Category Archives: Archives

Chican@ Artists Take Over

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For its tenth annual salute to Latino culture occurring this evening, “¡A Viva Voz!” aims to wake audiences up with a couple of artist provocateurs.

Nao Bustamante and Ricardo Domínguez create works that draw upon new media and information technology to inform and provoke dialogue on Latino cultural and political issues.

The performance artists will present their work at the Benson Latin American Collection in Sid Richardson Hall, from 7-9 p.m., tonight, Thursday, April 12. The event is free and open to the public.

Nao Bustamante’s work employs video installation, visual art, filmmaking and writing, but she is perhaps best known for her absorbing and sometimes outrageous performance art (such as faking her way onto The Joan Rivers Show as a “stunt exhibitionist” in 1992). Popularly known for her appearance in the Bravo Network television show “A Work of Art: The Next Great Artist,” she has also exhibited at the Institute of Contemporary Arts in London, the New York Museum of Modern Art, the Sundance Film Festival and the Kiasma Museum of Helsinki. She is currently an associate professor in the Department of Arts at Rensselaer Polytechnic Institute.

Ricardo Domínguez is a co-founder of the Electronic Disturbance Theater, a group who developed Virtual-Sit-In technologies in 1998 in solidarity with the Zapatista communities in Chiapas, Mexico. His recent projects include the Transborder Immigrant Tool, a GPS cellphone safety net tool for crossing the Mexico/U.S border and “Drones at Home,” an exhibition on drones, drone economies and art. Domínguez is also an associate professor in the Visual Arts Department at Univeristy of California-San Diego.

The Libraries Afield: Launching the Guatemalan National Police Archives Website

Documents at the Guatemalan National Police Archive (AHPN). Photo courtesy Archivo Histórico de la Policía Nacional, Guatemala.

University of Texas Libraries Director Fred Heath traveled to Guatemala in December 2011 to participate in the launch of a joint project between the Guatemalan National Police Archive (AHPN) and The University of Texas at Austin. Together, AHPN and the Libraries would provide public access via the web to records of human rights violations by government agents that were discovered in a military munitions dump in 2004.

This is Dr. Heath’s travelogue of his trip.

Our flight to Guatemala City, 5,000 feet up in the Central American highlands took two and a half hours.  Our destination was the National Police Archives, where on Friday we would celebrate with our colleagues, the recent opening of the AHPN website.  I had yet to write my brief remarks.

In the cramped rear coach seat of the Boeing 737, I held my laptop in my lap, with the screen tilted slightly forward to accommodate the encroaching seatback of the traveler in front of me, and edited my three-minute talk.  I was working from the draft I delivered the week before, when we first opened the web site of the Guatemalan National Police Archive.

Our next day — Friday, December 9 — would be International Human Rights Day, and AHPN director Gustavo Meoño had shrewdly decided to reciprocate the previous week’s events with a ceremony in Guatemala City celebrating the partnership between AHPN, administratively housed within the Ministry of Culture, and the University of Texas.

At 35,000 feet, I was not sure what to expect.  I did know that Christian Kelleher (program coordinator for the Human Rights Documentation Initiative), Karen Engle (director of the Rapaport Center for Human Rights and Justice) and Daniel Brinks (professor and co-director of Rapaport) would all address the audience at AHPN, projected to be some 200 in number, but I knew little about the attendees.  I also knew that all three of my colleagues would deliver their remarks in Spanish; so I was determined to keep my Anglo remarks brief.   As I wrote, I wanted to answer the question of why democracies elect to archive and preserve even the dark chapters of their histories, rather than deny or erase them.  I chose to use the example of the Lyndon Baines Johnson Library & Museum, whose holdings allow researchers to address the issues of the transfer of presidential power in the aftermath of the assassination of John Kennedy, to study an epochal period in our own tumultuous civil rights movement, and to inquire into the dark chapter that was the war in Vietnam.  My hope was that in my brief remarks I could remind our Guatemalan audience that in a democracy it is necessary to study all parts of our past, in order to learn from our accomplishments, and avoid the recurrences of our missteps. Continue reading The Libraries Afield: Launching the Guatemalan National Police Archives Website

Blake Alexander (Feb. 4, 1924 – Dec. 11, 2011)

Blake Alexander

It is with great sadness that we announce the passing of Drury Blakeley Alexander, whose namesake Alexander Architectural Archive in the Architecture & Planning Library is the premier collection of architectural resources in Texas.

Blake was a champion for the education, documentation, and preservation of Texas’ architectural heritage. He was also a pioneer in recognizing the importance of archiving architectural records. The Alexander Architectural Archive grew out of his personal collection and stewardship. The resources he collected continue to play an important role in the restoration of many of Texas’ most important buildings and continue to support the education and scholarship of American architectural history.

To learn more about Blake’s life and legacy, please see:

Border Music Giveaway

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The Benson Latin American Collection and Texas Performing Arts (TPA) are giving away tickets for a night of cross-border rock and roll.

On November 30, TPA hosts Border Music with David Hidalgo and Marc Ribot for the “U.S. premiere of this rocking post-roots, pan-Latin, rave-up/descarga.”

Hidalgo, of course, is the vocal leader of the iconic latino-crossover band and Grammy-winners Los Lobos, while Ribot has been the archetype journeyman, earning his rep with such modern legends as Tom Waits, Elvis Costello, and avant-garde composer John Zorn.

For a chance to win tickets, all you need to do is answer a Benson trivia question.

Contest closes at 5pm on Tuesday, November 23.

Space as Music

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Experimental musician and composer Ellen Fullman brings her Long String Instrument to the Architecture & Planning Library in historic Battle Hall on Thursday (10/20) at 8:30pm to premiere “Tracings,” her newest work and one that used the building as its inspiration.

Fullman began developing the Long String – which has a sound that conjures an ambient/orchestral hybrid  – in the 1980’s in her Brooklyn studio, and in the thirty years hence has taken it to locations across the country, including for a performance at the Seaholm Power Plant in March of last year.

The performance is part of the Music in Architecture / Architecture in Music Symposium hosted by the Center for American Architecture and Design, the College of Fine Arts and the Sarah and Ernest Butler School of Music, and features Fullman both solo and with the Austin New Music Coop.

Joining Fullman are NMC musicians Brent Fariss (contrabass), Nick Hennies (percussion), Andrew Stoltz (overtone guitar designed by Arnold Dreyblatt) and Travis Weller (playing his custom string instrument “The Owl“).

The performance is free and open to the public. More info here, or RSVP on Facebook.

HRDI Shares Best Practices

From a HRDI Rwanda trip.

(Cross-posted at the HRDI blog.)

In September, UT Libraries Human Rights Documentation Initiative representatives Christian Kelleher and T-Kay Sangwand traveled to Columbia University to participate in an advisory group meeting for the Center for Research Libraries (CRL) MacArthur Foundation funded project, Human Rights Electronic Evidence Study.  The Human Rights Electronic Evidence Study aims to understand the human rights documentation landscape – technologies, documentation creators and end users – and to identify tools and practices for improving documentation’s uses for advocacy and scholarship.

In addition to Kelleher and Sangwand, the advisory group consisted of librarians and archivists from Columbia University, Duke University and human rights organization, WITNESS, as well as practicing lawyers and professors from the University of Texas School of Law. During this day-long meeting, the group discussed how human rights documentation is used from the point of creation by an organization/activist to how it ends up in an archive for educational purposes and a courtroom for legal purposes. Based on their experience of establishing digital preservation partnerships with organizations that create human right documentation, Kelleher and Sangwand shared some of the challenges that can prevent such documentation from ever arriving to the archive (namely, trust and ownership disputes) as well as the HRDI’s approach to overcoming this challenge – the use of the post custodial archival model that allows organizations to maintain physical and intellectual ownership of their materials while depositing digital copies at UT for long-term preservation. Through presentations by legal experts (including the Rapoport Center for Human Rights and Justice  Co-Director, Dan Brinks) on how human rights documentation may be used in U.S. and international courts, the HRDI was proud to learn that its metadata and preservation standards meet and even surpass the general recommended criteria for documentation authentication in a court of law.

The meeting’s discussion on the creation, preservation, and use of human rights documentation will be synthesized with the study’s findings in CRL’s final report due out in late 2011/early 2012.

T-Kay Sangwand is the Human Rights Archivist for the University of Texas Libraries Human Rights Documentation Initiative.

What Can Brown Do For You?


From "Arte de la lengua mexicana y castellana" by Alonso de Molina,Published: 1576, from the Benson Latin American Collection

In the case of original Latin American research materials, quite a lot, actually.

The John Carter Brown Library at Brown University has signed on to the Primeros Libros project – a consortia-driven effort to capture and preserve as many of the “first books” of the New World, those printed in Mexico before 1601. Brown becomes the project’s biggest contributor bringing an additional 70 volumes to the collection, joining the Benson Latin American Collection, Biblioteca Histórica José María Lafragua at the Benemérita Universidad Autónoma de Puebla and the Cushing Memorial Library and Archives at Texas A&M University, among others.

The digital preservation of these historic cultural documents not only benefits Latin American study abroad, but it means that long-since scattered cultural artifacts of Mexico can return home for use the country’s own scholars and researchers.

Find more information on the project and its players here.

The Trail That Made Texas

When Alonso de Léon took his troops from the Rio Grande to the Guadalupe river – and later to the Neches – in search of French settlements, he probably had no idea that his tracks would pave the way for the creation of the state of Texas.

The Benson Latin American Collection is hosting an exhibition of photographs by Christopher Talbot from the National Historic Trail formed by de Léon’s expedition.

El Camino Real de los Tejas is on display at the Benson through the end of the month, and a reception with Talbot in attendance takes place tomorrow, Wednesday, September 21, from 5-7pm.

You can RSVP to the Benson’s Facebook event page.

Innovating Change at BLAC

Dr. Charles Hale

The University of Texas Libraries and the College of Liberal Arts are today announcing the launch of an innovative joint endeavor to align the physical and intellectual resources of the Benson Latin American Collection (BLAC) and the Lozano Long Institute for Latin American Studies (LLILAS) in a 3-year pilot venture.

Under the program, Dr. Charles Hale will assume sole directorship of both institutions with the objective of integrating staff and programs towards goals common to both.

In taking this approach to administering two of the University’s most notable institutions in the field of Latin American studies, the principals are creating a fiscal efficiency at the executive level, while at the same time discovering a way to streamline programming and collections development through collaboration for the benefit of students, faculty, researchers and the public at large.

At a time when higher education is facing increasing scrutiny, we’re finding new ways to meet the challenges put to us.

You can find complete information on the partnership here.

 

Benson Back To School Giveaway

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To kick off the school year right, the Benson is doing a giveaway to Crisol Danza Teatro, courtesy of Texas Performing Arts.

Simply follow the links above, or go to the Benson Facebook page (and, of course, “Like” them if you haven’t already), and enter the giveaway at the event page.

This giveaway ends at 3pm on September 21, but keep an eye out for more on the Benson’s Facebook page later this semester.