Category Archives: Area Studies

Hinojosa and Pérez Brought Soul and Heart to 17th Annual ¡A Viva Voz!

A packed house at the Benson Latin American Collection was treated to a stunning set of music for the 17th annual ¡A Viva Voz! Celebration of Latina/o Arts and Culture, held April 4.

Lourdes Pérez (photo: Daniel Hublein)
Lourdes Pérez (photo: Daniel Hublein)

To be in the audience for “Cantos y Cuentos,” with singer-songwriters Tish Hinojosa and Lourdes Pérez, was to be drawn into an intimate conversation, an evening of poetry and song and sentiment that was poignant and personal, and at times delightfully humorous.

Audience at "Cantos y Cuentos" (photo: Daniel Hublein)
Audience at “Cantos y Cuentos” (photo: Daniel Hublein)

“Embodied in you is the history of thousands and thousands of years and hours of work and activism and human rights and cultural work, so I want to give you a round of applause for being here with us tonight,” said Pérez, before opening the concert with her song “Remolinos.”

In a set that was arranged song-swap style, Hinojosa followed with “Amanecer,” a love song written for her mother.

Tish Hinojosa (photo: Daniel Hublein)
Tish Hinojosa (photo: Daniel Hublein)

The emotional range of the concert was among the details that made it remarkable. One of the most touching songs of the evening was Hinojosa’s “The West Side of Town,” the tale of her parents, Felipe and María, which she wrote for her children so that they would learn about their grandparents, both of whom died before Hinojosa’s children could know them. Following that number, Pérez turned to her friend and said, “Tish, that’s a beautiful song, and I just wanted to tell you … I admire you, your beautiful voice, your songwriting—your beautiful songwriting—and I look up to you. Thank you for everything you’ve done in your life and your career.” These words, and this moment of one performer responding to the other, capture the authenticity of the evening.

Photo: Daniel Hublein
Photo: Daniel Hublein

Pérez’s wonderful sense of humor was on display with the songs “Héroe” (about a messenger dog, written in the poetic form known as décimas) and “A tu amor renuncio” (I Resign from Your Love—a breakup song for the digital age). In introducing the lovely “Roses Around My Feet,” Hinojosa claimed it was as close as she could come to a breakup song; the lyrics were inspired by the saying “No me estés hechando flores”— don’t be a flatterer—taught to her by her mother.

“Carrusel,” by Pérez, stood out as a stirring commentary on our time: “Diez mentiras repetidas son igual a una verdad” (“A lie, repeated ten times, equals the truth,” she translated.) In the haunting refrain, Pérez sings, “¿Qué veo? Nada. ¿Qué oigo? Nada. Y, ¿qué hago? Nada.” (What do I see? Nothing. What do I hear? Nothing. And what do I do? Nothing.)

Photo: Daniel Hublein
Photo: Daniel Hublein

The artists closed the concert with two duets, Hinojosa’s tender and enduring “Manos, Huesos, y Sangre,” written for Mexican artist Frida Kahlo, and Pérez’s anthem-like “Tengo la vida en las manos” (I Have Life in My Hands).

Before teaching the chorus of “Tengo la Vida” to the audience, Pérez spoke: “We still have the opportunity of creating spaces of freedom of speech. Who would have known that it was so threatened?” And she acknowledged the importance of places like LLILAS Benson, and of “this opportunity to celebrate life, to go into institutions of higher learning to tell our stories, and to straighten up the story that is being told” about us. (Adding another dimension to this statement, Hinojosa’s archive is housed at the Benson Latin American Collection.)

I have life, I have life,

I have life in my hands.

It is a consequence of being a woman.

It is a consequence of being human.

And then we all sang,

Tengo la vida, tengo la vida, tengo la vida en las manos.

Es consecuencia de ser mujer, es consecuencia de ser humano!


Learn about the artists at their websites: Tish Hinojosa and Lourdes Pérez.

Tish Hinojosa and Lourdes Pérez to Headline 17th Annual ¡A Viva Voz!

LLILAS Benson Latin American Studies and Collections is proud to present “Cantos y Cuentos: An Evening with Tish Hinojosa and Lourdes Pérez” for the 17th annual ¡A Viva Voz! Celebration of Latina/o Arts and Culture, coming to the Benson Latin American Collection, 2300 Red River Street, on Thursday, April 4, 2019, at 7 p.m.

In “Cantos y Cuentos,” San Antonio native Tish Hinojosa and Puerto Rican–born Lourdes Pérez will share the stage for song and conversation, giving the audience a front seat to the stories and histories behind each composer’s music, and glimpse of a friendship that spans many years.

Tish Hinojosa
Tish Hinojosa

Hinojosa is one of 13 children born to immigrant parents. The Southwest has been a focal point for her songwriting in English and Spanish, in styles ranging from Tejano to singer-songwriter folk, border music, and country. In a career spanning more than three decades, she has toured extensively in the U.S. and Europe, recorded in English and Spanish as an independent artist for major record labels, and has been a featured artist on Austin City Limits and A Prairie Home Companion. Hinojosa was praised by the Chicago Tribune as “a first-class songwriter,” and her supple voice lends itself well to a variety of genres. Her most recent album, West, includes new originals and an eclectic mix of covers.

West album cover Hinojosa

Hinojosa was an invited performer at the White House at the invitation of President Bill Clinton and then First Lady Hillary Clinton. She has performed with Joan Baez, Booker T. Jones, Flaco Jimenez, Pete Seeger, and Dwight Yoakam. The Benson Latin American Collection is the repository of Hinojosa’s archive.

Lourdes Pérez, photo: Annette D'Armata
Lourdes Pérez, photo: Jennifer Davis, 2019

When she began touring in the early 1990s, Lourdes Pérez was one of the only out Latina lesbians in the music world. Known for her soulful contralto voice, she takes on difficult topics in her songs, such as war and social justice, but also pens beautifully crafted lyrics on a range of topics. She is one of the few female writers of décimas, a form of Spanish poetry. Pérez’s performances have taken her to war zones and contested areas such as Chiapas and Palestine, and she has collaborated onstage and off with songwriters and performers in those areas and others, including translating lyrics from Arabic into Spanish.

In 2006, Pérez was one the first five artists in the US to be awarded a United States Artists Fellowship for Music, naming her “one of the finest living artists in the country.” Pérez is also a poet and oral historian. Her most recent project, Still Here: Homenaje al West Side de San Antonio, is a book and CD with original compositions by Pérez, performed by a variety of artists, inspired by oral histories of some of San Antonio’s most revered elders. The release of the project included a multimedia performance.

Still Here cover Perez

This event is free and open to the public. A reception will follow the performance. RSVP requested at http://attend.com/avivavoz17.

In the Pursuit of Discovery: Crowdfunding for the Librarian Ambassadors Fund

Arnakali bazaar - Tex Libris 1
Book stall in the Anarkali Bazaar Pakistan, one of the oldest surviving markets in South Asia. Taken by librarian Mary Rader on an acquisition trip.

When it comes to acquiring research materials at the tier-1 research level, not everything can be delivered to your front door. There are no routes librarians can explore online to purchase materials because countries do not have the same framework as the US.  And even if a librarian discovers a method for shipping, in reality, often it is cheaper for librarians to pack collections with them on airplanes.

To maintain UT’s subject expertise and to help build and steward effective networks abroad, librarians need to go overseas to make negotiations — face-to-face — for one-of-a-kind purchases that distinguish and develop UT’s collections.

Along with acquiring materials, even more important, it is the responsibility of the librarian to set in motion international relationships, and nurture  them, and create mutual education with our partners abroad on behalf of the Forty Acres.

National Museum - Tex Libris 1
Librarian Mary Rader with her international colleagues at the National Museum of Pakistan, which stewards the cultural history of Pakistan.

The University of Texas at Austin is unique.  We are the only university in Texas where librarians travel and function like ambassadors. As a result, our collections serve all researchers in Texas and many of our collection items serve as the only copy for the US. Library projects in South & Central America, Europe, Asia and the Middle East keeps the Forty Acres active in the global community.

This spring, the University of Texas Libraries will embark on a crowdfunding campaign to ensure that $20,000 is raised by April 19 so librarians may make  acquisition trips in 2020.

For 134 years, the University of Texas Libraries have committed to building one of the greatest library collections in the world.  New knowledge emerges only if we continue to expand the universe of information we make available to the Forty Acres, Texas and the world.

Will you help us build and  keep our bridges with the international community intact?

Pre-schedule your gift here: https://tinyurl.com/y7wajbpp

 

 

Illuminating Explorations: Satire at the End of the Ottoman Empire

“Illuminating Explorations” – This series of digital exhibits is designed to promote and celebrate UT Libraries collections in small-scale form. The exhibits will highlight unique materials to elevate awareness of a broad range of content. “Illuminating Explorations” will be created and released over time, with the intent of encouraging use of featured and related items, both digital and analog, in support of new inquiries, discoveries, enjoyment and further exploration.

Esad Arseven, Celal and Cimcoz, Selah, “That's a Young Turk, My Son." 1908.
Esad Arseven, Celal and Cimcoz, Selah, “That’s a Young Turk, My Son.” 1908.

Turkey, or the Ottoman Empire, has long occupied the political and strategic sights of the West. Today’s news often focuses on the constitutional amendments—in some cases styled as reforms––that the Erdoğan government has pursued. In Western academia and media, these maneuvers are most often read as an “Islamist” approach to governance; they may be more accurately labeled neoliberal, and indeed follow patterns shared with other eras of reform and significant political change in Turkish history.

In recognition of the contemporary significance of Turkish political change and development, UT Libraries’ “Satire After the Young Turk Revolution” online exhibit brings to the fore poignant political cartoons featured in the bilingual (Ottoman Turkish-French) weekly magazine Kalem. Kalem was founded following the Young Turk Revolution in the early 20th century, a movement that sought to implement significant political and social reforms in the late Ottoman Empire. These reforms and the political issues raised at the time would continue to roil Ottoman society through the First World War and into the formation of the Turkish Republic.

Esad Arseven, Celal and Cimcoz, Selah, “Funeral of the Eastern Question." 1908.
Esad Arseven, Celal and Cimcoz, Selah, “Funeral of the Eastern Question.” 1908.

The cartoon images have been selected for this exhibit because of their accessible meaning, illustration of the top issues of the time period, and aesthetic value. Kalem magazine was chosen for this exhibit because it represents UT Libraries’ rare Ottoman collections that are ripe for digitization to increase access for the public.

This exhibit will be of interest to those fascinated by pre-WWI Europe, the Ottoman Empire, satirical and political cartoons, and French publications in the Middle East. It will be of particular interest to researchers and students of the Middle East, early 20th century Europe, and popular art and literature across cultures.

Esad Arseven, Celal and Cimcoz, Selah, “Now the Ministers Do the Cleaning." 1908.
Esad Arseven, Celal and Cimcoz, Selah, “Now the Ministers Do the Cleaning.” 1908.

The print magazine is available at the Perry-Castañeda Library at UT Austin and through the Center for Research Libraries. An incomplete digital copy (issues 2 – 40) can be found through the HathiTrust Library. It is hoped that a full-color and complete digital copy of Kalem magazine will be available as an initiative of the Middle East Materials Project of the Center for Research Libraries.

Dale J. Correa is the Middle East Studies Librarian & History Coordinator for UT Libraries.

 

 

Read, Hot, and Digitized: 1947 Partition Archive

Read, hot & digitized: Librarians and the digital scholarship they love — In this series, librarians from UTL’s Arts, Humanities and Global Studies Engagement Team briefly present, explore and critique existing examples of digital scholarship.  Our hope is that these monthly reviews will inspire critical reflection of and future creative contributions to the growing fields of digital scholarship.

Increasingly simple and cost-effective digital technologies have made capturing and distributing oral histories a robust and growing field for archivists and for researchers, and, by extension for students and scholars seeking primary source, personal narratives to augment their understandings of history.  One of the most compelling South Asian oral history projects is the 1947 Partition Archive.  The Archive’s mission is to preserve eyewitness accounts from those who lived through the exceptionally turbulent and violent period when the Indian subcontinent gained independence from Britain, divided into the nation-states of India and Pakistan, and millions of people migrated from India to Pakistan, from Pakistan to India, from India and Pakistan to other parts of the world.  The work of the Archive is especially pressing: it has been 72 years since Partition and those still alive and able to directly recount their stories are increasingly rare.  As such, the core of the Archive’s work is to use its digital platform to encourage and motivate more interviews.

Using the power of “the crowd” to create content as well as to fund itself, the 1947 Partition Archive is demonstrably transparent in its methodologies; of particular use to those new to video oral histories is their “Citizen Historian Training Packet” which walks a novice through best practices for interviewing, strategies for good video capture, recommendations for incorporating still images into videos and even how to employ social media to generate interest (and potentially more interviews!).   The Archive has gathered over 5000 interviews so far and uses a very persuasive interactive map (StoryMap) on its front page to document the scale and scope of migration while simultaneously indexing the interviews; on the map itself, try searching a city either in “migrated to” or “migrated from” to generate a list of interviews, many with detailed text summaries that can be easily shared through social media, email, etc.

A handful of video interviews are available on the front page of the Archive’s website and raw, unedited recordings are available upon request.

Recently the Archive has partnered with Stanford University Library to preserve and archive the recordings.  To date, approximately 50 interviews are available through streaming on the site and (contingent on funding) one can hope for more to be available soon.  On the Stanford site, one can navigate by language, author, place & date of recording, but those just beginning to explore the subject may find the “Today’s Story” a good place to start.

The stories bravely shared through the 1947 Partition Archive are simultaneously compelling and devastating in their intimate descriptions of destruction, of violence, of loss.  And yet, they also provide hope: all interviewees survived the ruin that was Partition and the very act of sharing their stories demonstrates a hope for and generosity towards future generations to learn from the past.

The UT Libraries has an extensive collection related to Partition; those new to the topic might begin with a short story by Saadat Hasan Manto, “Toba Tek Singh,”  a novel by Khushwant Singh, Train to Pakistan, or by Salman Rushdie, Midnight’s Children, or Vishwajyoti Ghosh’s curated graphic novel, This Side, That Side.

Stanford University's 1947 Partition website.

Whit’s Picks: Take 3 – Gems from the HMRC

Resident poet and rock and roll star Harold Whit Williams is in the midst of a project to catalog the KUT Collection, obtained a few years ago and inhabiting a sizable portion of the Historical Music Recordings Collection (HMRC).

Being that he has a refined sense of both words and music, Whit seems like a good candidate for exploring and discovering some overlooked gems in the trove, and so in this occasional series, he’ll be presenting some of his noteworthy finds.

Earlier installments: Take 1, Take 2


Snowdrift / Starry All Over

Available at Fine Arts Library On Site Storage

Icy, ethereal dream pop from the Pacific Northwest. Kat Terran’s ghostly vocals haunt and swoop high above her band’s north wind din of swirling looped guitars and bass/drum drone. Classic 4AD followers take note.

 

Champian Fulton / The Breeze and I

Available at Fine Arts Library On Site Storage

Award-winning jazz pianist/vocalist leads her top-notch trio through a thoughtful batch of standards. Tickling the ivories à la Monk while crooning like Sarah Vaughan, thirty-something Fulton champions bebop and bravely marches it forward into the 21st century.

 

Near the Parenthesis / Music for the Forest Concourse

Available at Fine Arts Library On Site Storage

From the excellent Oakland electronica label n5MD comes this natural world-inspired ambient theme album. San Francisco-based artist Tim Arndt filters his soft piano through leafblown beats and pulsing synths. To be aurally absorbed as an autumn dusk falls – ask your doctor if Near the Parenthesis is right for you.

 

The Sojourners / The Sojourners

Available at Fine Arts Library On Site Storage

Vancouver, B.C.’s powerhouse gospel trio strips it all down to the very essence of soul with roots-rock producer/multi-instrumentalist Steve Dawson at the helm. Dense rich harmonies uplifted over a backporch stomp. Whether believer or skeptic, the listener is promised joy, peace, and transcendence.

 

International Jetsetters / Heart is Black

Available at Fine Arts Library On Site Storage

This side project of Jesus & Mary Chain guitarist Mark Crozer and drummer Loz Colbert thrills with a filled to the brim imperial pint-sized EP of bittersweet Brit-pop. Not quite shoegaze, not quite psychedelia, just amped-up, fuzzed-out rock and roll glory.

Harold Whit Williams is a Library Specialist in Music & Multimedia Resources Cataloging for Content Management. He writes poetry, is guitarist for the critically acclaimed rock band Cotton Mather, and releases lo-fi guitar-heavy indie pop as DAILY WORKER.

 

 

Vibrant but Vanishing Lending Libraries of South Asia

Inside Eashwari Lending Library.
Inside Eashwari Lending Library.

Throughout the fall of 2018, I was honored to be able to convene UT South Asia Institute’s Seminar Series, “Popular | Public | Pulp: form and genre in South Asian cultural production.”  Throughout the series, speakers explored printed examples of South Asian popular culture—mysteries, romances, comics—as they underscore and grapple with historical and contemporary concerns such as identity, power, & representation.  In addition to interrogating literary approaches, speakers in the series further addressed questions of gender, of sexuality, of caste & religion, and of authority, helping readers and scholars alike challenge what qualifies as “worthy” both in terms of style and substance.

One goal of the series was to draw attention to UT Libraries growing collection of popular and pulp fiction in South Asian languages, a collection that is nationally and internationally unique in gathering and preserving popular materials and subsequently making them available for users.  Beyond publicity, however, the series was also intended to uncover reading and distribution networks for these materials so that I might continue to creatively and productively acquire them while on acquisitions and networking trips to South Asia.  In November and December, and with the generous funding of both UTL and the South Asia Institute, I was privileged to travel to India and more deeply explore a venue repeatedly invoked in the fall speaker series: small lending libraries.

Small lending libraries are a cultural phenomenon throughout South Asia which support themselves through highly localized, neighborhood-based memberships.  Unlike UT Libraries which has a long-term and “long-tail” research agenda, the mission of these lending libraries is to support current and highly popular reading practices, not unlike many small public libraries in the U.S.

Senthil Lending Library.
Senthil Lending Library.

While in Chennai, I was able to visit two lively lending libraries—Easwari and Senthil—to observe their operations, to ask questions about the popularity of particular authors, and to acquire second-hand materials.  Both libraries carry all the bestsellers—in English [Mills and Boon, Harry Potter, James Patterson] and in Tamil [Rajesh Kumar, Indira Soundarajan, Raminichandran]—and experience high circulation of their books.  Because preservation is not part of their mission, the libraries are willing to sell the most ephemeral of their materials, namely monthly periodicals which include crime, detective and “women’s” fiction (romances as well as family dramas).

Eashwari Lending Library.
Easwari Lending Library.

Inside Eashwari Lending Library.
Inside Easwari Lending Library.

Despite the vibrant activity I observed at both these libraries, I am told that lending libraries are slowly vanishing from the South Asian landscape, ceding space to other entertainments and ways of “time pass.”  I was happy to have had the chance to visit these libraries and I do hope they will still be open and serving their readers on my next visit.  If not, though, I am comforted knowing that UT Libraries is participating in documenting and preserving some of this literary and cultural history for researchers long into the future.

 

 

 

 

LLILAS Benson Partnership with Puebla Archive to Yield Rich Results

Four Centuries of Rare Documents Will Be Digitized

August 8, 2018, was an auspicious day for students of Mexican history. An agreement signed between LLILAS Benson and the Tribunal Superior de Justicia del Estado de Puebla marks the official start of a project to digitize a large collection of archival materials from the Fondo Real de Cholula. Funding for the project comes from a Mellon Foundation grant obtained by LLILAS Benson.

The archives in question, which originate in the Mexican town of Cholula, Puebla State, consist of approximately 200 boxes and span some four centuries, from the 1500s to the late nineteenth century. Once digitized, they will be made available to researchers on an open-access platform by the Benson Latin American Collection and the University of Texas Libraries. The materials document, among other things, how Indigenous residents of Cholula navigated colonial judicial structures unique to their special juridical status.

Professor Kelly McDonough (second from left), LLILAS Benson director Virginia Garrard (third from left) , Lidia Gómez García (second from right) and members of the Puebla team celebrate the agreement
Professor Kelly McDonough (second from left), LLILAS Benson director Virginia Garrard (third from left) , Lidia Gómez García (second from right) and members of the Puebla team celebrate the agreement

A Rich Trove of Information

The materials will provide a rich trove of information about the colonial period, referred to in Mexico as la época novohispana. Cholula was one of only nine locations to be designated a ciudad de indios (in contrast, there were 21 ciudades de españoles). Ciudades de indios had a different justice system than others. Indigenous people paid their tribute directly to the king instead of to a colonial intermediary; they enjoyed certain privileges, and they maintained a fully functioning Indigenous cabildo, or council, which ruled alongside the Spanish one. “This allowed for a degree of Indigenous autonomy and exercise of special privileges in the new colonial context,” explains Professor Kelly McDonough of the UT Austin Department of Spanish and Portuguese.

LLILAS Benson might never have known about the collection in question had it not been for McDonough, who identified the collection as a good candidate for digitization. She emphasizes that the digitization of ciudad de indios documents has immense historical significance: “It’s the first time we will be able to understand what Indigenous justice meant in place with a very specific juridical designation and relationship with the king of Spain. We believe that the other eight judicial archives from ciudades de indios burned in the Mexican Revolution.”

“The chronological range of the collection will allow scholars to study how Indigenous practices adapted to Spanish rule, how new practices developed over the course of the early-modern period, and how both Indigenous and Spanish practices further adapted to modern political and legal structures in the nineteenth century,” adds LLILAS Benson digital processing archivist David Bliss.

Benson Collection archivists Dylan Joy (l) and David Bliss conducted a digitization training in Puebla earlier this year
Benson Collection archivists Dylan Joy (l) and David Bliss conducted a digitization training in Puebla earlier this year

The Digitization Process

A team of three historians from Puebla and Cholula will work in Puebla to digitize the collection, creating two digital copies—one to remain in Puebla and the other to be sent to Austin for preservation and online publication. In addition, all of the digitized materials will be extensively described using a metadata template developed by LLILAS Benson and its Puebla partners. The historians involved in the project are experts in sixteenth-through-nineteenth-century Cholula.

Dra. Lidia Gómez García of Facultad de Filosofía y Letras at Benemérita Universidad Autónoma de Puebla (BUAP) was instrumental in keeping interest in the project going amid inevitable delays. Together, she and McDonough helped choose the personnel to carry out the important work of digitization and creating of metadata for the collection. LLILAS Benson Director Virginia Garrard relates that the team working with the archives in Puebla feels a deep and personal connection with the material; the fact that they are rescuing their own patrimony from decay is immensely meaningful to them.

A member of the digitization team shows examples of the decayed state of some of the Cholula archives
A member of the digitization team shows examples of the decayed state of some of the Cholula archives

Last June 2018, Bliss and LLILAS Benson archivist Dylan Joy conducted a training workshop in Puebla for the digitization team. The team will carry out the project using a DSLR camera and two laptops, as well as the digital photography program Adobe Lightroom. The equipment, purchased by LLILAS Benson with Mellon grant funds, will be donated to the Puebla archive at the conclusion of the project, which is set for early May 2019. Bliss estimates that the project will digitize some 45,000 pages of documents.

The final, digitized documents will be ingested into the Latin American Digital Initiatives (LADI) platform, allowing researchers to form connections between the Fondo Real de Cholula documents and other collections on the platform.

A Groundbreaking Collaboration

Director Garrard, herself a historian, hails this project for bringing to light lesser-known historical actors. “This collaboration represents the lives and voices of groups traditionally omitted from the historical record,” she said. “The signing event highlighted the power of close and horizontal relationships between our two institutions, so clearly evident in the presentations of the young Mexican technical specialists and students who described for us their work with the documents, both as material artifacts and as historical sources.”

Sánchez and Garrard sign the historic agreement between Puebla High Court (TSJ) and LLILAS Benson
Sánchez and Garrard sign the historic agreement between Puebla High Court (TSJ) and LLILAS Benson

Quoted in Puebla’s El Popular, Héctor Sánchez Sánchez, presiding magistrate of the Tribunal Superior de Justicia, noted Puebla’s pride in the collaboration: the digitization of Fondo Real de Cholula is the first digitization project at an institution in the Mexican justice system. “Even more so for those of us who are part of this institution,” said Sánchez, “[the rescue of] this archive can achieve a change in the way we understand history.”

Seminario en Guatemala Conmemora la Colaboración en Archivos y Derechos Humanos

Documentos en el Archivo Histórico de la Policía Nacional (AHPN). Foto: AHPN.
Documentos en el Archivo Histórico de la Policía Nacional (AHPN). Foto: AHPN.

POR HANNAH ALPERT-ABRAMS

Nota editorial: Citamos un reportaje del Archivo de Seguridad Nacional (National Security Archive) de George Washington University: “El renombrado Archivo Histórico de la Policía Nacional de Guatemala (AHPN) se encuentra en crisis después de que su director, Gustavo Meoño Brenner, fue despedido de manera súbita, resultado de una serie de acciones orquestradas por el gobierno guatemalteco y una oficina de las Naciones Unidas. Estas mismas acciones dejaron el personal del archivo, más de 50 personas, bajo contrato provisional, y transfirió la responsabilidad por el archivo al Ministerio de Cultura y Deportes, quitándola del archivo nacional, donde ha residido desde el 2009.”

Esta situación materializó el 3 de agosto, una semana después de un seminario patrocinado por LLILAS Benson Colecciones y Estudios Latinoamericanos y el Centro Rapoport para los Derechos Humanos y la Justicia, que tuvo lugar en AHPN. Bajo el título “Archivos y derechos humanos: experiencia de colaboración entre el AHPN y la Universidad de Texas,” el seminario ofreció la oportunidad de reflexionar sobre los siete años de colaboración entre la Universidad de Texas y el AHPN.

 Dado las novedades inquietantes sobre el AHPN, la Dra. Virginia Garrard, directora de LLILAS Benson, dijo, “LLILAS Benson afirma su compromiso a AHPN y su apoyo por la preservación de esta colección histórica, la cual es fundamental para la búsqueda de la justicia, el rescate de la memoria histórica en Guatemala y al resguardo de la historia nacional guatemalteca desde el siglo XIX.”

Read this article in English.

El personal de LLILAS Benson Colecciones y Latinoamericanos y el Centro Rapoport para los Derechos Humanos y la Justicia viajó a la Ciudad de Guatemala para participar en un seminario sobre la alianza entre la Universidad de Texas y varias instituciones guatemaltecas que trabajan con archivos.

El evento tuvo como título “Archivos y derechos humanos: experiencia de colaboración entre el AHPN y la Universidad de Texas,” y se realizó el 27 de julio en el Archivo Histórico de la Policía Nacional (AHPN), que se ubica en un hospital inacabado en donde, en 2005, se descubrieron más de ochenta millones de archivos pertenecientes a la Policía Nacional, bastantes de ellos encontrados en estado precario. Durante más de diez años, un equipo de archiveros guatemaltecos ha trabajado intensivamente para preservar, organizar y dar acceso a esta colección en riesgo.

Gustavo Meoño, director del AHPN, habla. Sentados, desde la izquierda: Virginia Garrard, Dan Brinks y Theresa Polk.
Gustavo Meoño, director del AHPN, habla. Sentados, desde la izquierda: Virginia Garrard, Dan Brinks y Theresa Polk.

Durante el seminario, los participantes reflejaron sobre la alianza de más de siete años entre el AHPN y la Universidad de Texas. Esta alianza ha permitido la fundación de colaboraciones digitales, académicas y pedagógicas, incluyendo la introducción, en 2011, de un acervo digital alojado por el sistema de bibliotecas de la Universidad de Texas.

Los anfitriones del seminario fueron Gustavo Meoño, director del AHPN, y Anna Carla Ericastilla, directora del Archivo General de Centroamérica. Virginia Garrard, la directora de LLILAS Benson; Dan Brinks, el co-director del Centro Rapoport; y Theresa Polk, la directora del programa de materiales digitales de LLILAS Benson; y fueron quienes expusieron sobre la historia de la alianza internacional y su importancia para la recuperación de la memoria histórica y la búsqueda de democracia y justicia transicional en Centroamérica.

Brinks (izq.) del Centro Rapoport, con Garrard (LLILAS Benson) y Meoño (AHPN). Foto: H. Alpert-Abrams.
Brinks (izq.) del Centro Rapoport, con Garrard (LLILAS Benson) y Meoño (AHPN). Foto: H. Alpert-Abrams.

Giovanni Batz, Brenda Xum, María Aguilar, and Hannah Alpert-Abrams—todos ex-alumnos y ex-alumnas de LLILAS Benson—hablaron sobre el impacto del archivo tanto en sus carreras como en su entendimiento de la historia de Guatemala. Especialmente conmovedores fueron los comentarios de ex alumnos guatemaltecos de la Universidad de Texas cuya comprensión de su patrimonio cultural fue moldeada por el estudio del AHPN. Como comentó Brenda Xum, “los archivos cuentan una historia humana.”

Brenda Xum, ex-alumna de LLILAS Benson. Foto: H. Alpert-Abrams.
Brenda Xum, ex-alumna de LLILAS Benson. Foto: H. Alpert-Abrams.

Dos socias del archivo, Enmy Morán y Tamy Guberek, ofrecieron una visión para el futuro de AHPN, incluyendo nuevas técnicas en la preservación de los archivos y nuevos métodos cuantitativos para descubrir las historias contenidas en ellos.

Alrededor de 75 investigadores, archivistas, estudiantes y miembros de la comunidad asistieron al evento, que fue abierto al público. Estos participantes tuvieron la oportunidad de hacer preguntas. Entre ellas, hubo preguntas sobre los desafíos de la preservación digital, la dificultad de acceder la información archivística y las cuestiones éticas implícitas en publicar información delicada en línea.

Durante una tarde bastante cálida, los participantes comentaron sobre la manera en que la conferencia reanimó su interés en las investigaciones archivísticas y la historia guatemalteca. Al final, una participante se paró de pié para felicitar a las personas miembras del panel durante el evento. “Antes, realmente no conocía este archivo,” dijo. “Tampoco sabía sobre su importancia en la historia de mi país.”

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El seminario “Archivos y derechos humanos: experiencia de colaboración entre AHPN y UT Austin” fue patrocinado por el Archivo Histórico de la Policía Nacional (AHPN), LLILAS Benson Colecciones y Estudios Latinoamericanos y el Centro Rapoport para los Derechos Humanos y la Justicia.

Hannah Alpert-Abrams, PhD, es becaria posdoctoral CLIR en LLILAS Benson Colecciones y Estudios Latinoamericanos. Traducido del inglés por Hannah Alpert-Abrams y Susanna Sharpe.

 

Seminar Commemorates Collaboration with Guatemala on Archives and Human Rights

Documents at the Archivo Histórico de la Policía Nacional (AHPN, Guatemalan National Police Historic Archive). Photo: AHPN.
Documents at the Archivo Histórico de la Policía Nacional (AHPN, Guatemalan National Police Historic Archive). Photo: AHPN.

BY HANNAH ALPERT-ABRAMS

Lea en español.

Editor’s note: From the National Security Archive at George Washington University: “Guatemala’s renowned Historical Archive of the National Police (AHPN) is in crisis after its director, Gustavo Meoño Brenner, was abruptly removed in one of a series of recent actions orchestrated by the Guatemalan government and a United Nations office. The actions also placed the AHPN’s remaining staff of more than fifty people on temporary contract, and transferred oversight for the repository from the country’s national archives, where it had functioned since 2009, to the Ministry of Culture and Sports.” (See Guatemala Police Archive Under Threat.)

These actions took place on August 3, a week after LLILAS Benson Latin American Studies and Collections joined UT’s Rapoport Center for Human Rights and Justice in Guatemala City to host “Archives and Human Rights: A History of Collaboration between the University of Texas and the Historic Archive of the National Police.” The one-day seminar was an opportunity to reflect on seven years of partnership between the University of Texas and the AHPN, which preserves records documenting over one hundred years of police activity in Guatemala.

Given the recent alarming developments at AHPN, Virginia Garrard, director of LLILAS Benson Latin American Studies and Collections at The University of Texas at Austin, stated, “LLILAS Benson affirms its commitment to supporting the preservation of this historic collection, which is so fundamental to the pursuit of justice, the recovery of historical memory in Guatemala, and to the preservation of Guatemala’s national history dating back all the way to the nineteenth century.”

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Representatives from LLILAS Benson Latin American Studies and Collections and the Bernard and Audre Rapoport Center for Human Rights and Justice visited Guatemala City on July 27 for a seminar on archival partnerships between the University of Texas and Guatemalan institutions.

The event, “Archives and Human Rights: A History of Collaboration between the AHPN and the University of Texas” was held at the Archivo Histórico de la Policía Nacional (Guatemala National Police Archive, or AHPN). The AHPN is located in the unfinished hospital building where over 80 million pages of archival materials were found, in various states of preservation, in 2005. For over ten years, Guatemalan archivists have been working to preserve, organize, and provide access to this vulnerable collection.

Gustavo Meoño, director of the AHPN, addresses the seminar. Seated (l-r) are Virginia Garrard, Daniel Brinks, and Theresa Polk. Photo: Hannah Alpert-Abrams.
Gustavo Meoño, director of the AHPN, addresses the seminar. Seated (l-r) are Virginia Garrard, Daniel Brinks, and Theresa Polk. Photo: Hannah Alpert-Abrams.

During the seminar, speakers reflected on the seven-year partnership between the AHPN and the University of Texas, which has featured scholarly, pedagogical, and digital collaborations, including the 2011 launch of the UT-hosted digital portal to the AHPN.

The one-day event was hosted by the director of the AHPN, Gustavo Meoño, and by Anna Carla Ericastilla, the director of the Archivo General de Centroamérica. Virginia Garrard, director of LLILAS Benson; Dan Brinks, co-director of the Rapoport Center; and Theresa Polk, director of digital initiatives for LLILAS Benson, spoke about the history of the partnership and its importance for reconstructing historical memory and the pursuit of democracy and transitional justice in Central America.

Daniel Brinks (l), co-director of the Rapoport Center; Virginia Garrard, director of LLILAS Benson; and Gustavo Meoño, director of AHPN. Photo: Hannah Alpert-Abrams.
Daniel Brinks (l), co-director of the Rapoport Center; Virginia Garrard, director of LLILAS Benson; and Gustavo Meoño, director of AHPN. Photo: Hannah Alpert-Abrams.

LLILAS Benson alumni Giovanni Batz, Brenda Xum, María Aguilar, and Hannah Alpert-Abrams discussed the impact of teaching and learning with the archive on their professional careers and their personal understanding of Guatemalan history. Especially moving were personal stories from former UT students whose understanding of their cultural heritage was shaped by studying the AHPN. As Brenda Xum remarked: “los archivos cuentan una historia humana” (“the archives tell a human story”).

LLILAS alumna Brenda Xum. Photo: Hannah Alpert-Abrams.
LLILAS alumna Brenda Xum. Photo: Hannah Alpert-Abrams.

Longtime AHPN affiliates Enmy Morán and Tamy Guberek offered visions of the future of research with the AHPN, including new approaches to archival practice and new quantitative methods for uncovering archival histories.

About seventy-five scholars, archivists, students, and community members attended the conference, which was open to the public. Among the topics addressed in audience questions were the challenges of digital preservation, the difficulties of accessing archival information, and the ethics of publishing sensitive information online.

Throughout the very warm afternoon, participants commented on the ways that the conference had reinvigorated their interest in archival research and Guatemalan history. At the end of the day, one audience member stood to congratulate the panelists on a successful event. “Before this event I didn’t really know about this archive,” she said, “and I didn’t know about its importance to my country’s history.”

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The seminar “Archivos y derechos humanos: experiencia de colaboración entre AHPN y UT Austin” was co-sponsored by Archivo Histórico de la Policía Nacional (AHPN), LLILAS Benson Latin American Studies and Collections, and the Bernard and Audre Rapoport Center for Human Rights and Justice.

Hannah Alpert-Abrams, PhD, is the CLIR postdoctoral fellow in data curation at LLILAS Benson Latin American Studies and Collections.