Category Archives: News

A Poet in the Science Library

“Backmasking” by Harold Whit Williams.

One wouldn’t necessarily expect to find a poet in the stacks of a science library, but then again, creativity often occurs in the least anticipated of places.

The Life Science Library boasts among its staff a prize-winning poet, as Library Specialist Harold Whit Williams has garnered praise for his work, which is both a catalog of his experience as a musician, and reflective of his southern heritage. His most recent collection of poems, Backmasking, earned Williams the 2013 Robert Phillips Chapman Poetry Chapbook Prize from Texas Review Press, and his poem “Blues Dreams,” received the 2014 Mississippi Review Poetry Prize.

In some ways, it would seem to make perfect sense that Williams would understand the finer points of cadence and pentameter  — he’s also the guitarist for notable Austin pop band Cotton Mather.

Williams’ first collection of poetry, Waiting For The Fire To Go Out, was published by Finishing Line Press, and his work has appeared in numerous literary journals.

Whit kindly indulged a line of questioning about his poetry, his music and his life at the Libraries. 

When did you start writing poetry? Was it an outcropping of your music?

Harold Whit Williams: I’ve been writing poetry off and on since college days, but started giving serious attention to it, and publishing, now for about seven years.

Strange, but poetry is a totally separate thing to me from songwriting. As a guitarist first, my songs, or the guitar parts I play in Cotton Mather, happen musically first. Then lyrics come later. But with poetry, it’s all wordplay from the get-go, and the musicality in the words themselves tend to direct where I go in a poem.

Does the inspiration for poetry and music come from the same place, even though the jumping off point is different? Or are they driven by different urges? 

HWW: Good question. What makes me plug in an electric guitar and make loud horrendous noise has to come from a much different urge than the one making me get to a quiet place, alone, to jot down a poem. Continue reading A Poet in the Science Library

Future Tense

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As many know, Fred Heath announced his retirement from his position as Vice Provost and Director of the University of Texas Libraries last spring. After over 30 years of work in library administration and 10 years at UT Libraries, we will say goodbye to Dr. Heath on August 31.

Contemplating the future of libraries, specifically our UT Libraries, has been a big part of Dr. Heath’s job.

In honor of Fred’s retirement, the University Federal Credit Union is making a gift to establish the Fred and Jean Heath Libraries Tomorrow Fund.  This endowment will provide funds to address future unknown needs and enhancements of the University of Texas Libraries.

The Libraries Tomorrow Fund is also an alternative for donors who want to support the Libraries, but who are not ready to make an investment of $25,000 or more. This fund allows donors to establish an endowment over a timeframe that is convenient for them. This is a unique opportunity for a donor to have an immediate impact without fully funding an endowment until they are able to.

The best part is that the University Federal Credit Union has pledged to match gifts up to $25,000, which means that your gift today will be doubled and have an even greater impact.

Any gift contributed to the Libraries Tomorrow Fund will help the UT Libraries of the future today.

Give today and plan for tomorrow.

Interview: James Galloway on The Servant Girl Murders

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Author James Galloway — also a library specialist at the Mallet Chemistry Library — was recently consulted by the PBS investigative television program “History Detectives: Special Investigations” in the production of an episode on a series of unsolved murders that occurred in Austin in the mid-nineteenth century. Galloway’s 2010 book, The Servant Girl Murders: Austin, Texas 1885, provided background for the program, having been drawn from his research utilizing the wealth of historical materials inhabiting special collections across the Austin area, including those at The University of Texas at Austin.

Galloway was took some time to talk with us about how the book came to be.

What got you interested in the murders? 

James R. Galloway: I took a history class — Methods in Historical Research — when I was finishing grad school here at The University of Texas in 1996 that focused on local history resources and collections. I was trying to come up with a topic for a research paper and I remembered this local legend about a serial killer from the nineteenth century in Austin.  I did some digging around and as far as I could tell no one else had done research on the topic. I thought it would make a good research paper and started looking into it.

What compelled you to write the book?

JRG: After I finished grad school, I was still interested in the story, I had barely scratched the surface of the primary sources I could find and I had no idea what had ultimately happened with the murders and I wanted to continue to investigate them in my spare time.

Where did you discover information about the events, and how long did you work to research the book?

JRG: The story of the murders was told in the newspapers from the time period; they were the primary source for the “story” and I ended up reading through a few years worth of microfilmed newspapers to find the beginning, where and when they started, and where the finally ended.  But there were a lot of loose ends, Continue reading Interview: James Galloway on The Servant Girl Murders

Paul Otlet and the pre-digital Internet

Paul Otlet’s sketch for the ‘worldwide network’ he envisioned
(Image: Mundaneum Archive, Belgium)

If you’re unfamiliar with  lawyer Paul Otlet and his monument to document science, the Mundaneum, Cataloging the World appears to be a worthy introductory volume to an oddly prescient episode in human history.

Otlet carried a grand vision of interconnecting the various knowledge gateways throughout the world in order to bring about a sort of collective enlightenment and benevolent world order… decades before Turing’s rudimentary machine even hinted at future computational possibilities.

Check out an excellent overview of Otlet’s work and Cataloging the World at the blog Brain Pickings.

 

Semester Recap: The Unbridled Beauty of Watercolor Renderings

To kick off a series of blog posts recapping the Spring 2014 semester, we figured we’d start with one of the most visually captivating: watercolor renderings from our very own Alexander Architectural Archive.

Earlier in the semester, Judy Birdsong’s Visual Communications studio paid a visit to the Archive to check out some of our working drawings in order to see how they have changed over the years. This is a completely fascinating progression, and one of my personal favorite things to view when I visit the Archive for my own research needs. However, a few weeks later, students were assigned a project requiring watercolor — and the watercolor renderings the Archive has are an absolutely incredible resource!

I was lucky enough to be given a similar exposure to the Archive’s watercolors by Curatorial Assistant Nancy Sparrow, and I’m here to pass on the unbridled beauty. If any of you happen to have been looking to improve your architectural watercolor skills, the Archive is an unparalleled resource!

Throughout final reviews, a similar version of the same comment often comes to the surface: accurately conveying an architectural idea heavily depends on the way you draw or render your final presentation graphically. With so much focus on computer generated renderings in practice today, watercolors are almost slowly being vaulted into the ranks of a lost art. These stunning examples from the Archive showcase immaculate talent that displays a clear understanding of color, shadow, contrast, and fine detail by the artist.

We hope the following high-resolution images inspire you in some way, whether out of pure admiration, or to pursue a new (or revived!) technique in the renderings you produce yourself. Click on the below photographs to view in beautiful detail!

I was floored by this beautiful rendering of the Flawn Academic Center, located just across the mall from Battle Hall. Nancy and I could not stop admiring the glass…

You can continue reading the rest of this article by Architecture & Planning Library GRA Stephanie Phillips over at the Battle Hall Highlights blog.

Wait – a Library Isn’t Just a Library?

Many students perceive a library solely as place to read, study, or perform research for their school-assigned projects. As an undergraduate at the University of Wisconsin-Madison, I shared this sentiment; I rarely encountered projects in my specific courses that required me to do extensive research, and so the stacks that surrounded me while I studied and wrote papers went largely unnoticed.

Now, as a first-year UT graduate student and Graduate Research Assistant at the Architecture & Planning Library, I feel like I am getting a second opportunity to explore the riches that lie within the walls of a library. In some ways, I almost feel like many of the undergraduates using the library for the first time: in awe and slightly overwhelmed at the sheer amount of information that’s accessible. How had I never come across or searched on my own for a goldmine like this before? Continue reading Wait – a Library Isn’t Just a Library?

New Arts Entity leans on FAL

The Contemporary Austin

This past winter, Louis Grachos came to Austin from Buffalo’s Albright-Knox Art Gallery with the hope of transforming AMOA-Arthouse into an international contemporary arts venue.

Last week, AMOA-Arthouse announced that they are shedding their previous identity and rechristening the project as The Contemporary Austin to better reflect the mission and direction of the institution.

As he assumed directorship of the museum, Grachos lured his colleague Heather Pesanti to take over as senior curator, but soon after her arrival, she realized she was missing one essential component necessary for her work: a library.

A cursory investigation into the resources Pesanti would need for the research component of her curatorial position led her to discover that The University of Texas at Austin boasted one of the best art libraries in the country.  With over 100,000 art books and DVDs and several hundred art journal subscriptions, the Fine Arts Library (FAL) became a simple (and convenient) solution to what otherwise could have been a critical concern for a promising new enterprise in the local arts scene.

“As part of the new curatorial direction of the museum, The Contemporary Austin intends to continue to expand its art historical research and scholarship, enabled in part by our great colleagues at the University of Texas and the exceptional resources provided by the University of Texas Libraries,” says Pesanti.

“The curators were provided library access and have already begun research on various projects at UT’s Fine Arts Library, which holds a rich trove of arts-related publications.  It’s an invaluable resource in the community, and an exciting prospect for future exhibition development and the publications that we hope will come out of them.”

FAL Head Librarian Laura Schwartz is thrilled: “It’s great to be able to be part of an exciting new undertaking in the Austin arts community. We feel like we could be a significant resource for other arts projects in Austin, so hopefully this will help raise awareness of the kind of contribution the library can make.”

We send our congratulations and best wishes for the future of The Contemporary Austin, and are gratified by the opportunity to play a small part in its ongoing success.

The most primary of sources

Napkin designs on display. Source: eNEWS 11-20-2012

Thanks to Gregory Street, one of our Library Student Supervisors, the Alexander Architectural Archive has begun collecting records of the UT chapter of the National Organization of Minority Architecture Students (NOMAS).

As he was busy packing up for his six-month residency at the firm Overland Partners, Gregory — the outgoing President of NOMAS — took time to make a special donation to the Archive. NOMAS was incredibly active this year, building their membership, conducting a service project for Mendez Middle School and holding a “napkin sketch” competition.  Such sketches often represent the seeds of designs that are later manifested in great buildings. This competition was NOMAS’ way of bringing together all programs and communities in the School while raising awareness of their organization.  The result is a unique representation of student, faculty and staff work.

During one of our morning breaks, I asked Gregory what NOMAS planned to do with the sketches.  We also discussed the importance of student organizations, and how it is difficult for members to ensure continuity and sustained knowledge for their leadership.  That’s where the archive comes in.  Especially during this era of centennial celebrations, we have seen a rise in scholars asking for information about the early days of programs and student life.  Student organization records reflect what students deem most valuable at a particular time in their education and their professions.  They reflect the work of future leaders.

Gregory recognizes the value of his organization’s work, and his effort in donating the NOMAS napkin sketch competition documentation is very fitting, serving as the seed of the NOMAS chapter archive and future collaborations with the University of Texas Libraries.  We look forward to supporting our student organizations and see a great future for NOMAS.

Beth Dodd is Head Librarian at the Architecture & Planning Library

Cross-posted at Battle Hall Highlights.

Money, Meet Mouth

PCL will open for 24-hour service in October.

No one can claim that our student leaders are filling token positions.

Student Government President Thor Lund and VP Wills Brown campaigned last year on two primary platform positions, one of which had direct bearing on the Libraries: 24-hour service at the Perry-Castañeda Library.

As of today, the incredibly industrious team can check that particular item off of their to-do list, at least for this year.

In mid-October, a week before midterms, the PCL will be open for 24 hours, 5 days-a-week until the end of the semester — during the time that students see access to a safe, secure study space a priority for their academic work. “24/5” picks back up before spring midterms and follows the same pattern to round out the school year.

Lund and Brown — along with support from SG staff — didn’t play around while most of their fellow students were on break. The pair worked with Libraries administration to target and solicit enough resources across campus for the funding of a one-year pilot of 24/5.

Not content to let temporary funding rest, Lund, Brown and staffers will be working over the course of the year to find permanent funding for the program.

Their hard work makes us proud to be Longhorns.

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Beginning in mid-October, PCL will open at noon on Sundays and remain open through 11 p.m. on Fridays. PCL will be open from 9 a.m. – 11 p.m. on Saturdays. 

Can I Get a WITNESS?

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I see pictures of people, rising up
pictures of people, falling down
I see pictures of people
they’re standing on their heads, they’re ready
they’re looking out, look out!
they’re watching out, watch out!

“This is the Picture” from Peter Gabriel’s So

The Libraries efforts in the field of human rights continue to flourish.

The Human Rights Documentation Initiative (HRDI) has announced a new partnership with human rights video advocacy organization WITNESS to preserve and provide access to raw video footage of human rights abuses and video productions collected from the organization’s partners.

WITNESS was co-founded in 1992 by musician and activist Peter Gabriel with Human Rights First and the Reebok Human Rights Foundation to provide support to grassroots advocacy through the use of video as an integrated tool in human rights campaigns.

This is the sixth partnership in which the HRDI has become involved. Other projects include work with the the Kigali Genocide Memorial Centre in Rwanda, the Guatemalan National Police Archive, the Texas After Violence Project, Free Burma Rangers and the Museo de la Palabra y la Imagen.

As seen by the recent successes and widespread use of video by citizen journalists in the uprisings of the Arab Spring, the growth of civic media to fight injustice will continue apace.

You can see the full press release on the new collaboration here.

And here’s video of the Ted Talk where Gabriel explains the concept of WITNESS:

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