It’s a challenge to combat long-held stereotypes — especially those that have gained a foothold in cultural consciousness — but libraries are increasingly finding ways to overcome an accepted caricature as spaces where quiet contemplation is guarded by strict disciplinarians with fingers firmly pressed to pursed lips.

More and more, programs developed to redouble the idea of library as a community third place have cut through the silence and opened the space to utilization in unexpected ways. As gateways to information, libraries have always served as cultural hubs; the advent of the internet offers opportunities to reimagine how they can fit within a social framework where the written word has largely ceded prominence to ones and zeroes.

One such example of rethinking space is evident at the Fine Arts Library (FAL), thanks to its close ties with emerging artists at the Butler School of Music.

In 2011, Music Librarian David Hunter approached graduate research assistant and doctoral candidate Russell Podgorsek — also the evening and weekend desk manager for the library at the time — about launching a music series to take place in the Roberts Reading Room at the FAL.

Podgorsek ran with the idea, imagining an eclectic program that had its roots in classical techniques, but would be creatively free-form in substance. He began pitching the concept to his colleagues and contemporaries in the university and broader Austin music communities and recruiting artists for the series premiere that took place in early 2012 and featured three original compositions by students of the Butler School — including Podgorsek, who is himself an accomplished composer, violist and guitarist.

To date, concerts have featured an array of composers, artists and performers from both the School of Music and the Austin community, including the Cordova Quartet; university Middle Eastern Music Ensemble, Bereket; Duo Brucoco; alumna Pamela Wilkinson; and dancer Reema Bounajem.

“Excessive Noise” will resume its run with the seventh concert in the series on January 31, and Podgorsek continues his curatorial duties under the appellation of the recently-formed Pale Blue. collaborative.

The concert, “winter winds… by Pale Blue. part 1,” features chamber music for winds including “Jabberwock” by current Butler School of Music (BSOM) DMA student Chris Prosser; “Poco Adagio” by BSOM alumnus Russell Podgorsek; and performances by the Butler School of Music Graduate Saxophone Quartet, the Aero Quintet, and current DMA students Charlotte Daniel (flute) and Chad Ibison (guitar).

Podgorsek took time recently to answer some questions about his experiences in developing “Excessive Noise.”

What spawned the idea for “Excessive Noise”?

Russell Podgorsek: Back in 2011 Dr. David Hunter asked me if I’d be interested in resurrecting a music series at the Fine Arts Library since one had been done years earlier but not in recent memory.

At the time “Excessive Noise” started I was a Graduate Research Assistant at the Fine Arts Library. (Fine Arts Head Librarian) Laura Schwartz, (Theater and Dance Librarian) Beth Kerr and David Hunter were kind enough to fold it into my responsibilities along with supervising and stacks maintenance. Once I graduated I stayed on as an hourly employee so it was easy to continue the series.

How do you come up with the programs?

RP: The programs are largely centered around players’ availability and interest in performing what they’re working on. Being a composer myself it also seemed natural to have several new works on each concert. UT and Austin in general are musically so rich that it’s almost too easy to fill up a program sometimes. Recently I’ve asked others at UT to collaborate with us in an effort to engage other libraries and collections as well as other departments. Last spring we did a joint event with the PCL Map Collection’s event series, “You Are Here,” that showcased works with ties to specific locales and the corresponding items in the Map Collection and at FAL. Later this semester we’re joining up with the Asian Studies department to present a concert exploring the intersection of Eastern and Western cultures. On smaller scales, we’ve had students from both Architecture and Theater and Dance perform or present on these concerts as well.

What sort of benefit does it provide for the performers/artists?

RP: Performing itself is an enjoyable activity but the audiences that these events draw are of a different composition than those at a “regular” recital or concert and connecting with a new part of the community is what it’s about. That being said, all of the performers are young professionals (the Butler School of Music is a great place), they know what they’re doing, and always present a high quality artistic product.

Laura Schwartz is really open to programs like “Excessive Noise” that make use of library space in an unexpected way. What’s it like holding the event in a library? Continue reading Breaking the Silence: Excessive Noise →