Category Archives: Alexander Architectural Archive

Semester Recap: The Unbridled Beauty of Watercolor Renderings

To kick off a series of blog posts recapping the Spring 2014 semester, we figured we’d start with one of the most visually captivating: watercolor renderings from our very own Alexander Architectural Archive.

Earlier in the semester, Judy Birdsong’s Visual Communications studio paid a visit to the Archive to check out some of our working drawings in order to see how they have changed over the years. This is a completely fascinating progression, and one of my personal favorite things to view when I visit the Archive for my own research needs. However, a few weeks later, students were assigned a project requiring watercolor — and the watercolor renderings the Archive has are an absolutely incredible resource!

I was lucky enough to be given a similar exposure to the Archive’s watercolors by Curatorial Assistant Nancy Sparrow, and I’m here to pass on the unbridled beauty. If any of you happen to have been looking to improve your architectural watercolor skills, the Archive is an unparalleled resource!

Throughout final reviews, a similar version of the same comment often comes to the surface: accurately conveying an architectural idea heavily depends on the way you draw or render your final presentation graphically. With so much focus on computer generated renderings in practice today, watercolors are almost slowly being vaulted into the ranks of a lost art. These stunning examples from the Archive showcase immaculate talent that displays a clear understanding of color, shadow, contrast, and fine detail by the artist.

We hope the following high-resolution images inspire you in some way, whether out of pure admiration, or to pursue a new (or revived!) technique in the renderings you produce yourself. Click on the below photographs to view in beautiful detail!

I was floored by this beautiful rendering of the Flawn Academic Center, located just across the mall from Battle Hall. Nancy and I could not stop admiring the glass…

You can continue reading the rest of this article by Architecture & Planning Library GRA Stephanie Phillips over at the Battle Hall Highlights blog.

Frank Lloyd Wright’s Posthumous Contribution: An Icon of a City

Plans for the redevelopment of Olin Park in Madison, WI from Frank Lloyd Wright’s work on the Monona Basin Project.

While searching for all of the items in Karl Kamrath’s Collection last semester, I was directly exposed to the vast depth and diversity of a successful architect’s personal library. From Alden Dow to Katherine Morrow to Richard Neutra, Kamrath’s collection spanned decades and encompassed elements of major movements and achievements in the 20th century.

While his collection contains some quintessential readings that were quite prolific (such as Louis Sullivan’s Kindergarten Chats and Other WritingsHassan Fathy’s Architecture for the Poor: An Experiment in Rural Egyptand Frank Lloyd Wright’s The Future of Architecture), there are also some limited publications of several design projects that Kamrath and his firm were associated with. As I sifted through special collections to find these professional reports, one caught my eye before I even noticed the Kamrath Collection stamp on the cover: The Monona Basin Project.

My interest directly stems from the report’s subject: a schematic master plan for the city of Madison, Wisconsin. As a University of Wisconsin graduate who spent five years in Madison, I was immediately intrigued by the possibility of being able to compare my visual of Madison with a plan dating back to 1967.

For anyone that’s either been a resident of the greater Wisconsin-Illinois area or happens to be a Frank Lloyd Wright buff, you know that Wright’s career began in Madison as a student at the University of Wisconsin. Though he never completed his engineering degree, he went on to realize many significant projects in Madison and the surrounding area, including the Robert M. Lamp House, Unitarian Meeting House, and Taliesin in nearby Spring Green, one of his most famous projects. However, Monona Terrace likely possesses one of the most interesting timelines of all of Wright’s works – and I’m here to share that story with you all!

You can continue reading the rest of this article by Architecture & Planning Library GRA Stephanie Phillips over at the Battle Hall Highlights blog.

Blake Alexander (Feb. 4, 1924 – Dec. 11, 2011)

Blake Alexander

It is with great sadness that we announce the passing of Drury Blakeley Alexander, whose namesake Alexander Architectural Archive in the Architecture & Planning Library is the premier collection of architectural resources in Texas.

Blake was a champion for the education, documentation, and preservation of Texas’ architectural heritage. He was also a pioneer in recognizing the importance of archiving architectural records. The Alexander Architectural Archive grew out of his personal collection and stewardship. The resources he collected continue to play an important role in the restoration of many of Texas’ most important buildings and continue to support the education and scholarship of American architectural history.

To learn more about Blake’s life and legacy, please see:

Space as Music

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Experimental musician and composer Ellen Fullman brings her Long String Instrument to the Architecture & Planning Library in historic Battle Hall on Thursday (10/20) at 8:30pm to premiere “Tracings,” her newest work and one that used the building as its inspiration.

Fullman began developing the Long String – which has a sound that conjures an ambient/orchestral hybrid  – in the 1980’s in her Brooklyn studio, and in the thirty years hence has taken it to locations across the country, including for a performance at the Seaholm Power Plant in March of last year.

The performance is part of the Music in Architecture / Architecture in Music Symposium hosted by the Center for American Architecture and Design, the College of Fine Arts and the Sarah and Ernest Butler School of Music, and features Fullman both solo and with the Austin New Music Coop.

Joining Fullman are NMC musicians Brent Fariss (contrabass), Nick Hennies (percussion), Andrew Stoltz (overtone guitar designed by Arnold Dreyblatt) and Travis Weller (playing his custom string instrument “The Owl“).

The performance is free and open to the public. More info here, or RSVP on Facebook.

Architecture and Planning Exhibit Celebrates Mexico 2010

In recognition of the dual celebration of the bicentennial of Mexico’s Independence and centenary of the Mexican Revolution – both occurring in 2010 – the Architecture and Planning Library at The University of Texas at Austin is hosting “Maya Architecture: Selections from the George F. and Geraldine Andrews Collection.”

The exhibition highlights materials from an exhaustive and fully documented visual record of architecture of the lowland Maya area that is part of the Library’s collection.

In the late 1950s, University of Oregon architecture professor George Andrews and his wife Geraldine visited the Yucatán for the first time, and for the next forty years they devoted their professional lives to the study and documentation of Maya architecture.

The couple’s extended research produced a remarkable collection that includes an architectural data bank representing 850 buildings at 240 archaeological sites in the lowland Maya area.

The Andrews Collection was donated to the university by the couple in 2000.

The exhibition captures a small portion of George and Geraldine Andrews’ effort to document and reconstruct the art and architecture of the ancient lowland Maya. Samples from the collection reveal aspects of Andrews’ scholarship, collecting and creative talents by featuring a selection of buildings, monuments, graffiti and the resulting work conducted in the archives.

Meghan Rubenstein, an art history Ph.D. student, assisted Donna Coates and Beth Dodd of the Alexander Architectural Archive in the curation of the Andrews exhibition.

The exhibit will be on display in the Architecture and Planning Library reading room in Battle Hall through September 2010.

For a first hand perspective on the production of the exhibit, head over to the Architecture & Planning Library’s blog, APLHighlights.