinks (professor and co-director of Rapaport) would all address the audience at AHPN, projected to be some 200 in number, but I knew little about the attendees.  I also knew that all three of my colleagues would deliver their remarks in Spanish; so I was determined to keep my Anglo remarks brief.   As I wrote, I wanted to answer the question of why democracies elect to archive and preserve even the dark chapters of their histories, rather than deny or erase them.  I chose to use the example of the Lyndon Baines Johnson Library & Museum, whose holdings allow researchers to address the issues of the transfer of presidential power in the aftermath of the assassination of John Kennedy, to study an epochal period in our own tumultuous civil rights movement, and to inquire into the dark chapter that was the war in Vietnam.  My hope was that in my brief remarks I could remind our Guatemalan audience that in a democracy it is necessary to study all parts of our past, in order to learn from our accomplishments, and avoid the recurrences of our missteps. Continue reading The Libraries Afield: Launching the Guatemalan National Police Archives Website

Border Music Giveaway

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The Benson Latin American Collection and Texas Performing Arts (TPA) are giving away tickets for a night of cross-border rock and roll.

On November 30, TPA hosts Border Music with David Hidalgo and Marc Ribot for the “U.S. premiere of this rocking post-roots, pan-Latin, rave-up/descarga.”

Hidalgo, of course, is the vocal leader of the iconic latino-crossover band and Grammy-winners Los Lobos, while Ribot has been the archetype journeyman, earning his rep with such modern legends as Tom Waits, Elvis Costello, and avant-garde composer John Zorn.

For a chance to win tickets, all you need to do is answer a Benson trivia question.

Contest closes at 5pm on Tuesday, November 23.

What Can Brown Do For You?


From "Arte de la lengua mexicana y castellana" by Alonso de Molina,Published: 1576, from the Benson Latin American Collection

In the case of original Latin American research materials, quite a lot, actually.

The John Carter Brown Library at Brown University has signed on to the Primeros Libros project – a consortia-driven effort to capture and preserve as many of the “first books” of the New World, those printed in Mexico before 1601. Brown becomes the project’s biggest contributor bringing an additional 70 volumes to the collection, joining the Benson Latin American Collection, Biblioteca Histórica José María Lafragua at the Benemérita Universidad Autónoma de Puebla and the Cushing Memorial Library and Archives at Texas A&M University, among others.

The digital preservation of these historic cultural documents not only benefits Latin American study abroad, but it means that long-since scattered cultural artifacts of Mexico can return home for use the country’s own scholars and researchers.

Find more information on the project and its players here.

The Trail That Made Texas

When Alonso de Léon took his troops from the Rio Grande to the Guadalupe river – and later to the Neches – in search of French settlements, he probably had no idea that his tracks would pave the way for the creation of the state of Texas.

The Benson Latin American Collection is hosting an exhibition of photographs by Christopher Talbot from the National Historic Trail formed by de Léon’s expedition.

El Camino Real de los Tejas is on display at the Benson through the end of the month, and a reception with Talbot in attendance takes place tomorrow, Wednesday, September 21, from 5-7pm.

You can RSVP to the Benson’s Facebook event page.

Innovating Change at BLAC

Dr. Charles Hale

The University of Texas Libraries and the College of Liberal Arts are today announcing the launch of an innovative joint endeavor to align the physical and intellectual resources of the Benson Latin American Collection (BLAC) and the Lozano Long Institute for Latin American Studies (LLILAS) in a 3-year pilot venture.

Under the program, Dr. Charles Hale will assume sole directorship of both institutions with the objective of integrating staff and programs towards goals common to both.

In taking this approach to administering two of the University’s most notable institutions in the field of Latin American studies, the principals are creating a fiscal efficiency at the executive level, while at the same time discovering a way to streamline programming and collections development through collaboration for the benefit of students, faculty, researchers and the public at large.

At a time when higher education is facing increasing scrutiny, we’re finding new ways to meet the challenges put to us.

You can find complete information on the partnership here.

 

Benson Back To School Giveaway

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To kick off the school year right, the Benson is doing a giveaway to Crisol Danza Teatro, courtesy of Texas Performing Arts.

Simply follow the links above, or go to the Benson Facebook page (and, of course, “Like” them if you haven’t already), and enter the giveaway at the event page.

This giveaway ends at 3pm on September 21, but keep an eye out for more on the Benson’s Facebook page later this semester. 

 

 

HRDI Project Earns Grant

From the Genocide Archive of Rwanda

The Aegis Trust is one of eight organizations that have been awarded an EMC Heritage Trust Project grant through the company’s Information Heritage Initiative program for its work on the Genocide Archive of Rwanda. Aegis partnered with the Rwandan government and the Libraries’ Human Rights Documentation Initiative (HRDI) to build the framework for the Archive, the digital files of which reside with HRDI.

The grant will provide for ongoing archival activities including the digitization and preservation of audiovisual testimonies, historical photographs, documents, newspapers and genocide victims’ information which is made available through the Archive’s site.

Congratulations to the HRDI team for their continuing excellent work on this important project.

¡A Viva Voz! Goes to the Movies

And…action!

The Benson Latin American Collection presents its ninth annual ¡A Viva Voz! at 7pm this Thursday featuring film producer Elizabeth Avellán, co-owner (with director Robert Rodriguez) and vice president of Troublemaker Studios.

Avellán co-founded Los Hooligan Productions with Rodriguez when the two began work on El Mariachi (1992) in 1991. She co-produced From Dusk Till Dawn (1996), Desperado (1995) and The Faculty (1998). In 2000, Los Hooligan became Troublemaker Studios, which has since generated such notable films as the Spy Kids franchise, Sin City (2005), the Rodriguez/Tarantino double-feature, B-Movie homage Grindhouse (2007), Predators (2010) and Machete (2010).

Avellán will discuss her work and rare position as a Latino woman in the traditionally male-dominated film business.

Charles Ramirez-Berg of the Department of Radio-Television-Film will make an introduction, and food will be provided by El Meson.

An exhibit of cinematic materials from Troublemaker Studios and Cine Las Americas as well as rare materials on the Golden Age of Mexican Cinema from the Benson’s extensive archival holdings will be on view at the Benson, as well.

Check out the trailer for Avellán’s latest production credit, just off its SXSW showing, Blacktino.

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International Human Rights Day, Our Role (Updated)

It’s International Human Rights Day, and in the spirit of it, the Libraries can share news of its part in the opening of a new resource for the study of human rights.

Thanks in large part to the generous philanthropy of the Bridgeway Foundation in Houston, the Libraries established the Human Rights Documentation Initiative (HRDI) in 2008, its initial charge to preserve digitally the records of human rights abuses in the Rwandan Genocide.

Though HRDI’s mission has expanded in scope since that time – it has since established projects with the Free Burma Rangers and the Texas After Violence Project, and is currently negotiating new plans in Latin America – the project to collect, preserve and make accessible the Rwandan records has continued with itinerant staff constantly moving between Austin and Kigali, the site of the Kigali Memorial Centre where the fragile and sometimes anachronistic materials were being held.

Today, the project reaches a milestone with the inauguration of the Genocide Archive of Rwanda, a new and comprehensive repository for information related to the genocide. The physical archive housed on-site at the at the Kigali Genocide Memorial facility in Kigali will contain the original audiovisual, documentary and photographic materials in a secure, controlled environment. The digital archive will eventually contain copies of all audiovisual recordings and scans of all known documents and photographs will be accessible to researchers through a cross-referenced system that allows key word searches, first on-site and ultimately online. The Kigali Genocide Memorial will maintain network infrastructure, servers, and digitization and storage equipment for the digital archive, and a copy will also reside with the University of Texas Libraries.

Find more information about the project and the Libraries’ participation here.

You can see a featured interview video from the Archive here.

HRDI Archivist T-Kay Sangwand sat down for a reporter from National Public Radio’s Weekend Edition to talk about our role in the project. You can hear the interview and view some images from the Archive here.

Win Tickets to Percussionist Cyro Baptista

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The Benson Latin American Collection and Texas Performing Arts along with the UT Libraries are offering up a chance to win tickets to a unique performance by Brazilian Jazz/World musician and percussionist Cyro Baptista.

Baptista is reprising a performance from his debut album Villa-Lobos/Vira-Loucos, an homage to early twentieth-century classical Brazilian composer Heitor Villa-Lobos.

Baptista performs at 8 p.m., next Tuesday, October 26, at Hogg Auditorium.

From the TPA website:

Texas Performing Arts is proud to present Cyro Baptista performing his classical program, Villa-Lobos/Vira-Loucos, an evening focused on Baptista’s 1997 solo debut album of the same name. In this acclaimed collection, Cyro interprets and deconstructs a number of themes by the early twentieth-century classical Brazilian composer Hector Villa-Lobos. The recording is considered a true testament to Baptista’s mastery of music and the live experience beckons to you on a musical journey that is dynamic, virtuosic, grooving, and absolutely unique in sound and vision.

To be entered in the drawing for a pair of tickets, just visit the Cyro Baptista Trivia Question page and answer a Benson trivia question. Contest ends at 3 p.m. on Monday, October 25. Winner will be alerted via email and the Benson’s Facebook page.

Good luck.