Category Archives: Archives

Collections Highlight: Companion to “The Flora of Forfarshire”

William Gardiner. “A selection of the native plants of Forfarshire; to accompany ‘The flora of Forfarshire'”. Paper. 45 cm X 29 cm. Life Science Library. University of Texas Libraries

William Gardiner (1808-1852) typifies the self-taught scientists who made substantial contributions to botany and natural history studies in the eighteenth and nineteenth centuries.

Pursuing botany as an avocation while employed as an umbrella-maker, he later published Twenty Lessons on British Mosses (1846) and The Flora of Forfarshire (1848).

“A selection of the native plants of Forfarshire; to accompany ‘The flora of Forfarshire'”

The Flora was supported by subscribers and accompanied by a hand-written, bound volume of plant specimens, A selection of the native plants of Forfarshire; to accompany The Flora of Forfarshire.

This volume is part of the collections of the Life Science Library, the botany collections of which support and complement the research and collections of the Plant Resources Center.

Additionally, The Flora of Forfarshire was recently digitized and added to the university’s digital repository, Texas ScholarWorks, and is now available for perusal worldwide. View the online version here, and read more about the digitized version here.

Benson out and about

Culhuacán (MEXICATZINGO). Mexico. Jan. 17,1580. 70×54 cm.

The Benson Latin American Collection is sharing its unique holdings with our crosstown public partner through an exhibit featured at the Guadalupe branch of the Austin Public Library.

Mapping Mexican History: Territories in Dispute, Identities in Question features historic maps from the Benson’s rare books and manuscripts collections that represent a visual history of Mexico’s territory, culture and identity spanning the 16th through mid-19th centuries.

Included in the exhibit are examples of the exceptional Relaciones Geográficas, elaborate surveys from Latin America requisitioned by King Philip II of Spain in the 16th Century that provide detailed demographic, geographic and sociopolitical information on Spanish colonial life in regions and towns controlled by the crown, many featuring hand-drawn maps that range from simplistic to elaborate.

Mapping Mexican History is on view on the 2nd floor of the Faulk Central Library (800 Guadalupe) through October 15. Check the website for hours, or contact the Austin Public Library at 512-974-7400 for more information.

Semester Recap: The Unbridled Beauty of Watercolor Renderings

To kick off a series of blog posts recapping the Spring 2014 semester, we figured we’d start with one of the most visually captivating: watercolor renderings from our very own Alexander Architectural Archive.

Earlier in the semester, Judy Birdsong’s Visual Communications studio paid a visit to the Archive to check out some of our working drawings in order to see how they have changed over the years. This is a completely fascinating progression, and one of my personal favorite things to view when I visit the Archive for my own research needs. However, a few weeks later, students were assigned a project requiring watercolor — and the watercolor renderings the Archive has are an absolutely incredible resource!

I was lucky enough to be given a similar exposure to the Archive’s watercolors by Curatorial Assistant Nancy Sparrow, and I’m here to pass on the unbridled beauty. If any of you happen to have been looking to improve your architectural watercolor skills, the Archive is an unparalleled resource!

Throughout final reviews, a similar version of the same comment often comes to the surface: accurately conveying an architectural idea heavily depends on the way you draw or render your final presentation graphically. With so much focus on computer generated renderings in practice today, watercolors are almost slowly being vaulted into the ranks of a lost art. These stunning examples from the Archive showcase immaculate talent that displays a clear understanding of color, shadow, contrast, and fine detail by the artist.

We hope the following high-resolution images inspire you in some way, whether out of pure admiration, or to pursue a new (or revived!) technique in the renderings you produce yourself. Click on the below photographs to view in beautiful detail!

I was floored by this beautiful rendering of the Flawn Academic Center, located just across the mall from Battle Hall. Nancy and I could not stop admiring the glass…

You can continue reading the rest of this article by Architecture & Planning Library GRA Stephanie Phillips over at the Battle Hall Highlights blog.

Frank Lloyd Wright’s Posthumous Contribution: An Icon of a City

Plans for the redevelopment of Olin Park in Madison, WI from Frank Lloyd Wright’s work on the Monona Basin Project.

While searching for all of the items in Karl Kamrath’s Collection last semester, I was directly exposed to the vast depth and diversity of a successful architect’s personal library. From Alden Dow to Katherine Morrow to Richard Neutra, Kamrath’s collection spanned decades and encompassed elements of major movements and achievements in the 20th century.

While his collection contains some quintessential readings that were quite prolific (such as Louis Sullivan’s Kindergarten Chats and Other WritingsHassan Fathy’s Architecture for the Poor: An Experiment in Rural Egyptand Frank Lloyd Wright’s The Future of Architecture), there are also some limited publications of several design projects that Kamrath and his firm were associated with. As I sifted through special collections to find these professional reports, one caught my eye before I even noticed the Kamrath Collection stamp on the cover: The Monona Basin Project.

My interest directly stems from the report’s subject: a schematic master plan for the city of Madison, Wisconsin. As a University of Wisconsin graduate who spent five years in Madison, I was immediately intrigued by the possibility of being able to compare my visual of Madison with a plan dating back to 1967.

For anyone that’s either been a resident of the greater Wisconsin-Illinois area or happens to be a Frank Lloyd Wright buff, you know that Wright’s career began in Madison as a student at the University of Wisconsin. Though he never completed his engineering degree, he went on to realize many significant projects in Madison and the surrounding area, including the Robert M. Lamp House, Unitarian Meeting House, and Taliesin in nearby Spring Green, one of his most famous projects. However, Monona Terrace likely possesses one of the most interesting timelines of all of Wright’s works – and I’m here to share that story with you all!

You can continue reading the rest of this article by Architecture & Planning Library GRA Stephanie Phillips over at the Battle Hall Highlights blog.

Happily Buried in Music

A few of the 300+ postal bins of CDs from KUT.

Anyone who is a regular user of campus delivery for music deliveries from the Fine Arts Library will find great joy in news of a massive new acquisition of materials from a local Austin institution.

KUT-FM recently moved into their new KUT Public Media Studios, and in an effort to maximize their space, a decision was made to offload 40+ years of physical media. After a near fruitless effort to dispose of the items through a public purchase offering as required by state law, the collection was offered up for the Fine Arts Library — an offer which was quickly pounced upon by Libraries administrators.

FAL is now the proud repository of an additional 60,000 CDs (doubling the current circulating collection) and 4,000 vinyl records, all of which become accessible to the denizens of campus and visitors to the library…after, of course, an arduous effort to process the vast cache of materials is complete.

More about the acquisition here.

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Benson Hosts Junot Díaz

Junot Díaz visits LLILAS Benson

On Monday, September 23, Pulitzer Prize winning author Junot Díaz stopped by the Benson Latin American Collection as part of his tour of UT before his keynote appearance at the Texas Institute for Literary and Textual Studies: Reading Race in Literature and Film.

Díaz and a group of UT faculty gathered around the seminar room table where archivist Christian Kelleher had laid out some of the Benson’s treasures on display. These included some of the usual suspects, such as the Relaciones Geográficas (pintura maps from the first census of New Spain, dating back to 1577), the papers of the renowned Chicana theorist Gloria Anzaldúa, and the original manuscript of Rayuela by Argentine author Julio Cortázar.

Díaz views Benson special collections items.

Díaz’s visit was also a great opportunity to pull out some of the Benson’s lesser known gems, such as our collection of rare books and maps from and about the Dominican Republic, and share our Latino comics collection with a fellow comic book lover.

T-Kay Sangwand is the Human Rights Archivist for the Human Rights Documentation Initiative.

(Cross-posted from the Benson Latin American Collection.)

 

Primeros Libros Adds On

 

Illustration on the properties of numbers from the Sumario Compendioso (1556), the first math text published in the Americas.

The Primeros Libros project is thrilled to announce the incorporation of two new partner institutions: the Biblioteca General Histórica at Spain’s prestigious University of Salamanca, and Mexico’s Biblioteca Francisco de Burgoa at the Beinto Juárez Autonomous University of Oaxaca. These two new additions bring the total number of Primeros Libros partner institutions to 17.

The Primeros Libros project, of which the University of Texas Libraries and Benson Latin American Collection are founding members, seeks to digitize the first books published in the Americas, focusing initially on works published in Mexico in the 16th century. Each participating member library is entitled to a full set of the digitized exemplars of all partners as part of the project’s innovative preservation and access strategy. The project inventory currently includes 248 exemplars.

The University of Salamanca will bring 11 exemplars to the project, including five titles not previously covered by the project. One of these is the Sumario Compendioso de las Cuentas de Plata y Oro que en los reinos del Perú son necesarias a los mercaderes y a todo género de tratantes. Published in Mexico City in 1556. The Sumario Compendioso is the first non-religous text produced in the Americas and the first scientific text published outside of Europe. It was written primarily for merchants and miners involved in the silver and gold trade out of Mexico and Peru as a practical guide to help them manage their transactions, a sort of early precursor to the calculator. The Sumario contains tables that made it easier for merchants to get numerical values without having to do extensive calculations by hand, but there are also sections on algebra and quadratic equations.

The addition of the University of Salamanca’s digitized version of the Sumario Compendioso to the Primeros Libros project is also important in terms of the repatriation of cultural patrimony to Mexico, one of the key goals of the project, since there are only three known surviving copies of the book in the world, none of which is in Mexico (the Salamanca copy, one at the British Library, and one at the Huntington Library in Los Angeles). All seven Primeros Libros partner institutions in Mexico will now be able to feature this digital copy of the Sumario Compendioso as part of their local collections.

The Biblioteca Burgoa brings nine additional exemplars to the project. One of these, the Institución, modo de rezar y milagros e indulgencias del Rosario de la Virgen María, represents the only copy of this work in the project to date.

On September 19 and 20, the Biblioteca Burgoa will be hosting the annual Primeros Libros Partner Meeting in Oaxaca. The program for the Oaxaca meeting includes presentations by Benson-LLILAS Digital Curation Coordinator Kent Norsworthy and University of Texas at Austin School of Music professor Dr. Lorenzo Candelaria.

Can I Get a WITNESS?

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I see pictures of people, rising up
pictures of people, falling down
I see pictures of people
they’re standing on their heads, they’re ready
they’re looking out, look out!
they’re watching out, watch out!

“This is the Picture” from Peter Gabriel’s So

The Libraries efforts in the field of human rights continue to flourish.

The Human Rights Documentation Initiative (HRDI) has announced a new partnership with human rights video advocacy organization WITNESS to preserve and provide access to raw video footage of human rights abuses and video productions collected from the organization’s partners.

WITNESS was co-founded in 1992 by musician and activist Peter Gabriel with Human Rights First and the Reebok Human Rights Foundation to provide support to grassroots advocacy through the use of video as an integrated tool in human rights campaigns.

This is the sixth partnership in which the HRDI has become involved. Other projects include work with the the Kigali Genocide Memorial Centre in Rwanda, the Guatemalan National Police Archive, the Texas After Violence Project, Free Burma Rangers and the Museo de la Palabra y la Imagen.

As seen by the recent successes and widespread use of video by citizen journalists in the uprisings of the Arab Spring, the growth of civic media to fight injustice will continue apace.

You can see the full press release on the new collaboration here.

And here’s video of the Ted Talk where Gabriel explains the concept of WITNESS:

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Crawling Through Latin America

A 2006 web capture from the Colombian Ministry of Defense.

When libraries began to experiment with ways to migrate and adapt their traditional structures and skills to a technologic age, they came up with some novel approaches to information collection and preservation that are in a process of constant evolution. One such experiment begun in 2005 is still active and paying dividends today.

The Latin American Government Documents Archive (LAGDA) has been collecting, preserving and providing access to ministerial and presidential documents from 18 Latin American and Caribbean countries. In a process of crawling – the automatic downloading of webpages based on given criteria – the project has captured documents and information that could (and likely would) be lost over time due to neglect, changes in technology, changes in leadership or, in some cases, a willful desire to expunge the historical record.

The project is an extension of a decades-long effort by the Benson Latin American Collection to collect government print reports from Latin American countries, some of which date to the late 19th Century, and complements the work of the Libraries Human Rights Documentation Initiative.

Kent Norsworthy is a data curator and communications specialist splitting time between the Benson and the Lozano Long Institute of Latin American Studies who has been one of the primary drivers of the LAGDA project. He recently provided an interview on his work to “The Signal,” the Library of Congress’s blog on digital preservation, which you can read here.

HRDI Makes bOING bOING

Photo courtesy AHPN.

We’re big fans of tech/culture blog bOING bOING here at the Libraries, so we were extra happy to discover that author and blog editor Cory Doctorow has picked up on some of the important work we do.

Thanks to a submission from forensic human rights statistician Patrick Ball, Doctorow gave a heads up to bOING bOING readers about the Human Rights Documentation Initiative’s work on the digital archive of the Guatemalan National Police Historical Archive (AHPN).

Thanks to Ball and Doctorow for helping to raise awareness about this important archive.