Tag Archives: Benson Latin American Collection

The Libraries Afield: Launching the Guatemalan National Police Archives Website

Documents at the Guatemalan National Police Archive (AHPN). Photo courtesy Archivo Histórico de la Policía Nacional, Guatemala.

University of Texas Libraries Director Fred Heath traveled to Guatemala in December 2011 to participate in the launch of a joint project between the Guatemalan National Police Archive (AHPN) and The University of Texas at Austin. Together, AHPN and the Libraries would provide public access via the web to records of human rights violations by government agents that were discovered in a military munitions dump in 2004.

This is Dr. Heath’s travelogue of his trip.

Our flight to Guatemala City, 5,000 feet up in the Central American highlands took two and a half hours.  Our destination was the National Police Archives, where on Friday we would celebrate with our colleagues, the recent opening of the AHPN website.  I had yet to write my brief remarks.

In the cramped rear coach seat of the Boeing 737, I held my laptop in my lap, with the screen tilted slightly forward to accommodate the encroaching seatback of the traveler in front of me, and edited my three-minute talk.  I was working from the draft I delivered the week before, when we first opened the web site of the Guatemalan National Police Archive.

Our next day — Friday, December 9 — would be International Human Rights Day, and AHPN director Gustavo Meoño had shrewdly decided to reciprocate the previous week’s events with a ceremony in Guatemala City celebrating the partnership between AHPN, administratively housed within the Ministry of Culture, and the University of Texas.

At 35,000 feet, I was not sure what to expect.  I did know that Christian Kelleher (program coordinator for the Human Rights Documentation Initiative), Karen Engle (director of the Rapaport Center for Human Rights and Justice) and Daniel Brinks (professor and co-director of Rapaport) would all address the audience at AHPN, projected to be some 200 in number, but I knew little about the attendees.  I also knew that all three of my colleagues would deliver their remarks in Spanish; so I was determined to keep my Anglo remarks brief.   As I wrote, I wanted to answer the question of why democracies elect to archive and preserve even the dark chapters of their histories, rather than deny or erase them.  I chose to use the example of the Lyndon Baines Johnson Library & Museum, whose holdings allow researchers to address the issues of the transfer of presidential power in the aftermath of the assassination of John Kennedy, to study an epochal period in our own tumultuous civil rights movement, and to inquire into the dark chapter that was the war in Vietnam.  My hope was that in my brief remarks I could remind our Guatemalan audience that in a democracy it is necessary to study all parts of our past, in order to learn from our accomplishments, and avoid the recurrences of our missteps. Continue reading The Libraries Afield: Launching the Guatemalan National Police Archives Website

Border Music Giveaway

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The Benson Latin American Collection and Texas Performing Arts (TPA) are giving away tickets for a night of cross-border rock and roll.

On November 30, TPA hosts Border Music with David Hidalgo and Marc Ribot for the “U.S. premiere of this rocking post-roots, pan-Latin, rave-up/descarga.”

Hidalgo, of course, is the vocal leader of the iconic latino-crossover band and Grammy-winners Los Lobos, while Ribot has been the archetype journeyman, earning his rep with such modern legends as Tom Waits, Elvis Costello, and avant-garde composer John Zorn.

For a chance to win tickets, all you need to do is answer a Benson trivia question.

Contest closes at 5pm on Tuesday, November 23.

Innovating Change at BLAC

Dr. Charles Hale

The University of Texas Libraries and the College of Liberal Arts are today announcing the launch of an innovative joint endeavor to align the physical and intellectual resources of the Benson Latin American Collection (BLAC) and the Lozano Long Institute for Latin American Studies (LLILAS) in a 3-year pilot venture.

Under the program, Dr. Charles Hale will assume sole directorship of both institutions with the objective of integrating staff and programs towards goals common to both.

In taking this approach to administering two of the University’s most notable institutions in the field of Latin American studies, the principals are creating a fiscal efficiency at the executive level, while at the same time discovering a way to streamline programming and collections development through collaboration for the benefit of students, faculty, researchers and the public at large.

At a time when higher education is facing increasing scrutiny, we’re finding new ways to meet the challenges put to us.

You can find complete information on the partnership here.

 

Benson Back To School Giveaway

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To kick off the school year right, the Benson is doing a giveaway to Crisol Danza Teatro, courtesy of Texas Performing Arts.

Simply follow the links above, or go to the Benson Facebook page (and, of course, “Like” them if you haven’t already), and enter the giveaway at the event page.

This giveaway ends at 3pm on September 21, but keep an eye out for more on the Benson’s Facebook page later this semester. 

 

 

¡A Viva Voz! Goes to the Movies

And…action!

The Benson Latin American Collection presents its ninth annual ¡A Viva Voz! at 7pm this Thursday featuring film producer Elizabeth Avellán, co-owner (with director Robert Rodriguez) and vice president of Troublemaker Studios.

Avellán co-founded Los Hooligan Productions with Rodriguez when the two began work on El Mariachi (1992) in 1991. She co-produced From Dusk Till Dawn (1996), Desperado (1995) and The Faculty (1998). In 2000, Los Hooligan became Troublemaker Studios, which has since generated such notable films as the Spy Kids franchise, Sin City (2005), the Rodriguez/Tarantino double-feature, B-Movie homage Grindhouse (2007), Predators (2010) and Machete (2010).

Avellán will discuss her work and rare position as a Latino woman in the traditionally male-dominated film business.

Charles Ramirez-Berg of the Department of Radio-Television-Film will make an introduction, and food will be provided by El Meson.

An exhibit of cinematic materials from Troublemaker Studios and Cine Las Americas as well as rare materials on the Golden Age of Mexican Cinema from the Benson’s extensive archival holdings will be on view at the Benson, as well.

Check out the trailer for Avellán’s latest production credit, just off its SXSW showing, Blacktino.

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Win Tickets to Percussionist Cyro Baptista

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The Benson Latin American Collection and Texas Performing Arts along with the UT Libraries are offering up a chance to win tickets to a unique performance by Brazilian Jazz/World musician and percussionist Cyro Baptista.

Baptista is reprising a performance from his debut album Villa-Lobos/Vira-Loucos, an homage to early twentieth-century classical Brazilian composer Heitor Villa-Lobos.

Baptista performs at 8 p.m., next Tuesday, October 26, at Hogg Auditorium.

From the TPA website:

Texas Performing Arts is proud to present Cyro Baptista performing his classical program, Villa-Lobos/Vira-Loucos, an evening focused on Baptista’s 1997 solo debut album of the same name. In this acclaimed collection, Cyro interprets and deconstructs a number of themes by the early twentieth-century classical Brazilian composer Hector Villa-Lobos. The recording is considered a true testament to Baptista’s mastery of music and the live experience beckons to you on a musical journey that is dynamic, virtuosic, grooving, and absolutely unique in sound and vision.

To be entered in the drawing for a pair of tickets, just visit the Cyro Baptista Trivia Question page and answer a Benson trivia question. Contest ends at 3 p.m. on Monday, October 25. Winner will be alerted via email and the Benson’s Facebook page.

Good luck.

Vargas Llosa Earns Nobel for Literature

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Mario Vargas Llosa was awarded the 2010 Nobel Prize in Literature on Thursday.

Though he holds Spanish dual citizenship and currently resides primarily in London, his birth, his background and his oeuvre make him thoroughly Peruvian.

In announcing the award, the jurors cited Vargas Llosa’s “cartography of the structures of power and his sharpened images of resistance, rebellion, and defeat of the individual.”

The author’s published works, in Spanish and translated editions, are held in the Benson Latin American Collection and other campus libraries, and a chapter from Vargas Llosa’s upcoming novel is available online.

Jorge Mario Pedro Vargas Llosa (1936- ) was born in Arequipa, Peru, a provincial capital south of Lima. He spent his youth with his mother and members of her family in Cochabamba, Bolivia, Piura, on the northern coast of Peru, and Lima, where he attended San Marcos University and published his first pieces of fiction.  In 1958, Vargas Llosa graduated from university and received a scholarship for study in Madrid, beginning a twelve-year residence abroad.

While living in Europe– first Madrid, then Paris and London– he worked as a journalist and wrote novels that gained critical acclaim.  La Ciudad y los perros (1963) won the Premio de la Critica Española despite stirring animosity in Peru for its thinly-veiled criticism of the ruling military. Publication of La Casa verde in 1965 firmly established Vargas Llosa as a member of what came to be known as the “Latin American Boom,” a generation of writers that include fellow Nobel laureate Gabriel García Márquez and Carlos Fuentes. Film aficionados may recognize La Tía Julia y el escribidor from its film adaptation as Tune in Tomorrow.

Vargas Llosa’s novels introduce his readers to Latin America’s rich legacy of historical characters.  La Guerra del fin del mundo evokes events of Brazil’s 19th century internal war and La Fiesta del chivo reflects on the last days of the Dominican dictator Rafael Trujillo.  Two novels,  Historia de Mayta (1984) and Lituma en los Andes (1996) are set in the events of Peru’s intestine struggle with the guerrilla group, Shining Path.  This traumatic period in Peruvian history inspired Vargas Llosa to more than fiction.   He became a candidate for the presidency in the 1990 election.  His defeat by the now incarcerated Alberto Fujimori proved a blessing for a man whose artistic skills far surpass his politics and for those of us who find pleasure in reading.

Since the 1990s, Vargas Llosa has resided primarily in London.  He was awarded Spanish citizenship in 1993 and elected to the Real Academia Española in 1994.  He has become an articulate spokesman for the importance of the Spanish language and Spanish culture.  This fall Vargas Llosa is living in Princeton as a Distinguished Visitor and, now, a Nobel laureate.

David Block is Latin American Studies Bibliographer at the Benson Latin American Collection.

Benson a la Mexicana

When I first walked into the Benson Latin American Collection to do research during my graduate studies, I did not imagine that four years later my boss would ask me to travel to Mexico City to represent the Benson and University of Texas Libraries at an awards ceremony with the mayor of Mexico City and a luncheon hosted by the Libraries for Texas Exes in Mexico. And now, it has been a week since arriving back from Mexico City and I still cannot believe I did it. And I have not really recuperated from the journey. Oh, believe me, it was a wonderful trip, just way too fast and cut way too short.

David Block receives the Medalla 1808 from Mexico City Mayor Marcelo Ebrard.

When Dr. David Block received electronic word (in an e-mail) of the Benson being awarded the Medalla 1808, I don’t know if we all realized immediately what an honor it was. Then after an exhaustive search online to make sure David had not just received an e-mail from Ed McMahon suggesting “you may be a millionaire”, we began to see the reality of and the potential in receiving such an honor. Historically, the medal is presented on behalf of Mexico City to persons for significant contributions to the study and development of Mexican history and culture. And now, the Benson has become the first foreign institutional recipient of the medal.  Wow… Of course we all knew the importance of the Benson, but now Mexico City Mayor, Marcelo Ebrard would present us with an international honor to reinforce what we all know to be true.

Our Vice Provost Dr. Fred Heath and Director for Development Gregory Perrin knew this would be a wonderful opportunity to invite our alumni from Mexico City, and the surrounding cities, to attend the ceremony. They decided it would also be quite advantageous to host a luncheon following. And this is where I came in. Part of the role I play in working for the Libraries is as an event coordinator. I love it because of the opportunities of excitement that abound, meeting new people and creating a delightful atmosphere for the libraries’ constituent; although, a first trip to the interior of Mexico and hosting a lunch would definitely be something extraordinary. Continue reading Benson a la Mexicana

¡A Viva Voz! gets funky with Ocote Soul Sounds

Ocote Soul Sounds members Adrian Quesada (white shirt) and Marti
Ocote Soul Sounds members Adrian Quesada and Martin Perna. Photo courtesy Ocote Soul Sounds.

¡Baile!

The Benson Latin American Collection is going to be “coconut rock” central next Thursday (4/8) when Austin-born psychedelic Afro-Latin funk band Ocote Soul Sounds throw down the beats as part of the eighth annual ¡A Viva Voz!

Featuring the bandleaders of Grupo Fantasma and Antibalas – Adrian Quesada and Martin Perna, respectively – Ocote Soul Sounds has been described as “sounding like a sun kissed Brazilian soundtrack from the ’70s.”

¡A Viva Voz! kicks off  at 7pm with a lite reception and presentation by dj t-kay of KOOP 91.7 fm before the band starts to jam and those so inclined shake it up on the dance floor.

Continue reading ¡A Viva Voz! gets funky with Ocote Soul Sounds